I Desperately Wish People Would Start Actually Reading The AO3's TOS Before Confidently Making 'user

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

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1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

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2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

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3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

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4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

for casey hehe

My piece for the @rwrbspyzine! 🔥🔥

Working alongside other fandom artists in this way was a lot of fun and I'm very grateful to have been involved with this fun little project!

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

for wip wednesday this week, i thought people might maybe be interested in the planning board i made for Arc 4! Censored scene titles to avoid too many spoilers~

kanban boards are great for outlines, cause you can drag and drop scenes around when you're planning to work things out better, and I like having a 'physical' visual like this, it helps my brain.

tags are plot threads, using the colourful tags plugin to colour-code them so I can see at a glance what's what, with main plots in brighter colours and subplots subdued to mark the distinction.

I have two markers to pull out scenes: major plot beats, and spicy scenes. I wanted each chapter to have at least one of each (though as you can see, I didn't always exactly succeed). doing that helped me make sure I was balancing my developments, and having the tags let me see if I was abandoning key threads halfway through (which in draft one...i definitely was!)

not in the screenshot is the final board, which is cut scenes, because i refuse to throw things away when i might need them later.

i’m going to say something that might make me seem ungrateful, but i think it’s true of many fic writers:

we want you to leave comments ON ao3.

we’re not angry or disappointed or anything like that when you leave qrts or lots of tags on our fic posts, not at all. we don’t NOT want you to message us to tell us how a fic touched you. but in addition to that, please consider just copying those words and posting them on ao3 as a comment.

why?

the reason is simple: leaving commentary in other places is ephemeral. story posts get pushed down. chats get pushed down in the list of chats, or worse, pushed up in lists of messages as the conversation continues. but comments on ao3 are easily accessible. and this is important because writers read and reread these comments regularly.

writing, especially writing longfics, is exhausting and drains your confidence over time. having a collection of people who enjoyed your past work at your fingertips is an excellent way to build yourself up when you’re feeling down. fic writers need this a lot.

i know over the past few years there’s this trend to be very descriptive with what is an “acceptable” comment. that’s all nonsense, as long as you’re not being an asshole, just say what’s on your heart.

but post it on ao3. please.

rwrb fic: words, any words, your laughter

Amazing banner made by @midnightsfp

Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor

Summary: AU. Alex is a somewhat disillusioned actor who finally lands the project of his dreams: a story that matters, directed by one of his idols, Rafael Luna. The only problem is that the screenwriter is Henry Fox, who can’t seem to stand Alex, and who Alex would love to shove into a cake—neither of them expect the way working together will change both of their lives forever. Or, five times Henry Fox, screenwriter with the hottest script in town, talked about Alexander Claremont-Diaz, up-and-coming actor, and one time Alex talked about him right back.

Read on Ao3 HERE

“Up to the challenge?” Alex says, and then says it again, just in case Zahra missed it. “Up to the challenge?” “It’s a perfectly normal quote, Alex, especially since you haven’t really met Henry Fox before,” Zahra says. “Uh, we’ve met, Z,” Alex shoots back. “Or, I tried to meet him and congratulate him on his script like two years ago at that amfAR benefit and he looked at me like I was some sort of unwanted sentient mud and walked away, remember?”

do you have any nsfw firstprince recs

you have come to the right place.

Just read this series and am absolutely floored. I need the second chapter of part 1 SO SO BADLY. @anincompletelist

This series by bleedingballroomfloor is in my personal hall of fame as well.

I also would recommend literally ANYTHING written by @everwitch-magiks @rmd-writes @indomitable-love @clottedcreamfudge @athousandrooms @three-drink-amy , all of whom I consider to be THE firstprince writers. Honestly the writers in this fandom are so incredible it's hard to even begin with giving fic recs. I feel so lucky to have so many works to choose from.

E | 5K | FirstPrince Oneshot

They meet at a bar. Alex is young; fresh out of law school, sharp and charismatic and oh-so attractive. The sex is absolutely incredible, and Henry has no regrets. At least not until the morning after when he finds himself opposite Alex in a meeting — equipped with the painful knowledge that Alex’s boss thinks Alex’s only function in said meeting is to sit there and look all pretty. Somebody ought to call HR right about now. Or: when sexual relationships mix with professional ones, Alex and Henry make the most of it.

Read on AO3!

"WHERE DO I WRITE MY BOOKS?"

i've gathered some resources that writers could use in writing their books. this is where you can write your books:

Microsoft Word - you can actually format a document so it looks like a manuscript or you can use the manuscript template.

Google Docs - if you do not have the first one, you can have google docs as a free alternative, it functions similarly as you can also format it to become a manuscript for your book. (EXPERIMENT WITH THIS, IT COULD DO EVERYTHING !!)

Mystory.today - you can write your book in this website because it is actually meant for writers. it's an 'all in one' website since you can have your characters and chapters all in one application. it is free but it has some premium features.

yWriter - similar to mystory.today, but i prefer this one more since it's free !!

Dabble - similar to mystory.today, it's free but it has some premium features but still definitely worth the try !

Pen and paper - i also love taking notes by hand and it feels satisfying to move my fingers and use my hands in writing too !

Milanote - this is where you can build characters, settings, and timelines but it's limited so there's premium version of it.

Manuskript - an application where you can write your books too, it's free !!

Notion - this is a bonus, i personally use this to plan my books but i do not use it for my manuscript. it's still a helpful platform if you want to make notes about your writing and plan when you are going to write your books. it's also a great tool to create a checklist of your to-dos

i hope you guys would mainly experiment on google docs but u can always use what suits your preference. i hope this helps !!