Whether she is conscious of it or not, Ms. Swift signals to queer people — in the language we use to communicate with one another — that she has some affinity for queer identity. There are some queer people who would say that through this sort of signaling, she has already come out, at least to us.
~in the goddamn New York Times~
*raises glass* this web weave is dedicated to my most beloved @doppelgangerism and @justanapparatus
look what you made me do music video, taylor swift
"becoming a self: the role of authenticity in being and time", charles guignon (x)
look what you made me do music video, taylor swift
look what you made me do live at the eras tour, taylor swift
reputation prologue, taylor swift
the lucky one lyric video, taylor swift
delicate music video, taylor swift
blank space live at the eras tour, taylor swift
mirrorball, taylor swift
"confronting the inessential: the projection of the self in the writing of sylvia plath", melissa santos (x)
ready for it? music video, taylor swift
dear reader, taylor swift
taylor swift and the eras tour commercial, capital one
look what you made me do: behind the scenes - the taylor mountain, taylor swift,
karma music video, taylor swift
style music video, taylor swift
fortnight music video, taylor swift
"untrue to one's own self: sartre's the transcendence of the ego", iker garcia (x)
anti-hero music video, taylor swift
midnights prologue, taylor swift
fortnight music video, taylor swift
anti-hero live at the eras tour, taylor swift
the archer, taylor swift
you belong with me music video, taylor swift
the archer - first live performance, taylor swift
if you're anything like me, taylor swift
anti-hero music video, taylor swift
midnights prologue, taylor swift
the bell jar, sylvia plath
out of the woods music video, taylor swift
"the uncomfortable self: emily dickinson's reflections on consciousness", charlotte kupsh (x)
um wtf?????
so the page turning thing taylor is doing made me think:
'Cause there were pages turned with the bridges burned/Everything you lose is a step you take'
like. burning bridges. burning the lover house. burning her past.
'Spring breaks loose, but so does fear/He's gonna burn this house to the ground'.
what if 'he' is the heteronormative view she has had to pander to? and by coming out, by turning the page to reveal her truth, her queerness, she is allowing her past to be burned and destroyed in the name of love? BUT. ivy ends with
'My house of stone, your ivy grows/And now I'm covered/In you'
her house is STONE. you Cant burn STONE. her Real self is safe, and covered in the growth of love and new beginnings. she was afraid of coming out bc she was afraid of losing Everything, but realized somewhere along the way thats ok. she has what matters. besides:
'So make the friendship bracelets/Take the moment and taste it/You've got no reason to be afraid'
after all!! i'm not saying comingoutlor but...
the bolter & gorgeous.... 'all her fuckin lives flashed before her eyes / i feel like i might sink & drown & die'
like the tune of these just runs together! & the connections between almost drowning at 6 in the bolter etc etc
these songs sound similar and i feel like 'rivulets descend my plastic smile' flows well into 'all that bloodshed crimson clover' ....the implications...
Is she…finally outside the glass now????
WHOS AFRAID OF LITTLE OLD ME
‼️‼️‼️🗣️🗣️🗣️
“Meet me at midnight” - so when the clock strikes twelve to start off the Eras Tour -
We’re met with this wonderful rainbow imagery
Along with all the other rainbow imagery we see during the tour
I believe the video I watched was a clip from the Eras Tour movie, and you would not believe the amount of instances in which this rainbow lighting effect occurs. Particularly during Lover and Reputation sets…
The colours of the stage are giving