Wise men say, only fools rush in
But I can't help falling in love with you
Shall I stay? Would it be a sin?
If I can't help falling in love with you
Pink
Affectionate and soft, the adjectives given to the Prince of England's hearts
Blue and white stripes
Formal, navy is the color of authority and power
Blue and light blue stripes (Henry focus pls)
Simple but formal, two colors often used for work settings. Light blue adds friendliness
Grey
Conservative and conformative, add mysteriousness
Orange Copper
Wealth, copper indicates luxury and sophistication
Blue and silver stripes
Grace and elegance, Henry needed to be pretty for his date đ
Carmine with green stripes
Love, red is associated with passion and sensuality but also prohibition (+ green can indicate outlaw lifestyle)
Sky blue with thin white stripes
Peace, sky blue symbolizes daydreaming and conveys serenity; white is associated with purity
Side addition: solid tie is the basic pattern that doesn't add anything to the tie and lets the color speak for itself; polka dot adds playfulness and/or sophistication; stripes mean classic and elegant but can differ from one another (Henry always wears the British type with stripes that run from left shoulder down to the right side)
You mentioned the ao3 author curse in one of your asks and Iâve never heard of this before? I am now super curious if you could maybe elaborate?
Oh BOY anon! Welcome welcome, this is a fun one.
You ever see one of those posts floating around, either here or on other social media, that's just a compilation of the most unhinged AO3 author's notes you've ever seen? The ones that are like "sorry this chapter is a day later than normal! My house was flooded and my fish died and my grandfather was struck by lightning three times in a row so I had to finish editing this in the hospital overnight. Please forgive me, next week will be back to our regular schedule!"
That's the AO3 author curse. It's not an always thing. It's not even a most of the time thing. But sometimes life goes to absolute shit, and sometimes that happens when you're in the middle of posting a fic, and sometimes you end up being incredibly apologetic about schedule slippage on writing that you are doing in your spare time for free while you're having to deal with Actual Real World Stuff and explaining why the schedule slippage occurred in the author's notes that makes your life sound completely batshit.
A couple of examples:
(Me: I haven't yet had anything happen while posting, but while co-writing a fic with @ships-to-sail that was literally set in the afterlife and all about grief and the impact we have on the people we leave behind I had multiple family members/family friends die, which was uhhhhhhhhh not conducive to writing that particular subject matter lmao)
Blue and white stripes (same as PR handshake)
Formal and serious, navy is the color of authority
Dark blue with red dots
Required formality, even alone he still needs to wear clothes suitable for a royal. Red can mean danger or his enclosed love
Red with light blue and white stripes
Public image, wearing red is attention-grabbing and, even if he doesn't want to get public after the emails leak, he's forced to
Royal blue and white stripes again but thinner
Power and authority, it's Henry's moment to stand up for himself and fight for his own future
Yellow roses
Hope and youth, as Henry says, it also has a link to Texas history: "Yellow Rose of Texas" is a popular song since the 1930s with a full story on it's own. (You can read here.) Henry is finally getting the happy future he deserves and can hope for a bright sunny future with the love of his life
Side addition: solid tie is the basic pattern that doesn't add anything to the tie and lets the color speak for itself; polka dot adds playfulness and/or sophistication; stripes mean classic and elegant but can differ from one another (Henry always wears the British type with stripes that run from left shoulder down to the right side)
iâm going to say something that might make me seem ungrateful, but i think itâs true of many fic writers:
we want you to leave comments ON ao3.
weâre not angry or disappointed or anything like that when you leave qrts or lots of tags on our fic posts, not at all. we donât NOT want you to message us to tell us how a fic touched you. but in addition to that, please consider just copying those words and posting them on ao3 as a comment.
why?
the reason is simple: leaving commentary in other places is ephemeral. story posts get pushed down. chats get pushed down in the list of chats, or worse, pushed up in lists of messages as the conversation continues. but comments on ao3 are easily accessible. and this is important because writers read and reread these comments regularly.
writing, especially writing longfics, is exhausting and drains your confidence over time. having a collection of people who enjoyed your past work at your fingertips is an excellent way to build yourself up when youâre feeling down. fic writers need this a lot.
i know over the past few years thereâs this trend to be very descriptive with what is an âacceptableâ comment. thatâs all nonsense, as long as youâre not being an asshole, just say whatâs on your heart.
but post it on ao3. please.
spy!firstprince for the RWRB Spy Zine!!!
