Finally Sth Make Sense When I Was Looking For Theory

Karlie Kloss: Making bras look silly since 1992.

1. Hello. 2. I miss you. 3. Can we talk? 4. I hope I’m not annoying you. 5. I want to see you. 6. Please tell me you’re doing fine. 7. I’m worried about you. 8. Let’s listen to our favorite song. 9. Do not let other people bring you down. 10. I hope you’re truly happy. 11. I love you. I really do. We started from 1 and I felt 11. Sometimes we do 8 with comforting silence. You used to remind me about 9. And I will always be grateful about everything we’ve had. Wherever you are, and whoever you’re with, please always remember 2, and 10.

ma.c.a // 4 but 7,3,5 and 6 : An Indirect Message From Me (via vomitingwords)

okay but

“dark jeans and your Nikes” “I don’t want you like a best friend” “Gold cage, hostage to my feelings” “Your love is a secret” “I loved you in secret” “I knew there was no one in the world who could take it” “We were dancing with our hands tied” “I loved you in spite of deep fears that the world would divide us” “I’m your daisy” “Halo hiding my obsession”

Cowboy Like Me is about Dianna Agron and the Aftermath of Swiftgron

So if you’ve read my complete and exhaustive Swiftgron Timeline (@swiftgronmasterpost​) then you know directly after Swiftgron ended Dianna went to Morocco then not long after that she stopped hanging around her usual crowd,  then moved to NYC and started hanging out with very wealthy socialites and she also ended up marrying Winston Marshall of Mumford and Sons, whose dad is close to being a billionaire.  They got married in Morocco:

It was also rumored that after Dianna split with Winston (summer of 2019) she supposedly started dating a (rich) guy named Gus Wenner.  They appeared to also meet in Morocco.  That relationship has never been confirmed but the rumors were loud and coming from a place I generally trust to have Dianna tea.  DIanna pictured with Gus in Morocco in November 2019:

The rich guys and Morocco will come into play for our analysis but first…a retrospective.

Cowboy Like Me then goes on to talk about dancing and how it’s a dangerous game.  Two things here…we know Dianna loves to dance and got her start in Hollywood as a dancer and danced with Taylor:

and why would dancing be a dangerous game exactly?  That’s queer coded and reminds me of the danger warned about in Wonderland.

CLM also sings about bandits, y’all probably already know that L Chatters nick named Dianna Pussy Bandit based on her alleged reputation as very popular with the ladies.

There’s also queer coding in the “takes one to know one” assertions of the song.  Gay people often can spot one another out due to gaydar and signaling when straight people remain oblivious.

Same with the lyric about “skeletons in our closets.”

And the song ends with:

And I’m never gonna love again I’m never gonna love again Mm, mm, oh, oh I’m never gonna love again

The idea here is that after Swiftgron split in April of 2013 is it possible that Dianna gave up looking for conventional love, settling instead for security and comfort with exorbitantly wealthy guys like Winston and Gus (no shame in it you do you girl)?

Taylor has left us more clues in the Lyric video.

First of all the lyric video is exactly 4 minutes and 39 seconds long…

the same length as the music video for the Swiftgron masterpiece Babe which rips off, and is the same length as, the music video that Dianna starred in - I’m Not The Only One.  Click here for more on how that’s the loudest piece of Swiftgron evidence in existence.

Furthermore in the lyric video there is a Morocco Oil Lamp:

There is also a globe in the lyric video setting, perhaps representing the “you searched the world” that Dianna did in Morocco referenced in Wonderland:

There’s also a clock set to 4:30 (interesting because Taylor usually sets clocks to some configuration of 13, like 1:30, in music videos)

Dianna’s birthday is 4/30:

It should also be noted that the aesthetic of this scene is similar to Dianna’s old LA house that she insisted on decorating in a peculiar fashion, painting the walls black:

Anyway as if hiding Dianna’s birthday in the lyric video wasn’t enough, Taylor also included backing vocals by Marcus Mumford of Mumford and Sons on the track…You know…the guy who’s in Dianna’s rich ex-husband’s band.

Taylor seems to have commented on Dianna’s switch to dating rich guys before in the music video for The Man when she included the date of a famous Swiftgron moment, the inside source at Glee tweet date (2/14/13) on a dollar bill being thrown on a dancer:

and for good measure, perhaps it’s a coincidence but right before Dianna and Winston’s divorce was announced to the public, he posted the lyrics to Cardigan and there was monopoly money in the photo:

And lastly throughout the month of October 2020, while Taylor was working on evermore, Dianna and her friends were posting again and again to Intagram about a trip to a ranch that Dianna took this year in which she had a complete cottagecore, cowboy meltdown:

So in summation, yes Taylor is still writing about Dianna Agron in the year of our gay lord 2020, and in this song is commenting, perhaps mournfully, about the idea that maybe Dianna gave up on true love after Swiftgron ended, settling instead for financial security.

Taylor: Trust him like a brother.

My mind:

jen getting murder tips from a 9 year old girl I CANNOT 💀 💀 💀

later that day:

TAKE ME BACK TO THIS MOMENT <——- 😥😭💦

Can u guess what’s that yellow light? They happen while Nancy team in Creel Upside down and Lucas Max Erica team in Creel Hawkins?

Michelle Yeoh for GQ

Just be a rock.

EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert