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Latest Posts by khayltille - Page 2
in which minerva is just a little jealous suspicious
Sirius Black, the firstborn. The aristocrat. The one raised in a disgustingly rich, respected, and feared family. Sirius Black, the rebel without a cause, who forged his identity by opposing the values of that family. The tall guy, so handsome that girls couldn’t even concentrate on their exams. The popular one, the one who had it all. The one who didn’t have to worry about running away from home because the loving parents of his also-rich best friend took him in. Sirius Black, the one at the top, the one who did whatever he wanted to those beneath him. The one who spent seven years torturing a poor half-blood just out of boredom, for fun, because he could.
Sirius Black, who looked at that poor half-blood as a representation of everything he hated, everything that disgusted him. Despising him for wanting to go to his family’s house, for wanting to gain power that he—let’s be honest—had possessed from birth. Sirius Black, constantly laughing at Severus Snape, calling him Snivellus, mocking his appearance, ridiculing his poor, downtrodden look, encouraging him to go somewhere he’d likely end up dead. Sirius Black, convinced he was doing nothing wrong because Severus Snape was a piece of shit who followed the Death Eaters, and hurting him was completely justified.
Sirius Black, the brave one, the one who would’ve given his life for the good cause, the one who was on the right side from the beginning, who always knew where he belonged, who went to war and gave it his all—so much that he ended up in prison.
Sirius Black, who escapes Azkaban only to end up in another prison. The one who, locked in his family home, starts to see things for what they are. The one who is no longer a help but a hindrance. The one who is just a ticking time bomb for a Dumbledore who never gave a damn about his zeal for the fight. Sirius Black, who suddenly finds himself facing that same half-blood he used to insult, to hit, to hunt down like a predator after its daily meal. There he is, with them. Severus Snape, the Dark Arts freak, the greasy-haired, Malfoy’s lapdog, the one who followed the pureblood supremacists and bears the Dark Mark. The same Severus Snape who was a Death Eater and followed Voldemort, now stands as Dumbledore’s right-hand man.
And Dumbledore trusts him more than anyone. Trusts him so much that, although neither Lupin, Tonks, nor Moody like having him among their ranks, no one dares say a word against him. Only Sirius speaks up, and when he does, everyone scolds him. Because he’s no longer Snivellus; now he’s Snape. He’s a double agent. He’s someone important. He’s a rook, a bishop, a knight, while the others are mere pawns.
Sirius Black wonders why. Why, if he did everything right, if he stood up to his family, if he always defended what was right, he’s now reduced to a broken toy confined to isolation while that piece of shit who did everything wrong is the one who has Dumbledore’s favor. Because Sirius was always one of the good ones, and Severus was one of the bad ones. Because tormenting and mistreating him was justified. But then he realizes it doesn’t matter. It doesn’t matter who’s good or bad in a war; what matters is how useful you are to those who wage them.
And he has become useless, while Severus is a key piece. And that is the best revenge Severus could have had for all the years of abuse he endured: for Sirius to realize, in the last months of his life, that all his efforts to rebel had meant nothing. In a war against power structures, the aristocratic boy never has a place.*
How big could your handwriting get before the professor starts calling bullshit? Cause let’s be real–with the exception of Hermione, every Hogwarts student’s essay ends up looking like this:
"the malfoys and snape only tolerated each other for political gain and he hated the family actually" : boring, no angst, cliche, makes snape's decision have no emotional stakes
"the malfoys and snape trusted each other despite everything largely bc they met very young, snape challenges their pre conceived notions on basically everything but they treat him like family regardless, meaning that snape betrayed the (bad) people who gave him a home for the ("good") people that mocked and abused him his whole life": insane, appealing, lucius being a reluctant big brother, snape being dracos godparent, emotional stakes through the roof, post war lucius grappling w the fact his bsf betrayed him, that he was the one to lead him to his death yet lucius still loves him bc he saw him as his little brother
Please tell us more about Voldemort's relationship with Severus, and why you think it differs so much from Voldemort's other relationships
Whatever it is that lingers between Tom and Severus—power, manipulation, some dark bond none of us can fully grasp—it naturally ignites chaos in the mind of the beholders. And if you’re eager to feel that burn, I’ll gladly embrace you in it. To you brave, reckless souls, I say this: your wish is my command.