Currently doing a redesign of it rn with an actual designer bc the first one was done by me with google slides and a dream
i can't stop thinking about henry's chapter and firstprince living their best domestic lifeđ
In the spirit of encouraging people to comment on fanfics while also making it easier to do so, I feel obliged to share a browser extension for ao3 that has quite literally revolutionized the comment game for me.
I present to you: the floating ao3 comment box!
From what I've seen, a big problem for many people is that once you reach the comments at the bottom of a fic, your memory of it miraculously disappears. Anything you wanted to say is stuck ten paragraphs ago, and you barely remember what you thought while reading. This fixes that!
I'll give a little explanation on the features and how it works, but if you want to skip all that, here's the link.
The extension is visible as a small blue box in the upper left corner.
(Side note: The green colouring is not from the extension, that's me.)
If you click on it, you open a comment box window at the bottom of your screen but not at the bottom of the fic. I opened my own fic for demonstrative purposes.
The website also gives explanations on how exactly it functions, but I'll summarize regardless.
insert selection -> if you highlight a sentence in the fic it will be added in italics to the comment box
add to comment box -> once you're done writing your comment, you click this button and the entire thing will automatically copied to the ao3 comment box
delete -> self explanatory
on mulitchapter fics, you will be given the option to either add the comment to just the current chapter or the entire fic
The best part? You can simply close the window the same way you opened it and your progress will automatically be saved. So you can open it, comment on a paragraph, and then close it and keep reading without having the box in your face.
Comments are what keep writers going, and as both a writer and a reader, I think it's such an easy way of showing support and enthusiasm.
Writing Tips; Dialogue
Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? Weâve all been there. Itâs a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!
In this post, weâre going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: âI know itâs real I saw it,â Nico said.
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Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas canât go here and they canât go there, but I say, in dialogue, it doesnât matter. If you want your character to pause but you donât want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. Itâs your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.
Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.
Here is the example sentence, punctuated in two different ways. âI know itâs real, I saw it!â Nico said. âI know itâs real⌠I saw it,â Nico said.
Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You donât have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!
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Some people hate reading over-italicized works, but thatâs their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how theyâre speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph⌠but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.
Here is our pair of examples, now with punctuation and italics. âI know itâs real, I saw it!â Nico said. âI know itâs real⌠I saw it,â Nico said.
Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the âIâ at the beginning is in italics â I know itâs real â that could imply that heâs talking to someone who doesnât know or believe whatever heâs talking about is real.)
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Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, donât ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.
Hereâs the examples with different tags! âI know itâs real, I saw it!â Nico defended. âI know itâs real⌠I saw it,â Nico mumbled.
Donât be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lotâŚ)
Hereâs the example sentence with a tag at the beginning and middle. Nico growled: âI know itâs real, I saw it!â âI know itâs realâŚâ Nico muttered. âI saw it.â
Donât forget, tags donât always have to be how theyâre speaking. It can also be what theyâre doing or how theyâre acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)
The example sentences with action tags: Nico crossed his arms, huffing deeply. âI know itâs real, I saw it!â âI know itâs realâŚâ Nico averted his gaze, staring down at his shoes instead. âI saw it.â
Or, you can mix them both! An action tag plus how theyâre speaking for maximum impact and description.
Hereâs the example sentence with both! Nico rolled his eyes, hissing: âI know itâs real, I saw it!â âI know itâs realâŚâ Nico uttered, poorly stifling a shudder. âI saw it.â
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Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what theyâre saying. This is especially important if the character is not the main character and doesnât have internal dialogue. Body language can explain things voices canât or wonât. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!
Hereâs the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: âI know itâs real, I saw it!â âI know itâs realâŚâ Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths werenât exactly even, but they werenât too quick, either. âI saw it.â
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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.
Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!
If you have any writing tip requests, drop them in my inbox!
⤠Heart eyes â¤
Happy Valentine's Day!
Firstprince hands have their own chemistry: