Play Me A Memory--A Sigma Fic

A Case for Reed Richards’ Asexuality: Aphobia and Amatonormativity in Marvel and its Fandom

I have been thinking quite a lot about how fandom’s rampant aphobia factors into Reed hate, probably because I recently discovered that a Marvel artist had vilified Reed in the past over on Twitter by claiming that he is an asshole who thinks of his wife as “just a friend,” as though it somehow would make his love for her less valuable or important if he did. So I’m going to talk about the ways in which Reed has been coded as ace within Fantastic Four canon, and how he is troublingly framed as strange, abnormal, and Other both by official FF canon and fandom over this ace-coding. To be clear, Reed has never been explicitly called ace in canon, but there are moments where it’s been made abundantly clear that he does not experience sexual attraction and that he is fairly ambivalent about sex. 

It does bear pointing out that Reed DOES love his wife romantically—if you’ve ever read FF comics, that much is fairly obvious:

I love you, Susan. You bring light…and life…and joy…and meaning to my days. Now and forever.

Marvel Knights 4 #21

But the fact that he doesn’t behave like a stereotypical heterosexual man—in possession of a high libido, sexually aggressive, obsessed with sex, constantly sexualizing and hitting on and competing over women the way Ben and Johnny do, etc.—means that, in many people’s eyes, Reed’s love for his wife is somehow lacking and not really love. Personally, I think it factors quite a lot into people’s arguments that Reed is “abusive” for “neglecting” his wife, which he simply is and does not do in canon. The implication is that it’s because of his lack of sexual attraction and low sex drive – Reed “owes” Sue sex because he’s her husband, the thinking goes, and his failure to provide it consistently means that he is failing in his husbandly duties. The aphobic notion that aces are abusive to their allo partners because they “withhold” sex is, unfortunately, old and familiar, and it is coercive and, worst of all, encourages rape. Unfortunately, it’s not an interpretation of Reed’s behavior that hasn’t been encouraged in official FF media – take, for instance, this exchange:

Just think of the technological marvels that ancient spaceport might hold, darling!

[sighs] I can see a bikini doesn’t stand a chance with you.

Fantastic Four: The Animated Series: Ep 2x12: The Sentry Sinister

Discussion of aphobia below the cut.

더 보기

The Adventures of McCree Holmes and Sigma Watson- Intermediary 1

You’re wondering what my first reactions were to taking the old man under my wing? Y'know, it didn’t turn out to be as straightforwards as I thought it would be. I underestimated his title as the “town madman”, though calling him mad was a bit of a harsh word. The gentle folks of Ironclad weren’t usually the exaggerating type. That should have been my first clue.

더 보기

I don’t ship Drarry but with that being said, I will accept no other Drarry prompt than them stubbornly competing to outdo the other for the sheer drama.

It starts off when they’re still enemies in the Goblet of Fire. Draco makes a taunt about who Harry’s going to ask to the Yule Ball and how they must be from the worst of the worst lot and Harry rolls his eyes and says, “Well, fitting you say that, Malfoy, because I was going to ask you.” A perfect zing, Harry. 10/10.

But now the ball’s in Draco’s court and obviously he’s not going to pass up on the chance to humiliate the scarhead so he takes the most logical route of humiliation and calls out his bluff: “Fine, Potter, I reckon we’re going.”

But do you think Harry James Potter is just going to back down? That stubborn teenager is going to stare Draco down and say, “Reckon we are.”

Ron’s confused and Hermione’s confused and literally the entire castle is confused but Harry’s satisfied because he called out a bluffer’s counterbluff with a bluff of his own. And they just keep it up.

“I suppose you don’t even know how to dance, Potter?”

The furious teenager who spent years having to watch soapbox dramas with Mrs. Figg just glares at him in his stupid dress robes. “I know some things.”

“Prove it.”

“Fine.”

