How To Grow The Fuck Up

how to grow the fuck up

More Posts from Itz-offline and Others

2 months ago

writing a novel is adding a bit of light humour to a conversation, reading it back and realising you've just set up some unconscious foreshadowing that is going to go off in seven chapters

11 months ago

“how did you get into writing” girl nobody gets into writing. writing shows up one day at your door and gets into you

10 months ago
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!
HII My Character & Shape Design Tips PDF Is Now Available! ^_^ Hope You Enjoy !!

HII my character & shape design tips PDF is now available! ^_^ hope you enjoy !!

BUY HERE or HERE

10 months ago

does anyone know where I can find good reference images of victorian-era wheelchairs? I want to draw the jovial contrarian but all the wheelchair art refs/tutorials I can find are for modern wheelchairs

1 year ago
Title card reading: [Storyboarding Basics. Brought to you by NU Animation Club, March 23 2023]. There is a chibi drawing of Feeb drawing on a CINTIQ
Types of shots: Distance from the camera  Close shot: intimacy, emphasis on charater emotion. Example is a close up shot of Gandalf’s face from Fellowship of the Ring.  Long shot: grandiose, emphasis on location. Example is a long shot of Legolas, Gimli, and Aragorn arriving at Rohan, visible on a hill in the distance, from the Two Towers.  Note: never start with a close shot. Start with as much location as possible to set the stage for your audience
Rule of thirds: Divide the screen into thirds horizontally and vertically. Try and keep focal points (like eyes) where the lines intersect!  Incorrect example shows Araluna from Archmage Ascending with her eyes below the top third horizontal line.  Correct example shows Araluna from Archmage Ascending with her eyes on the top third horizontal line.
Don’t cut characters off: make sure not to cut off a shot at the characters’ joints. Be especially careful of knees, elbows, hips.  Incorrect example shows a shot of Power and Denji posing for the camera. The left side of the frame cuts off at Power’s wrist. The bottom of the frame cuts off at Denji’s ankles.   Correct example shows a shot of Power and Denji posing for the camera. The left side of the frame cuts off at Power’s forearm. The bottom of the frame cuts off at Denji’s calves.
What is “shorthand”?  Shorthand: a very simplified art style for storybordd that prioritized shape  Do: include shape, size, expression  Do not: include detail  Example is an image of Ryuk from Death Note besides a shorthand drawing of him to scale.  These are NOT illustrations / lineart, they are GUIDES!
Perspective & Gridlines: It is NECESSARY to include gridlines to make your perspective clear for the background artist.   An incorrect example shows Araluna falling on a blank background.  Three correct examples show the same image with gridlines in the background. One shows the gridline as a flat ground. The other shows the gridlone a slanted background in fish eye perspective. The last shows the gridline as a receding wall parallel to the character.
Perspective cheat code: No matter how close characters* are to the camera, the horizontal line will always cross them at the same part of their body.  * must be the same height  Incorrect example shows the horizon line cross Dokja Kim at his shoulders and Junghyeok Yoo, who is in the background, at his knees.  Correct example shows the horizon line cross Dokja Kim and Junghyeok Yoo, who is in the background, at their shoulders.
Perspective tip! Try to avoid having the horizon line run through the middle of the screen.  Raising or lowering the the horizon gives your shots a cinematic feel.  Incorrect shot of Riza Hawkeye running in a forest has the horizon line crossing the center of the frame.   Incorrect shot of Riza Hawkeye running in a forest has the horizon line crossing close to the top of the frame.   Incorrect shot of Riza Hawkeye running in a forest has the horizon line crossing close to the bottom of the frame.

a couple snippets from a presentation i gave at school this past week on storyboarding!!

‼️DISCLAIMER: I am still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!

