My Contribution To The Pink Henry Dtiys 🫡

me: yeah I'm pretty close to finishing this fic

the fic:

Completed this little comic of Marco X Elliott ! honestly I love it. two extra pages will be posted on my patreon! you can already find the sketches in chat

why i write in obsidian.md (and why you should try it!)

hey, hi, have I mentioned my notes app? let me tell you about my notes app! I’ve been writing in obsidian for over a year now, for fanfic and original fiction/worldbuilding (and dungeons and dragons, and life organisation, and a myriad of other things) and so far I’ve gotten at least three people to also start using it, and I am in fact on an endless quest to get more people to try it.

obsidian.md how do i love thee, let me list the ways:

It’s offline. you are not beholden to the whims of wifi!

Did i mention it’s free? it’s free!

you can pay to support the devs, or to access the sync service, but honestly I just use a free file sync service to move things between my desktop/laptop.

It’s super lightweight at its core. you can (and I do) run it with a bunch of plugins and customisation, but at it’s base it’s just text, in simple files. plaintext. readable by anything. your writing is not trapped in proprietary file formats.

HOWEVER you can in fact customise every aspect of it and if you like Making Your Notes Cute I cannot recommend it enough as a Way To Procrastinate Actually Writing

Crucially, you can link your notes. This is phenomenal for not only worldbuilding, but planning, research, outlining and connecting characters and events. You just make a note, type in square brackets, and boom. linked notes. You can make yourself a little writing wikipedia with approximately 0 effort.

I have separate vaults (Instances, pretty much. Big overarching folders with separate sets of content) for my Valloroth project, my day-to-day notes/fanfic, and my D&D game. They’re aesthetically very different, which is so so so great for getting in the right headspace for the work I’m doing.

OH and we have obsidian canvas now! which is a simple mind-mapping feature where you can make and connect note cards, which can also be notes in your vault. I haven’t had a chance to do timelines with it yet, but it’ll be fun for that. I have made relationship charts with it, and it was great for that. If you like visually laying out boxes of information and connecting them into a pepe silvia board of plot, canvas is incredible

this is a pointcrawl map I made for my D&D game. Those red words in the boxes? links to the locations in the city the players were exploring. phenomenal

do you like split screen? you can have multiple notes open at once in horizontal and vertical configurations, and you can also open multiple tabs in each split window. it’s SO great for research and outlining, when you need like ten documents open at once to move between

finally, there are so many addons to COMPLETELY CUSTOMISE your Writing Setup. styling for tags. kanban boards. LINKABLE MAPS. ways to label scenes with metadata and pull just so many different tables/lists of story information. AND SO MANY MORE. I’m gonna do a whole post of my favourite writing plugins at some point so i can yell about them

the only downsides are that it’s somewhat clunky still to export things out of obsidian—I copy my fics into googledocs for my beta, and I have a plugin to make exporting to html easier to post on ao3, but it’s still kinda fiddly. Also, if you want a program that Has Everything and Just Works, this is…not that. you can build a lot of really useful writing specific features, but you do have to build them. it’s a sandbox, so if you don’t like sandbox-style programs, this may not work for you.

that being said, I do think everyone should try it and play with it and love it like I do and convince all their friends to start using it like i did. come play with obsidian with me! it’s fun! there’s a great community in the official discord that’s very active, plus an ever-growing collection of resources, particularly on youtube (highly reccommend Danny Hatcher’s videos as a jumping in point, they’re super accessible imo)

anyway, come try obsidian!

obsidian.md

Obsidian - Sharpen your thinking

Obsidian is the private and flexible note‑taking app that adapts to the way you think.

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

-

1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

-

2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

-

3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

-

4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

-

Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

spy!firstprince for the RWRB Spy Zine!!!

Currently doing a redesign of it rn with an actual designer bc the first one was done by me with google slides and a dream

My piece for the @rwrbspyzine! 🔥🔥

Working alongside other fandom artists in this way was a lot of fun and I'm very grateful to have been involved with this fun little project!

do you have any nsfw firstprince recs

you have come to the right place.

Just read this series and am absolutely floored. I need the second chapter of part 1 SO SO BADLY. @anincompletelist

This series by bleedingballroomfloor is in my personal hall of fame as well.

I also would recommend literally ANYTHING written by @everwitch-magiks @rmd-writes @indomitable-love @clottedcreamfudge @athousandrooms @three-drink-amy , all of whom I consider to be THE firstprince writers. Honestly the writers in this fandom are so incredible it's hard to even begin with giving fic recs. I feel so lucky to have so many works to choose from.

Red White and Royal Blue: Iconic Scenes

The two scenes that in my opinion have made film history.

Alex and Henry lazing around at the lakehouse.

This may seem like nothing special, but note how they're out in the open sunshine, almost naked, in an attitude that leaves no doubt at the fact that they're a couple. Name me another movie or show that shows a same-sex couple in such a relaxed, natural attitude.

They have nothing to hide.

The final scene.

No big revelation, no impassioned declaration, no celebration of any kind.

To world-wide celebrities - Henry, who grew up in castles, and Alex, who spent these last years at the white house - retire into privacy in a simple, one-storey house.

They have each other, that's all they need.

This movie is marking a cultural change already now.

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

-

1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

-

2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

-

3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

-

4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

-

Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

Two parallel universes: one where Arthur Fox has never been sick, so he and his family lived happily ever after, and our universe where Arthur Fox died from cancer. We’re all stories in the end. Just make it a good one, eh? Because it was, you know. It was the best. Arthur Fox and his family and the days that never came.