Buffet.

Buffet.

Buffet.

More Posts from Jellypickle and Others

4 months ago
Red Pattern 🩸🌹 [oc] "The Only True Color In Your Life"

Red Pattern 🩸🌹 [oc] "The only true color in your life"


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1 year ago

so i'm in this backyard chickens group on reddit and someone just discovered their hen is transitioning and everyone is stoked

So I'm In This Backyard Chickens Group On Reddit And Someone Just Discovered Their Hen Is Transitioning
So I'm In This Backyard Chickens Group On Reddit And Someone Just Discovered Their Hen Is Transitioning

anyway in case you didn't know chickens will sometimes spontaneously f2m and it's pretty cool

1 year ago
SHE WAS A SK8ER GIRL SHE SAID SEE YOU L8ER GIRL

SHE WAS A SK8ER GIRL SHE SAID SEE YOU L8ER GIRL

5 months ago
In the first panel, Daisuke is drawing on paper at a desk. He is drawing a mink wearing a hibiscus flower, meant to be his fursona. Jimmy is standing to the side, saying: "What is that? Is that your fucking fursona? That's cringe". The second panel has Daisuke pointing to Jimmy with an angry expression, saying: "You're cringe!". The third panel is Daisuke going back to drawing happily, while Jimmy looks extremely sad. The fourth panel shows Jimmy steering the ship, hitting the red button to disengage auto pilot. The screen in front of him says "Crash Imminent".

the real reason he did it

1 year ago

her: you better not be yuri fight club when i get home

my stupid ass:

Her: You Better Not Be Yuri Fight Club When I Get Home
1 month ago
CAT Groove !^>

CAT groove !^><^!

1 year ago
Panel 1: two sets of legs walking. Panel 2: The legs on the left come to a stop as the legs on the right keep walking. Panel 3: The legs on the left stand still. The legs on the right start to disappear off panel as they keep walking. Panel 4: The legs on the left stand alone.
Panel 1: kid on the right wearing a backpack walking. Panel 2: Kid on the right turns, noticing their friend is gone, and stops walking. Panel 3: kid on the right is standing a couple paces behind, looking down at the ground with their hands gripping the straps of their backpack. Kid on the right has stopped and turned around. They say, "what's wrong?"
Panel 1: kid on the left looks downcast and says, "I don't wanna go to school. It's scary." Panel 2: kid on the right walks up beside kid on the left. Panel 3: Kid on the right says, "yeah, it is." Panel 4: kid on the left says, "But we have to go."
Panel 1: kid on the right stares. Panel 2: kid on the right starts to take off their backpack. Panel 3: Kid on the left is staring down at nothing. Panel 4: something catches their attention and the kid on the left looks up towards their friend. Panel 5: The kid on the right says, "here, give me your hand." They hold out their hand towards the kid on the left and holds an uncapped permanent marker in their other hand.
Panel 1: Kid on the right holds the kid on the left's hand as they writes in it. Their backpack leans up against their leg as it rests against the ground. They say, "I'm gonna write the biggest, strongest thing I know on your hand so you can take it to class. Panel 2: kid on the left asks, "What is it? A cassowary?" Panel 3: Kid on the right says from off-page as the kid on the left covers their face and turns away, "Stronger than that. But you can't peek right now. You can only look when you get reeeeeally scared." Kid on the left says, "why?"
kid on the right says from off-page, "The trick is that when you know what it is it'll be so big and so strong, you won't be able to be as scared anymore." Panel 1: kid on the left's hand being held by the kid on the right as they continue writing on it with a permanent marker. Panel 2: kid on the right closing the kid on the left's hand for them. Kid on the right says, "So you gotta save it." Bottom of the page is black gradient.
Dark hallway with a large billboard on the wall that has pages stapled to it extending off the page. Single looming door about four times the height of the kid on the left who is standing looking at it with their backpack on. The single long rectangular window above the door's handle casts a shadow over the kid. Panel 1: close-up on the kid on the left as they look up nervously at the door. They're holding the straps of their backpack. Panel 2: The kid on the left fiddling with their hands, their right hand in a fist where something had been written.
Panel 1: kid on the left stretches to reach for the door handle overhead. The door is very oversized. Panel 2: Kid on the left's small hand gripping the giant door handle. Panel 3: Kid on the left says, "A hippo..." as they pull the door handle down to open it. Panel 4: Kid on the left says, "a hippo with lasers..." as they begin to step through the open door. Only their feet and the bottom of their backpack can be seen. Panel 5: The gap through the open door shows a harsh light compared to the dark hallway where the door and it's handle is still in shadow. Panel 6: From the outside the door closes with a "click."
Full page art of a giant featureless teacher at the front of the classroom writing on a blackboard with a piece of chalk. Comparatively tiny students who are also featureless face the front while sat at their desks. Only the backs of their heads and shoulders can be seen. The kid on the left is sitting down in their midst, their backpack slung on the back of their chair. There are some stairs that go up to the too-high black board at the front of the room. There are two pieces of chalk and a black board eraser resting at the bottom of the black board. The teacher has written, "mushroom + mushroom = mushroom" "disease - disease = disease" "giraffe Ă— gi"
Panel 1: the kid on the left looking forwards with their hands folded in front of them on their desk. They look apprehensive and they're surrounded by the other students at their desks. The other students all have sticky notes on their faces with an emotionless simple expression drawn on. Everyone faces forward.
Panel 2: the kid on the left looks at their hands as they fiddle with them, still clasped together.
Panel 3: the kid on the left continues fiddling with their hands without parting them, leaning further down.
Panel 4: the kid on the left has their face right up to their hands, still fiddling and now with greater concentration.
Panel 5: the kid on the left jerks to look up in shock as the teacher says, "YOU."
Panel 6: the silhouette of the kid on the left sits alone at their desk, tiny compared to the teacher's hand pointing directly at them.
Panel 1: the teacher's hand is giant in the frame as it points and says, "WHAT IS GIRAFFE." Behind them is the chalkboard that reads, "mushroom + mushroom = mushroom" "disease - disease = disease" "giraffe Ă— giraffe = giraffe"
Panel 2: the kid on the left reels back with a scared expression, their hands clenching on their desk.
Panel 3: Close-up on the kid on the left as they hunch in on themselves and say quietly, "um."
Panel 4: The kid on the left's hands shake as they clasp together and they say quietly, "uh."
They continue, "a giraffe...?"
Panel 1: the teacher says, "WRONG." The kid on the left looks small hunched in on themselves at their desk with every other student at their desks turned towards them.
Panel 2: The kid on the left sits frozen at their desk with their hands closed together over their desk, frozen.
Panel 3: The kid on the left remains frozen, receding into the void with all the other students missing.
The kid on the left floats in the void, sitting at their desk with their hands folded and looking down. They get smaller as they begin to hunch down and rotate in further iterations of themselves down the page until they have their face in their arms. It looks like they're floating off.
Panel 1: the kid on the left has their face buried in their arms against their desk.
Panel 2: The kid on the left's eyes have tears dripping from them as they peek up from behind their hands.
Panel 3: The kid on the left rubs at the tears with one hand as their downturned mouth can be seen from behind their right hand.
Panel 4: The attention of the kid on the left is caught by something on their right hand.
Panel 5: A close-up of their right hand reveals "I love you" written on the palm.
Panel 1: The kid on the left sits up slightly, looking at their hand with a surprised expression and says, "oh." Panel 2: The kid on the left floats alone in the void without their desk or anyone around them, holding their right hand with their left and looking down with a slight smile. They say, "that's stronger than a kajillion hippos with lasers."
we go together
we go together Is a surreal slice-of-life webcomic by Pim updated three times a week
1 year ago