So, here we are, picking apart how Severus Snape—mudblood, poor, and bruised from the heavy hand of a Muggle father—managed to land himself a spot at the table with the most rabid pack of blood purists you’ve ever seen. A table, mind you, he had no business sitting at. The Death Eaters, that tight little clique of privileged purebloods, had no real reason to let in this scruffy little outsider. Sure, Snape was useful. Very useful. His skills were sharp as knives, and he could do their dirty work, get his hands filthy so they didn’t have to. But useful doesn’t mean welcome. Useful doesn’t mean accepted. You know who else was useful? Fenrir Greyback and his mangy lot. They brought terror to the doorsteps of half the wizarding world, and did Voldemort’s cause no small service. But did they get a place at the inner circle? Did they get respect? Hell no. They were the dirt beneath the boots of the real Death Eaters. Useful filth. And then there’s Snape, embodying everything these purists claim to despise—a half-blood with a tainted surname, living in squalor, dragged through the muck by a Muggle brute of a father. By all accounts, Death Eaters should have spat in his face and tossed him out like yesterday’s rubbish. But no. Not only does he get a seat at the table, he rises. He’s placed on a pedestal, standing closer to Voldemort than some of the most loyal, purest-blooded lackeys in the room. Voldemort, in all his cold-blooded glory, didn’t just tolerate Severus. He raised him up, right in front of their sneering, offended faces. Now, here’s where it gets really interesting. If you think Voldemort did this out of some sense of gratitude, you’ve missed the point entirely. Tom Riddle doesn’t do gratitude. That kind of sentiment is beneath him, an alien concept. Voldemort doesn’t reward; he uses. Deeds done in his name are expected, not appreciated. You’re not going to get a pat on the back from a man who thinks the world owes him its loyalty. Snape’s service should’ve earned him nothing more than a brief reprieve from pain. A loosening of the noose around his neck, if he was lucky. That’s Voldemort’s way—keep them all desperate, keep them all afraid. So why did Snape, of all people, get raised up? Why did he, the least likely among them, become a favorite?
Mind, it’s not just me declaring Snape as Voldemort’s favorite. That dark, twisted bond is laced into nearly every interaction between the two, as if something unspoken and festering passes between them. But it’s Narcissa Malfoy who lays it bare. A woman born into the highest echelons of pure-blood privilege, the very foundation on which Voldemort’s so-called supremacy stands, doesn’t hesitate when she calls him “the Dark Lord’s favorite, his most trusted advisor.” Let that sink in.
Here is the wife of Lucius Malfoy, a man whose lineage is steeped in the darkest of traditions. But when her family’s future is on the edge of a wand, when her son’s life dangles by a thread, she doesn’t rely on Lucius, doesn’t turn to Bellatrix. No, she comes to Severus, because deep down, she knows. They all do.
It’s something more insidious, something that slips through the cracks in the floorboards of Voldemort’s ideology. He is the one Voldemort trusts, the one Voldemort leans on, the one whose counsel can shift the dark winds of fate. That is real power, raw and untouchable. Narcissa sees it—how could she not? Even with all her aristocratic pride, even with the weight of her name and her family’s legacy pressing down on her, she understands that none of it means a damn thing next to what Snape has. Narcissa, with her family’s long, proud heritage, has to grovel before someone who, by the very logic of Voldemort’s cause, should be inferior. But Snape is different, and everyone knows it. They may not say it, they may not even want to admit it, but they know. He operates outside the lines, above the fray, immune to the very rules that were meant to keep people like him down. Snape, the half-blood, the one with the muddied past, holds a kind of sway that no one else in Voldemort’s ranks can claim.
