The Thing I Hate About Quarantine Is That I Overthink Too Much And Makes Me Wanna Kill Myself More

The thing I hate about quarantine is that I overthink too much and makes me wanna kill myself more

Is this a problem or is it normal?

Someone help me.

More Posts from Justagirl027 and Others

8 years ago
7.20.16

7.20.16

9 years ago
Stressed Out

Stressed Out

9 years ago
Another Drawing Of Gerard Because I’m Trash

Another drawing of Gerard because I’m trash

8 years ago
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
Black Holes: Part 2 Of 3 (Part 1) Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey

Black Holes: Part 2 of 3 (Part 1) Episode 5: A Sky Full of Ghosts, Cosmos: A SpaceTime Odyssey

7 years ago

I have not forgotten you. You’re just a memory with edges, still too sharp to touch.

my-haunted-lungs (via wnq-writers)

8 years ago
“Deep Into That Darkness Peering, Long I Stood There Wondering, Fearing, Doubting, Dreaming Dreams

“Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before…”

Illustration to Edgar Allan Poe’s ‘The Raven’ (1883 - Steel cut engraving) - by Gustave Doré

9 years ago
Sunset In The West

Sunset in the West

9 years ago
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,
“The Problem Of The Photographic Image—its Economy, Its Fragility, Its Morphology, Its Fertility,

“The problem of the photographic image—its economy, its fragility, its morphology, its fertility, its dispersal and its magnetic power—recurs throughout the rhythmic sequences of images in this book. These photographic objects often play with the malleable forms of art itself, as in the multi-modal Image Objects of Artie Vierkant. Moreover, the works in Photography Is Magic underline the indeterminate positions of the object and subject in the image world of contemporary life: are they us? are we made into things by our use of them? does our habitual immersion in their depths dull our interpretive faculties or does it refine them?”

— Between Immersion and Interpretation: an essay on Charlotte Cotton’s Photography Is Magic

justagirl027 - Just A Girly Hoe
Just A Girly Hoe

Just an awkward teenager who experiences things.. Yeah bye.

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