They’re so me 🥺

The Peak Of Character Design

the peak of character design

1 year ago

today is my birthday! i’m 33 today and i have done an ungodly amount of stupid shit in my life that honestly probably should have gotten me killed. so here are 33 hard-won things i’ve learned that i wish someone had told me sooner.

whenever you buy an object, you are going to own that object for your entire life unless you make the conscious decision to throw it away or give it a new home. maybe other people don’t struggle with this as much as i do, but i’ve grown to become a little exhausted by finding a thing and realizing i don’t want it anymore, but i don’t have the energy or motivation to do anything with it. signed, a woman with a packed 10x10 storage unit who is now extremely hesitant to buy new things.

food, and by that i mean good food (and by that i don’t necessarily mean healthy food, but food of good quality that you love), is necessary to live, and buying it, preparing it, and eating it is not a chore. the sooner you accept this and make food a priority in your life, the healthier you’ll be. 

speaking of food, not everything you buy should be the cheapest version of it. personally i’ve found it’s always worth it to splurge on good olive oil, butter, and canned tomatoes. for years i thought i was an awful cook because i was cooking with cheap, disgusting olive oil that made my food taste like shit.

speaking of food part 2, i can’t BELIEVE how long this took me to figure out, but mise en place is the real real. get your shit out and organized and prepped *before* you start cooking, even if it makes things take longer. and yes, it is always worth it to do the dishes as you go, which pisses me off.

when i was teaching myself how to cook and feeling daunted about it, the best advice i ever got was to aim to learn 15 recipes and then put them in rotation.

this is the most horrific and awful truth i have forced myself to accept: there may come a day you can no longer digest your favorite foods, and you will either have to stop eating them, or remain very close to a toilet. i’m sorry.

other people are always going to misperceive you and misunderstand you, sometimes willfully. other people’s opinions of you don’t actually have anything to do with you. they’re not your business, and you don’t have to worry about it or change yourself.

when innocuous or neutral things make you irrationally angry or upset, step back, realize you’re having a big reaction, and then when you’re ready, pay very close attention to the thing that upset you, because you’re about to learn something important about yourself.

a pill sorter can save your life. i don’t know how i managed my meds without one.

sometimes college is about learning stuff, and not about becoming something.

