SO THEIR TWITTER HEADERS ARE DOING A THING

I trust her. I shouldn’t focus on her too much. If i did, i would lose her, or worst, myself

Tôi đã biết về lời nói dối thứ 2 liên quan đến cô ta, nên mong chị hãy thành thật. Nếu chị nói mình không nhớ, vậy thì việc ấy không dằn vặt chị ư? Thực tế đây là lời nói dối thứ bao nhiêu vậy? Thà chị nói hết tôi còn không đau lòng đến thế.

reposting this to get it there in the feed for people who wouldnt otherwise run across it because, well, i’ve decided we havent cried enough today and that’s that.

This album is the one that I’ve been wanted to make for years and years.

Taylor Swift on iHeartRadio

(via

taylr

s)

then how is it about Ya Boi of 1 calender year

(via kaaylor)

🤣🤣🤣🤣

(via out-of-the-klosset)

It’s been funny search Karlie Kloss’ name on twitter.

You best believe it! 😂

god she’s hot

Taylor: Trust him like a brother.

My mind:

the clock and furniture design such a high quality tea

Cowboy Like Me is about Dianna Agron and the Aftermath of Swiftgron

So if you’ve read my complete and exhaustive Swiftgron Timeline (@swiftgronmasterpost​) then you know directly after Swiftgron ended Dianna went to Morocco then not long after that she stopped hanging around her usual crowd,  then moved to NYC and started hanging out with very wealthy socialites and she also ended up marrying Winston Marshall of Mumford and Sons, whose dad is close to being a billionaire.  They got married in Morocco:

It was also rumored that after Dianna split with Winston (summer of 2019) she supposedly started dating a (rich) guy named Gus Wenner.  They appeared to also meet in Morocco.  That relationship has never been confirmed but the rumors were loud and coming from a place I generally trust to have Dianna tea.  DIanna pictured with Gus in Morocco in November 2019:

The rich guys and Morocco will come into play for our analysis but first…a retrospective.

Cowboy Like Me then goes on to talk about dancing and how it’s a dangerous game.  Two things here…we know Dianna loves to dance and got her start in Hollywood as a dancer and danced with Taylor:

and why would dancing be a dangerous game exactly?  That’s queer coded and reminds me of the danger warned about in Wonderland.

CLM also sings about bandits, y’all probably already know that L Chatters nick named Dianna Pussy Bandit based on her alleged reputation as very popular with the ladies.

There’s also queer coding in the “takes one to know one” assertions of the song.  Gay people often can spot one another out due to gaydar and signaling when straight people remain oblivious.

Same with the lyric about “skeletons in our closets.”

And the song ends with:

And I’m never gonna love again I’m never gonna love again Mm, mm, oh, oh I’m never gonna love again

The idea here is that after Swiftgron split in April of 2013 is it possible that Dianna gave up looking for conventional love, settling instead for security and comfort with exorbitantly wealthy guys like Winston and Gus (no shame in it you do you girl)?

Taylor has left us more clues in the Lyric video.

First of all the lyric video is exactly 4 minutes and 39 seconds long…

the same length as the music video for the Swiftgron masterpiece Babe which rips off, and is the same length as, the music video that Dianna starred in - I’m Not The Only One.  Click here for more on how that’s the loudest piece of Swiftgron evidence in existence.

Furthermore in the lyric video there is a Morocco Oil Lamp:

There is also a globe in the lyric video setting, perhaps representing the “you searched the world” that Dianna did in Morocco referenced in Wonderland:

There’s also a clock set to 4:30 (interesting because Taylor usually sets clocks to some configuration of 13, like 1:30, in music videos)

Dianna’s birthday is 4/30:

It should also be noted that the aesthetic of this scene is similar to Dianna’s old LA house that she insisted on decorating in a peculiar fashion, painting the walls black:

Anyway as if hiding Dianna’s birthday in the lyric video wasn’t enough, Taylor also included backing vocals by Marcus Mumford of Mumford and Sons on the track…You know…the guy who’s in Dianna’s rich ex-husband’s band.

Taylor seems to have commented on Dianna’s switch to dating rich guys before in the music video for The Man when she included the date of a famous Swiftgron moment, the inside source at Glee tweet date (2/14/13) on a dollar bill being thrown on a dancer:

and for good measure, perhaps it’s a coincidence but right before Dianna and Winston’s divorce was announced to the public, he posted the lyrics to Cardigan and there was monopoly money in the photo:

And lastly throughout the month of October 2020, while Taylor was working on evermore, Dianna and her friends were posting again and again to Intagram about a trip to a ranch that Dianna took this year in which she had a complete cottagecore, cowboy meltdown:

So in summation, yes Taylor is still writing about Dianna Agron in the year of our gay lord 2020, and in this song is commenting, perhaps mournfully, about the idea that maybe Dianna gave up on true love after Swiftgron ended, settling instead for financial security.

dead to me // s01e08