Day 4/31, "WO XI HUAN NI" đ
Tumblr of Happiness đ
Almost every occurence in my dreams turns out a real event in my life. How come?
âAccept how you feel but donât let feelings rule you. You are in control. You are not their slave.â
â Unknown
Best of Edgar Allan Poe đ€đŻ
But our love it was stronger by far than the love
Of those who were older than weâ
Of many far wiser than weâ
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soulâ
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
love
Concept
08
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âHave we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such?â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
understanding
Concept
09
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âAnd this I did for seven long nightsâevery night just at midnightâbut I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
work
á§
procrastination
Concepts
10
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âI knew what the old man felt, and pitied him, although I chuckled at heart.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
humor
á§
pity
Concepts
11
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âI smiledâfor what had I to fear?â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
fear
á§
nervousness
Concepts
12
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âIt was a low, dull, quick sound â much such a sound as a watch makes when enveloped in cotton.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
sounds
Concept
13
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âAnd it was the mournful influence of the unperceived shadow that caused him to feel â although he neither saw nor heard â to feel the presence of my head within the room.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
perceptions
Concept
14
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âA watchâs minute hand moves more quickly than did mine.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
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time
Concept
15
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âTrue! - nervous - very, very nervous I had been and am; but why will you say that I am mad?â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
nervousness
Concept
16
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âł Almighty God!âno, no! They heard!âthey suspected!âthey knew!âthey were making a mockery of my horror!âthis I thought, and this I think.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
fear
á§
nerves
á§
worried
Concepts
17
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âIt is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
thoughts
Concept
18
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âAnd have I not told you that what you mistake for madness is but over-acuteness of the sense?â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
madness
Concept
19
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âAnd every night, about midnight, I turned the latch of his door and opened it â oh so gently!â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
secrets
á§
quiet
Concepts
20
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âAll in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim.â
Edgar Allan Poe
Author
The Tell-Tale Heart and Other Writings
Book
death
á§
darkness
Concepts
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I wanna be found again.
There are some bad memories â whether of a crime or a painful life event â that weâd rather not recall. New research shows that people can successfully inhibit some incriminating memories, reducing the memoriesâ impact on automatic behaviors and resulting in brain activity similar to that seen in âinnocentâ participants.
The research is published in Psychological Science, a journal of the Association for Psychological Science.
âIn real life, many individuals who take memory detection tests want to distort their results. Using a lab-based crime simulation, we examined whether people can indeed suppress guilty memories and avoid detection,â explains lead researcher Xiaoqing Hu of the University of Texas at Austin. âOur study indicates that suppression can be effective in certain ways, helping us to limit unwanted memoriesâ influence over our behavior.â
Hu conducted the study when he was a Ph.D. student at Northwestern University with colleagues Zara M. Bergström of the University of Kent and Galen V. Bodenhausen and J. Peter Rosenfeld of Northwestern University.
The researchers recruited 78 undergraduate students and randomly assigned them to one of three groups. Two of the groups, both âguiltyâ groups, were instructed to find and steal a particular object from a faculty memberâs mailbox. The object was actually a ring, but the word âringâ was never mentioned in the instructions. This was to ensure that any evidence of ring-related memories would be the result of committing the actual crime and not from listening to the instructions.
A third group, the âinnocentâ group, was told to go to the same area and simply write their initials on a piece of poster board.
Some of the guilty students were then told that they shouldnât allow memory of stealing the ring come to mind at all during the following concealed-information test (CIT) â that is, they were instructed to suppress the memory. The other guilty students and the innocent students were not given any suppression instructions.
The three groups completed a CIT, a brainwave-based test that can be used to evaluate whether an individual has specific knowledge suggesting involvement in a crime. On each trial, participants were presented with either the target item (e.g., the word âringâ) or one of six crime-irrelevant items (e.g., âbracelet,â ânecklace,â âwatch,â âcufflink,â âlocket,â âwalletâ) while their brain activity was recorded using EEG. The researchers were specifically interested in looking at the P300, a brainwave that indicates conscious recollection.
The students also completed an autobiographical Implicit Association Test (aIAT) in which they had to indicate whether specific statements were true or false. Response times on the aIAT are thought to reflect the strength of a particular association â the faster the response, the more strongly held that association is, regardless of the personâs explicitly stated thoughts and feelings.
As expected, the researchers found that the guilty participants showed significantly larger P300 responses to the target than to the irrelevant stimuli â but only if they hadnât been given instructions to suppress memories of the crime.