no matter how many perfectionist tendencies you have, it’s worth it to remind yourself that no matter how much of a mess you actually are, you deserve to be loved.

if you’re always forgetting to do important but tedious things, set an alarm and set aside one hour of each week, not to do the important tedious things, but to assess what needs to be done, and *schedule* the important tedious things for the following week. this literally changed my life.

during that hour, make a meal plan too. the point of doing this is condense the time in which you’re making decisions (what to do, what to eat, etc) so you don’t have to burden yourself with them throughout the week. decision fatigue is real. any way you can alleviate that is a good thing.

learn the difference between aggressive, passive, passive-aggressive, and assertive behavior. recognize when you’re being one of the first three, re-assess and aim for being assertive, even if it’s hard.

you can tell you’ve processed trauma, not when the traumatic thing stops upsetting you to think about, but when the traumatic thing takes up the same size in your brain as all your other memories.

if you’re one of those people who never seems to finish projects or follow through with things, there’s a chance you may just grow out of it naturally. until then, follow your interests and don’t feel bad about putting down a hobby to pick up another.

if you love stickers but have sticker anxiety, buy vinyl stickers. you can re-stick them.

there are only a few careers i can think of that you have to commit to early in life because getting the undergraduate credentials is a pain in the ass (teachers, doctors, and engineers, from my research). nearly everything else you can switch to later, which takes a LOT of pressure off having to figure out what you want to do with your life.

people say there’s no money in becoming an artist, writer, musician, etc. actually there’s a ton of money in all of those things, it’s just in the stuff other people want you to make and never what you want to make. it’s still worth it to develop the creative skill and not force yourself into business school because it’s more “practical” or whatever. 

sleep when you’re tired. SLEEP WHEN YOU’RE TIRED. don’t beat yourself up about it, don’t tell yourself you shouldn’t be tired or that you’ve already slept too much, just take a fucking nap. you would never say “hm i’ve already had enough water today, therefore i should not be thirsty” so don’t treat sleep the same way.

when you build a piece of furniture from target or ikea or whatever, the first thing you should do is count all the little screws and things to make sure everything’s there that should be. it sucks to get halfway into putting something together only to find there’s a piece missing and you have to go buy it.

learn to travel by yourself, go out to eat by yourself, see a movie by yourself. in my early 20s i was scared to do these things, but i do them so often now i don’t even think about it. it’s the most fulfilling skill i’ve ever learned.

adding to the above, if you’re a people-pleaser, being alone is especially important, because you’ve probably developed the habit of making the people you’re with more comfortable and happy than yourself, and you’re missing a lot of the beautiful and interesting things around you. when you’re by yourself, you can focus on what *you* want without guilt. 

sometimes you’ll want to break things off with a friend for reasons that are no one’s fault, and you don’t want it to be volatile or make a big thing of it, in which case the goal is to simply fade out of their life. it is okay to let people go.

shame is useless. get rid of it.

no matter how much of yourself you put into your art (or writing, or music, or whatever), when people criticize it, they are not criticizing you. they are having a reaction colored by their own tastes and perspectives. their opinion of your work has nothing to do with you. you don’t have to take everyone’s feedback. in fact you don’t have to take anyone’s feedback. the other side to this coin unfortunately is that compliments don’t have anything to do with you either. it’s good to accept this because it means you’ll stop seeking validation from other people and won’t let anyone else’s perspectives impact your work. anything nice anyone says about your work is merely a bonus to an already good thing.

if you’re an artist of any kind, take one day a year to look up opportunities like grants, funding, residencies, workshops, whatever. put the due dates of all of them on a calendar for the year following and get into the habit of applying for stuff. getting rejected sucks, application fees suck, but in all the years i’ve been doing this, it has always, always been worth it. these things give you a chance not only to help fund and support what you’re passionate about, but they force you to take your own work seriously, and that is something that’s absolutely necessary in order to be successful.

you must become your own greatest advocate. in all respects–in health, in love, in happiness, in freedom, you must. no one will ever fight as hard for you as you will. this in turn will give you the strength and motivation to help others fight for themselves too. the only way the world will ever get better is if every person on this planet learns to see themselves as equals to everyone around them.

brag about yourself as often as you can. for one, people develop their perceptions of you based on how you treat yourself and speak about yourself. but for two, it’s the fastest way to figure out which people to keep in your life, because they’re the ones who are going “oh hell yeah, you’re awesome.” 

be the person other people want to brag to.

at some point in your life, someone is going to hurt you, and it’s going to be willful and intentional. it is not worth it to waste brain space figuring out why they did it or why you think you deserved it. all you have to do is let yourself feel that pain, acknowledge it, and try to move on.

no matter how bad off you think you are, recovery is possible. the first and hardest step is to learn you’re worth the time and effort it takes to recover from the awful things that have happened to you.

developing an expertise does not mean you’re getting objectively better at something. becoming an expert is only the process of seeing your mistakes and having the patience to sit in the discomfort of not knowing how to fix them.    

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jellypickle - Little Shenanigans
Little Shenanigans

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