It’s like that for days until Draco makes the ultimate power move by inviting Harry to the Malfoy’s Annual New Years Eve Ball, taking out a Daily Prophet ad no less, because oh, oh, he’s got Potter now. He’ll never accept and he’ll be humiliated in front of the entire wizarding world. And do you think Harry’s just going to go down without a fight? God, no, he’s going to win whatever the hell this is because he’s Harry Potter, Draco better be worried, oh boy.

They’re still going at it six months later.

“Err—Malfoy?” Crabbe says. “Potter just sent you a dozen roses?”

“That son of a bitch! Send a box of chocolates. That’ll show him.”

“Um, Draco—?”

“I WILL NOT BE OUTDONE, PARKINSON!”

I still have thoughts about this, so to continue in something of the same vein as last night…

The thing about Rincewind is, he’s not really a character who ever becomes a hero.

I know we can argue all night about the definition of the word hero, but he doesn’t consider himself one, and other characters don’t consider him one, so there’s that. But what I really mean is that he doesn’t have a hero’s journey.

I sometimes see people talking about the Rincewind books in the context of facing your fears. That’s fantastic; whatever you get out of it is good, of course, that’s what fiction is for.

But Rincewind himself doesn’t get brave. He doesn’t really learn to face his fears. He doesn’t slowly grow into someone who thinks of it as his solemn duty to save the world. He is always and foremost a cowards. The entire span of the books, this is true.

Mostly he just gets more resigned to how the world works. In The Last Hero he has a genre-savvy knowledge of how things are going to end up, so he volunteers; but it’s not out of bravery, it’s out of weariness. He knows how his life works so he just skips all the fuss and gets on with doing something he still, really, does not want to do.

He doesn’t get what most of what he wants. He doesn’t learn to use magic. He doesn’t develop any extraordinary skills. He doesn’t get a love interest, which is fiction’s common recourse when rewarding a hero (a device which bothers me immensely, so personally I’m glad of that). His major reward after the conclusion of his independent story arc is, essentially, a semi-peaceful retirement from adventure.

Rincewind is a mess. He is a coward, and he will admit that freely. When he does save the world, it’s because no one else is going to do it, and someone has to, and he doesn’t want to die. He doesn’t get rewarded, except possibly by continued living. He doesn’t learn to be brave, except in the desperate last-chance way he’s always been. He doesn’t learn to be good at what he loves.

That’s important. That’s very important. That’s what makes him stand out. Because - where do you go, when you’re too tired to be a hero, when you’re exhausted from people telling you to be brave and stick it out, when you’ve been trying so hard and you still can’t do well? When heroes only remind you of how inadequate you are, how much you can’t be them? When you don’t, especially, want to be inspired, because you are just trying to get by. Who do you turn to then?

That’s Rincewind. You may be down in the mud and unable to pull yourself out, but at least he’s down there with you, sighing and talking about how this always happens to him. And it’s okay. It may or may not get better, but you’ll be okay, for a given value of ‘okay’. You’ll survive. That’s an achievement

That’s what he means to me.

More recent WHA art!!!! + other stuff ^_^

don’t take up smoking it’s very hard to quit

Sans’ Quiche

part 1 / part 2 / part 3

What do you think Tolkien's Dwarves' religion looks like?

like Terry Pratchett’s, but taken seriously.

This scene is so good I really love it so much, the blocking and shot composition is great, and tense and I love it.

The way Deckard subtly recoils in disgust

And Silco juuuuuust sliiiiiiightly turns to him and it's like... dude you said the wrong thing.

I LOVE THIS SHOT framing it through the blood-spattered, cracked glass? Amazing choice. And the body language is so good. Only Silco can feel predatory while standing perfectly still and unbothered.

"Power" Silco spits. I made a post earlier commenting on how Arcane uses spit, it's gross. And they do this with Silco a lot. He's icky, he makes your skin crawl. And it was a good choice, because Silco is charismatic and the grossness counterbalances that, it maintains this unsettled feeling about him. If you're starting to like SIlco it helps keep you ambivalent towards him, because ew.

And then yeah this shot is just super cool