This Captures Everything I Love About Being Online

unpopular opinion: sometimes... fandom isn't that important. sometimes fandom isn't "that deep" to someone. sometimes people don't interact within the fandom and like to watch from afar. sometimes people just want to look at cool art or read cool fanfics, and that's it.

let's normalize fandom being a hobby or an interest and not a lifestyle. normalize taking a step back, taking time off and disconnecting from fandom without feeling bad. it's okay and healthy to prioritize yourself over media instead of consuming it 24/7. it's okay to set boundaries and enjoy something the way you need.

This is Agatha, she loves her personal space.

That's Rio, she also loves Agatha's personal space

Take a shower, wash away the bad thoughts, cleanse your body, put on some relaxing music, get in to bed, breathe.

Unknown (via surqrised)

the circus was in town that day 🤡

revising your writing is just like "is this weird. is this a weird sentence. is this the weirdest most poorly-worded sentence ever written by anyone" and the sentence in question is "he walked across the room"

Marsha P. Johnson (August 24, 1945 – July 6, 1992) was a trans activist, sex worker, drag queen, performer and survivor. Marsha went by “Black Marsha” before settling on Marsha P. Johnson. The “P” stood for “Pay It No Mind,” which is what Marsha would say sarcastically in response to questions about her gender. In connection with sex work, Johnson claimed to have been arrested over 100 times, and was also shot once in the late-1970s. She was a prominent figure in the Stonewall uprising of 1969 and was one of the first drag queens to go to the Stonewall Inn after they began allowing women and drag queens inside. It was previously a bar for only gay men. 

Following the Stonewall uprising, Johnson joined the Gay Liberation Front and participated in the first Christopher Street Liberation Pride rally on the first anniversary of the Stonewall rebellion in June 1970. One of Johnson’s most notable direct actions occurred in August 1970, staging a sit-in protest at Weinstein Hall at New York University alongside fellow GLF members after administrators canceled a dance when they found out was sponsored by gay organizations.

Shortly after that, along with Sylvia Rivera, she established the Street Transvestite Action Revolutionaries (STAR) in 1970 which was a group committed to supporting transgender youth experiencing homelessness in New York City. The two of them became a visible presence at gay liberation marches and other radical political actions. In 1973, Johnson and Rivera were banned from participating in the gay pride parade by the gay and lesbian committee who were administering the event stating they “weren’t gonna allow drag queens” at their marches claiming they were “giving them a bad name”. Their response was to march defiantly ahead of the parade. During a gay rights rally at New York City Hall in the early ‘70s, a reporter asked Johnson why the group was demonstrating, Johnson shouted into the microphone, “Darling, I want my gay rights now!”

In 1974, Marsha was photographed by Andy Warhol in a series called ‘Ladies and Gentleman’ where Andy took Polaroid photos of drag queens (photos above).

Susan Stryker, an associate professor of gender and women’s studies at the University of Arizona said, “Marsha P. Johnson could be perceived as the most marginalized of people – black, queer, gender-nonconforming, poor.” Still, Stryker noted, “You might expect a person in such a position to be fragile, brutalized, beaten down. Instead, Marsha had this joie de vivre, a capacity to find joy in a world of suffering. She channeled it into political action, and did it with a kind of fierceness, grace, and whimsy, with a loopy, absurdist reaction to it all.”

Marsha’s advocacy and contributions to the LGBTQ+ community are an important part of our history and should be celebrated. Marsha P. Johnson and Sylvia Rivera, both key figures in the gay liberation movement, will be honored with a permanent installation in Greenwich Village which should be completed by 2021.

“why would you write fics for small, unpopular fandoms? you’re not gonna reach that many hits in fandoms not many people know about” ?? because I’m not writing fics for hits or kudos, I’m writing them for me because these characters are my blorbos and I have so many ideas, so much thoughts about them that my brain might explode if I don’t write them out.

me when people ask me how to say "I don't care" in french

(description:)

The IASIP meme of Charlie Kenny gesturing wildly at a conspiracy board, with the second picture added to his papers - the second picture being a table with 7 columns classifying an exhaustive number of ways of saying "I don't care" in French, based on how common, vulgar and funny they each are.

Column 1: Socially acceptable and common: -Je m’en fiche -J’en ai rien à faire* (*less formal variation of “Je n’en ai rien à faire” which still belongs to this category)

Column 2: Vulgar and common enough to not be shocking: -Je m’en fous -(J’en ai) rien à foutre

Column 3: More vulgar, and common with a ‘teenage’ connotation: -(Je)* m’en tape -(Je) m’en branle -(Je) m’en balec’ -(Je) m’en bats les couilles -(J’en ai) rien à battre -(J’en ai) rien à branler -”Balec’” (* omitting “je” is frequent and makes the expression even less formal)

Column 4: ‘Familiar’ (only somewhat vulgar, completely informal) and uncommon enough to be considered somewhat funny: -J’en ai* rien à carrer -J’en ai* rien à cirer -Je m’en tamponne (le coquillard) -Je m’en balance -J’en ai* rien à péter (* can be replaced with “Je n’en ai rien à …” to give it a formal connotation, in which case the expression belongs to category 6)

Column 5: Socially acceptable and uncommon/formal enough to be considered funny: -Je m’en contrefiche -Je m’en soucie comme d’une guigne -J’en ai rien à fiche

Column 6: Vulgar and uncommon, somewhat formal: -Je m’en contrefous

Column 7: Socially acceptable and very uncommon / very formal, enough to sound snobbish (and therefore a bit funny): -Peu m’importe -Il m’importe peu -Je n’en ai cure -Je ne m'en soucie guère

London Boy is the song you write when your team gently reminds you that you need to start mentioning the UK in your music since you keep dating British people who do not know anything about New York but you have maintained a narrative that the truth is in your music.