Yallah By Mounir Raji:

Naomi Campbel by Hugo Comte for Interview Magazine - April 2021

From the National Geographic cover on IRAN, July 1999 (Volume 196, No. 1)

Merata: How Mum Decolonised the Screen (2018) directed by Heperi Mita

“I have grown weary of talking about life as if it is deserved, or earned, or gifted, or wasted. I’m going to be honest about my scorecard and just say that the math on me being here and the people who have kept me here doesn’t add up when weighed against the person I’ve been and the person I can still be sometimes. But isn’t that the entire point of gratitude? To have a relentless understanding of all the ways you could have vanished, but haven’t? The possibilities for my exits have been endless, and so the gratitude for my staying must be equally endless.”

— Hanif Abdurraqib, from “On Times I Have Forced Myself Not to Dance,” in A Little Devil in America

Bessel van der Kolk, The Body Keeps the Score

Yet I am in love with words. They are doves falling out of the ceiling.

“Be careful of words, even the miraculous ones. For the miraculous we do our best, sometimes they swarm like insects and leave not a sting but a kiss. They can be as good as fingers. They can be as trusty as the rock you stick your bottom on. But they can be both daisies and bruises. Yet I am in love with words. They are doves falling out of the ceiling. They are six holy oranges sitting in my lap. They are the trees, the legs of summer, and the sun, its passionate face…” — Anne Sexton, a fragment from “Words”, from the book “The Awful Rowing Toward God” (Houghton Mifflin Co; March 1, 1975) (via Alive on all Channels)

Louise Glück, from “Marathon”, Poems 1962 - 2012