Those who suppressed crime-related memories showed no difference in P300 activity between the two types of stimuli, resulting in data that were indistinguishable from those of innocent participants.
In addition, suppressed-memory participants were also less likely than the other guilty participants to associate crime-related memories with the truth on the aIAT. However, the data suggested that guilty-suppressors could still be identified via another brainwave, known as the late posterior negativity.
Together, the findings suggest that memory suppression dampens neural activity associated with retrieving memories and also limits the influence of these memories on automatic behavioral responses.
The researchers are planning on exploring this memory suppression effect further, investigating whether it might be applied to other types of personally significant memories.
âFor example, we can all recall times when we hurt others or behaved inappropriately and these memories can carry feelings of guilt and shame. Can we suppress these kinds of memories, and what are the consequences of such suppression?â says Hu.
While traumatic memories may seem like an obvious target for suppression, the researchers point out that these memories stem from emotional events involving strong physiological arousal and itâs unclear whether suppression would be effective in reducing their impact.
I'm coming there to touch you and snuggle up
Our real time is different similarly by how opposite the regions both of us came from. His crack of dawn was when my feet wide apart in extreme sound sleep, no signs of awakeness, not of a hiss of breath neither unconscious groans
He said he witnesses both the sunrise and sundown.
He, then could no longer watch a film-like state of dreams in slumber.
The dark couldn't look after his weary eyes, as his light coloured iris (chroma) rejects radiating the same old glow in such hypnotic glare
If I take a look closer at his eyes, there's barely sadness, happiness, or bubbliness of some sort. The night was robbed off his sleep wires in brain. Completely vanished. A boy of nocturne hours, night that's silent yet insane
ć€§ćź¶ć„œ! æćŸćż«äč. đ
I decided to repurpose an old study guide I made for educational purposes because maybe some people will find this useful, or interesting at the very least! (Sorry about the American-English and Fahrenheit)
If the body is âlimpâ, how long has the person been dead? They will only be limp immediately after death (up to ~2 hrs) or very long after (nearly a day and a half). As for stiffness, complete rigidity doesnât occur until ~12 hrs, and it doesnât last very long before rigor reverses. Your characters can end up tearing muscles and breaking bones trying to force body parts in rigor to bend or move if theyâre not careful enough because everything is very tense and rigid. Fingers will snap like twigs. Ever heard the expression âyouâll have to pry it out of my cold, dead handsâ? Yeah, itâs really not supposed to be easy.
Blood follows gravity! Livor is one of the first noticeable signs of death as in some cases it can begin as near as 30 minutes to 2 hours after death, before even rigor sets in. Has your body been moved before 6-8 hrs? The bruising likely wonât be uniform. Were they lying atop something? Objects can interrupt the bruising. Perhaps they were in a vehicle and the silhouette of a tire lever is visible. Clues! The color of the bruising can also help determine different types of poisoning.
Body temp can be tricky and unreliable at the best of times because thereâs so many factors. Iâve been told itâs rarely used to exclusively determine TOD. The magic number is 3. Find three different ways to back up Time of Death. For example: if youâre using algor mortis, find two other indicators of time of death (livor, rigor, insect activity, scene markers). Most writers (myself included) avoid being specific about temperature because really, it can be hard. If youâre really keen on it though, I can show you a fairly simple way of calculating time of death based on temperature in average conditions. Just let me know.
The body is not going to look like a pristine preservation of a human being the whole time! They canât just be pale and immobile. Other things happen. Was the body found in a river? A lake? Itâs not going to be pretty. Adipocere is wild. Thereâs more to open eyes than just a hazy blue film. If itâs exposed to air and debris, you bet itâll show. Tache noir can happen in ~7-8 hours. It looks vaguely terrifying if Iâm honest. But hey, thatâs life! Er, death, rather.
Basically, when youâre writing a crime scene and you want a model corpse with mobility and the fewest visible markers of decomposition, you only really have about 2 hours at most so plan your timeline accordingly if youâre counting on these things! Also, I know pallor mortis is a thing and I didnât include it because itâs basically useless in determining TOD. Dead bodies get pale. Thatâs probably the one thing anyone knows. Anyway, happy writing!
Disclaimer: I am not an expert in the field! Iâm still just a student. This is information accumulated over the course of my studies and has been reinforced by various sources, primarily my forensics teacher who spent years working in the field before moving to the classroom.