Latest Posts by kermit-and-co - Page 7

Person that methodically picks apart every atom in their body and rearranges them so they can be made of anything they want

person who thinks all fictional stories are supposed to be interconnected and gets pissed when they contradict each other

shut up joss whedon saying they couldn’t do more storylines with dawn after s5 because there’s only so many “dawn goes on a date” episodes you can write um hello she’s primordial green energy in the shape of a girl do something with that maybe?

btw i dug up an old book of snoopy comics and thought you guys would like this one.....happy autumn

i love the convo between spike and buffy in doublemeat palace (“this place will kill you”/“please don’t make this harder”) because when you peel away the things that make them different (vampire/slayer /hero/villain) they are at their core. two people raised in upper middle class households

Spike Text Posts (1/?)

s6 spike is so wonderfully pathetic. literally the moment buffy starts showing a sexual interest in him he’s desperately grasping for proof that it’s not just sex for her and she loves him too. and he longs for that mutual romantic connection so much he even lashes out when she rejects it (“wrecked/gone”) but when she breaks up with him citing her own guilt over using him he’s like “noooo please keep using me for my body”🥺 like nary a shred of dignity in sight for william

if I had a nickel for every time seth green played the nice boyfriend of the bookish, nerdy girl who fights supernatural beings with her group of friends (called the scooby gang) led by her pretty but badass best friend (played by sarah michelle gellar) before she eventually came out as a lesbian, I'd have two nickels.

being alive is great because there are so many different vegetables you can sauté. but then there are also the horrors

sucking balls and all

i work at headphones and i have to sing all the songs every day or they kill me

seeing people get excited over tumblr maybe possibly allowing porn again is like watching charlie brown line up to kick that football

Girls will be like "awww my skrunkly, my blorbo, my little meow meow" and then draw that poor guy in a reenactment of a biblical scene

Buffy the Vampire Slayer (1997 - 2003) ⏤ 6.07, Once More, With Feeling

Source

Mae from Night in the Woods ❤️✨

2.18 — Killed by Death || 6.01 — Bargaining

alien stuff. they’re called Woodwinds

a potion is brewing

"when archeologists find your body theyll call you a MAN not a WOMAN" actually theyll be too busy thinking about how fucking hot i was because my bones/skeletons are that fucking good. theyre gonna want me so bad

i thought your boyfriend was cute so i encased him in amber

*turns 3 million* hooray cartwheel for joy! *topples over and dies*

An observation:

In Swansea, when you get on a bus, the driver will literally sit at that bus stop and block the traffic if need be to watch you, hawk-like, on the bus cameras as you make your way to a seat. This is normal service. We must all be seated before the bus takes off. Very occasionally they might start driving while you're still standing in front of your seat, having reached it but not quite sat down, and the sudden inertia makes you instantly hinge 90 degrees at the hips and collapse into the chair like a doll in Toy Story when a human enters. We all have a good laugh. "Quick off the mark, isn't he?" an old lady will say. "Not even sitting, you weren't!" she will cackle. This is high entertainment. Her week is made. Your forced seating is a rare treat, a moment of human connection. You still thank the driver as you get off the bus.

In Edinburgh, the bus drivers have never heard of the very concept of waiting until the passengers are seated. Half a picosecond after your card is tapped the bus driver punches a nitro injection button and stamps on the accelerator. You are instantly hurled to the back of the bus, where you are thinly laminated to the back window. Time unspools into the traffic behind you. A local tuts at you, because you should have known to hold the handrail. After several seconds you manage to unpeel yourself, only for the driver to slam on the brakes for the next stop, flinging you at speed through the windscreen and onto the road in front of the bus. Ashamed, you get up and re-board. It costs nothing extra, because Scottish public transport is cheap and convenient. The driver actually pauses, because a woman with a cane has boarded. You seize your chance. You try to run up the stairs to a seat before she sits and the bus moves again. You are out of luck - at the top step the driver spins out into oncoming traffic at 87 miles an hour from a standstill, and you tumble like a house of cards impacted by a bowling ball, thrown down from the Olympus of the upper deck that you, in your hubris, thought you could reach. You rattle around in the aisle like a discarded can. The woman with the cane laughs at you. Some children kick you towards the back. You lodge under a seat, and cling on until your stop like a terrestrial limpet.

You still thank the driver as you get off the bus.

yes critical analysis of media is super valuable but I think suspension of disbelief isn't practiced enough

"the beginning relied so much on fate/chance meetings/a bizarre set of circumstances that could have solved the conflict if avoided" babe that's an inciting incident