IN HERE + THE MOUNTAIN GOATS

When "You can visit whenever you like" backfires

i hate math

personally, I think love is stored in the [I LOVE HIM ON PURPOSE] [NOT TO ME NOT IF ITS YOU] [LET ME BE THE ONE TO TOLERATE YOU] [LET ME SEE YOU AND STAY] [YOUR MESS IS MINE] [I WANT US BOTH TO EAT WELL] [I WANT TO BE WHERE YOU ARE] [ENDLESSLY UNCONDITIONALLY] [I HAVE YOU THATS ENOUGH FOR ME] [I NOTICE EVERYTHING ABOUT YOU I LOVE IT ALL]

Pouring one out for Afghanistan and Anguilla and Antigua and Barbuda and Australia and the Bahamas and Bahrain and Barbados and Belize and Bermuda and Botswana and Brunei and Canada and the Cayman Islands and Cyprus and Dominica and Egypt and the Falkland Islands and Fiji and Gambia and Georgia (the country) and Ghana and Gibraltar and Grenada and India and Iraq and Ireland and Jamaica and Jordan and Kenya and Kiribati and Kuwait and Lesotho and Malawi and Malaysia and Maldives and Malta and Mauritius and Montserrat and Myanmar and Nauru and New Zealand and Nigeria and Pakistan and the Pitcairn Islands and Qatar and St Lucia and Saint Kitts and Nevis and Saint Helena and Ascension and Tristan da Cunha and St Vincent and Grenadina and Seychelles and Sierra Leone and the Solomon islands and South Africa and Sri Lanka and Sudan and Swaziland and Tanzania and Tonga and Trinidad and Tobago and Turks and Caicos and Tuvalu and Uganda and United Arab Emirates and United States and Vanuatu and Yemen and Zambia and Zimbabwe tonight

quand elle ‘est bien faite avec du beurre dedans’

Sheryl Lee & Lorna MacMillan | Twin Peaks: Fire Walk with Me

[id: a five-panel digital line-drawing comic of tori spring and michael holden from ‘solitaire’ by alice oseman.

the first panel shows tori sitting in a chair with her knees pulled up to her chest and her feet flat on the seat of the chair. she is writing something at her desk with an impassive expression

the second panel shows the same shot of tori, this time with michael, not shown, asking, “tori, why do you sit like that?” and tori’s eyes go wide in response.

the third panel shows tori turning her head to face michael. her face is mostly cast in shadow and around her head are three screenshots of l lawliet from ‘death note’.

the fourth panel shows michael with a shit-eating grin on his face. text beside him reads, “knows” with an arrow pointing towards him.

the fifth panel shows a shot of both of them. tori is shown not facing the camera and has her head turned away from michael again. michael is sitting sideways on the edge of tori’s bed. tori says, “it’s just more comfortable.” michael replies, “uh-huh,” with a knowing smile. end id.]

level 10 psychic damage inflicted

SLOWLY.

I made this in april, in quarantine. I had this idea i wanted to try, and i want to turn it into a full-length story so its kind of a demo/alpha version. I hope youll like it. It’s about the end of the world and the song “Despacito”.

The flow state I go into doing a productive thing I enjoy:

The flow state I go into while picking my skin:

Claude Monet’s home in Giverny, France.