Happy boarding, friends! ✍️💕

8 months ago

has anyone else noticed that being alive is like. not the most dignified experience ever

1 year ago

me writing: i am a god and reality bends to my whims

me proofreading: im too stupid to be alive

1 year ago
Some More Outside Drawings! I Went To LA For A While
Some More Outside Drawings! I Went To LA For A While
Some More Outside Drawings! I Went To LA For A While
Some More Outside Drawings! I Went To LA For A While
Some More Outside Drawings! I Went To LA For A While
Some More Outside Drawings! I Went To LA For A While

some more outside drawings! I went to LA for a while

1 year ago

What makes an outfit practical or impractical to fight in? Would an acrobat's outfit with some decent shoes be okay to fight in? Any suggestions on how to make an outfit frilly/girly without sacrificing (too much) practicality? (Trying to come up with practical[ish] Magical Girl outfits - know it's not your genre probably - there are certain expectations for frilliness even for tomboyish characters)

You’re, basically, looking for three things: How well canyou move in it, does it give potential foes anything to grab, and does it offerany protection?

If you can’t move freely in your clothes, you can’t fight inthem. It doesn’t matter if we’re talking about them being tight enough torestrict movement, or if they make it difficult to walk around. Tight skirts,high heels, tailored suits; it doesn’t matter; they’ll all limit your abilityto fight.

With footwear, you’re looking primarily at how well you canstand and move in it. Shoes and boots designed to grip the floor are (usually)the best options here. So, things like sneakers or work boots are good options.Rubberized soles will help you keep your footing far better when you’restanding in someone’s blood than a dress shoe or high heels.

Things like long coats, ties, free flowing skirts, scarves, hoodies,or of course capes, won’t usually limit your mobility, but they can give anopponent something to grab. Once that happens, that article of clothing willlimit your mobility (some). This is also a factor that’s difficult tocompletely eliminate. Practiced martial artists can, and do, go for collar orlapel grabs on clothing you might think would pass. That said, there are somespecial cases here.

If the article of clothing will tear away freely, it’s (kindof) a wash. You’re still talking about losing clothes, which isn’t usuallysomething you want, but it means you’re not getting dragged out of position byan attacker.

If the combatant is ready for it, it’s possible to usesomething like this as a firing point to retaliate. If you know, roughly, wheretheir hand is, it’s much easier to extrapolate where the rest of them is inrelation to you. This still doesn’t make fighting in long flowing garments a goodidea.

The final factor, almost by definition, doesn’t really applywith magical girls as a genre, and can get a little weird when you’re talking aboutany superhuman characters.

Ideally, if you’re planning to get into a fight, you’ll wantdurable clothing that will take a few hits, and hopefully shield you from harm.Materials like leather and denim hold up much better than lighter fabrics.Insulation in a jacket will take some kinetic force from a strike (not a lot,but still), so it’s better than just jeans and a tee, or even a denim jacket.This also gets into a discussion we’ve had before. Protection is often about makingtradeoffs.

An insulated leather jacket will (slightly) reduce yourmobility. It will give an opponent something they can grab. But, it will alsooffer protection from stray hits and while parrying incoming strikes. It won’tprotect against gunshots, or against a sword, and if that’s what your characterwas likely to face, they’d need armor to deal with those threats instead.

Somewhat obviously, exposed skin isn’t offered anyprotection. Technically, skin itself is protection for your body, and it doesfunction as your first line of defense against infection, but that’s mostlyacademic in this context.

This is also where, magical girls, and most superherosubgenres, deliberately start straying from reality, without actually being unrealistic (in theliterary sense). What matters is if your character has some kind of protectionfrom the threats they’re facing. It doesn’t matter if that’s an ancient alienartifact, a mystical gemstone, or the weaponized power of friendship. That is what protects your character,not her denim vest. You’re also talking about characters where the threats theyface are, effectively, impossible to mitigate through mundane means. Again, aleather jacket, no matter how snazzy, won’t do much against a death beam fromsome snarling murderbeast, or blows from a sword with an enchantment thatdrains the soul from anyone who touches it. As I’ve said before, you selectyour armor to deal with the threats you’re likely to face, and when it comes tomagical girls, those threats are (almost always) going to be far beyondanything you could physically protect against.

Normally, you wouldn’t want to fight off an arisen god ofwar in a school girl uniform, but it’s not like a flak vest would offer anymore protection against a threat like that.

-Starke

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