IT MUST BE EXHAUSTING (AN ANALYSIS)

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IT MUST BE EXHAUSTING (AN ANALYSIS)

Hi. Taylor’s the problem. And she knows it. (affectionate)

All right friends. It’s time to dive into an analysis again. I’ve been reflecting on a lot of Midnights and Taylor’s ever-present self-depreciation this era and in my regular fashion, I had to make an extremely long-winded analysis post about a certain motif of hers that I’ve noticed has only grown more apparent this time around. and essentially that is her self-awareness toward her ever-ambiguous signaling in regard to her identity, and where she is positioned in the complicated and delicate journey of coming out, as well as the plethora of emotions that surround that for both herself and her fans and those of us who pick up on the queer coded subtext of her music and art.

to kick off this analysis, may I remind you of this beauty of a quote from Taylor’s 2018 reputation tour pride speech that prefaced Delicate?

I want to send my love and respect to everybody who in their journey and in their life hasn’t yet felt comfortable enough to come out … and may you do that on your own time and may we end up with a world where everyone can live and love equally and no one has to be afraid to say how they feel. When it comes to feelings and when it comes to love and searching for someone to spend your whole life with, it’s all just really really delicate.

That is quite possibly my favorite thing she’s ever said. and what inspired this tag.

Now I need to clarify up front — I am never insinuating a need or even desire for Taylor to come out. Because that’s not our place to say. If you’ve been around my blog long enough, I would hope that nuance would be apparent. I simply point out regular motifs and patterns within her art and how it correlates with queer-coded themes of closets, of almost coming out, of outright queer coding, of rainbows, of keeping a love secret and safe, and on and on and on. The signs are there if you know what to look for (re: “I gave so many signs”) and that’s what I explore on my blog. The point is, I will never demand she come out. But I will stand with her in this complex journey she appears to be on. It’s entirely her journey and however she wishes to navigate that is hers to decide.

but that doesn’t detract from the reality that for those of us who see this beautiful queer subtext of her art and music and visuals and work and self, the ambiguity and constant back-and-forth when it comes to her identity (and the idea of coming out) can in fact be a lot to try and process and understand and ultimately to reconcile as we root for her. Trying to understand where she stands is much like chasing a moving target. (not that she owes any explanation to us, because again, she doesn’t.) her art and creativity are her place of expression and catharsis. however, watching her navigate these complexities and trying to root for her in this sometimes messy space is also, dare I say, exhausting.

hence, the title and general theme of this analysis.

so let’s begin.

Keep reading

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I am the sort of person who hears that girls would have so many thousand in their fortunes (JA never uses the word “dowry”, fun fact) and I cannot understand how someone with £2000/year makes a £3000 pound lump sum for their daughter. Because my brain doesn’t math very well inside itself. So I made up some tables to see what Mr. Bennet could have done if he was prudent.

First, let’s be realistic, how much can they save? I am giving three different scenarios, £25, £50, and £100 per annum per daughter. £100 each I think might be a little high, since their income is £2000 a year, that would be 25% of their income! I think £50 is well within reason, that would be only £250 per annum and therefore 12% of their income.

I did both 4% and 5% interest. These are both government bonds. I know that both are mentioned in Jane Austen’s works. The 4% might be safer and a better investment for a dowry. But there isn’t a huge difference. Anyway, here is Jane’s dowry, over 21 years:

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Even if they saved only £50/year, Jane now has almost £2000 as a dowry. It’s not the £10k worthy of a baronet, but that is certainly a good start! 

If the Bennets tried hard and save £100 per year, she has almost £4000, which is what her mother brought to the marriage. Even the modest £25 per year would give the girls £1000 each by their 21st birthday, which if their father died would be combined with the £1000 stipulated in the marriage articles and give them a comfortable income. Even John Dashwood acknowledges in Sense & Sensibility that increasing his half-sister’s fortunes from £1000 to £2000 would make a big difference in their comfort (and then he doesn’t do it because he and his wife are the worst).

An alternative plan would be to put aside the £4000 that Mrs. Bennet brought into the marriage and only reinvest that income. It does seem that the mother’s money was often locked up in a “life interest” and then given to the children, which is true for the Bennets as well. Just saving the initial £4000 and never adding to it except re-investing the income would have yielded around  £11,00, or £2200 for each daughter.

Also, I really want to know how the son plan would have worked in the first place. Like Mr. Bennet Jr. is going to agree to break the entail and sell off a bunch of his inheritance, when he could just keep the entail and then get the whole pie? Or was the plan just to burden his own son with the care of a mom and five sisters? Not clear. Probably also a bad plan.

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