Oh, there comes the bitter irony of Peter Pettigrew. After years of scraping and groveling, thinking he’d earned his place in the Dark Lord’s favor, Peter is handed over like a rag for Severus to wring out. Peter, one of the smug Marauders who’d gleefully hounded Snape through school, reduced now to something just shy of a house-elf, bowing and cringing under Snape’s very roof. A cruel twist of fate, no doubt arranged with Voldemort’s signature malevolence. Was this some attempt to plant a spy in Snape's house? Maybe, if you take it at face value. But think for a moment—Voldemort, who couldn’t pry Snape's treachery from his skull with all the power of Legilimency, putting his trust in Wormtail to do the job? The rat that couldn't outsmart a dormitory prank, never mind a master of deception like Severus?
No, this isn’t espionage; this is karma. Cruel, twisted karma orchestrated by the Dark Lord himself. You can almost picture Severus watching Peter scuttle about his house, casting him those withering, superior glances—knowing full well that Tom has given him this indulgence, this little taste of vengeance. Snape treats Wormtail with open contempt, because he knows he can. He knows it’s allowed, expected even. It’s as if the tables have turned in the most bitter of ways, a humiliating reversal of fortune. Pettigrew, who once revelled in Snape’s humiliation, now reduced to the lowest of roles, while Snape—Voldemort’s golden boy—sits at the top. Isn’t it delicious? You’d have to be blind to chalk it up to coincidence. Moreover, Pettigrew’s fate is all the proof you’ll ever need that Voldemort’s rule isn’t founded on something as simple or sentimental as loyalty. Loyalty? Sacrifice? Please. Pettigrew’s life was one long, groveling act of desperation to stay in the Dark Lord’s good graces. You bring your master back from the brink of death itself, and still, all you get is contempt. Voldemort demands service, sure. But service? Guarantees nothing. And when you set Severus and Peter side by side, the question gnaws at you. Why? Why is Snape the favored one, the exception, the enigma in Voldemort’s otherwise brutal, predictable hierarchy? What makes him different? There’s something between them—something that doesn’t follow the usual logic of power and punishment. Voldemort doesn’t just tolerate Snape’s defiance; he rewards it, bends the system to accommodate it. Something unspoken, something hidden behind the masks they both wear, grants Snape a level of favor that Pettigrew could only dream of.
What’s crucial to grasp here is that Voldemort doesn’t spare anyone. His entire ideology is rooted in cruelty, in domination, in the ruthless obliteration of all who oppose him. He doesn’t just eliminate enemies; he obliterates them, wipes them from existence without a second thought. And yet, here’s the anomaly: Lily Evans, mother of Harry Potter, a member of the Order of the Phoenix, and a Muggle-born witch, is offered a chance to live. Live. This decision, however, is directly tied to Snape. Snape had begged Voldemort to spare her, and it is this plea—Snape’s plea—that softens the Dark Lord’s otherwise unyielding cruelty.
To truly grasp the enormity of this act, we need to take a step back and consider Snape’s position in all of this. Remember, Severus was just 21 years old when he found himself pleading with Voldemort, one of the most dangerous dark wizard in history, to spare Lily Evans.
Snape wasn’t the imposing, confident figure we often associate with him thanks to Alan Rickman’s performance—he wasn’t a man exuding quiet menace, seemingly capable of standing toe-to-toe with Voldemort. No, at this point in canon, he was barely more than a boy, a young man fresh out of Hogwarts, with no powerful lineage or wealth to protect him.
And yet, despite this—despite the sheer imbalance of power between them—Snape dared to approach Voldemort. Voldemort. With a plea. Not for himself, but for a Muggle-born witch. At best, Snape’s request might have been laughed off, dismissed as the desperate wish of a foolish young Death Eater. But it wasn’t. For some reason, Voldemort didn’t just tolerate Snape’s plea—he actually acted on it.
Consider how critical this moment was to Voldemort’s larger agenda. At the heart of his entire scheme is a singular, consuming fixation: the annihilation of the child prophesied to be his undoing. Harry Potter is Voldemort’s obsession, the one threat he must eliminate to secure his dominion. The Potters were no longer just enemies—they were the key to his future, and Harry was the focus of his most crucial mission. In this context, sparing anyone even remotely connected to Harry was an extraordinary risk. Leniency wasn’t just unnecessary—it was dangerous. By showing mercy to Lily, Voldemort risked undermining his own carefully constructed agenda. And this wasn’t a moment where Voldemort could afford to make mistakes.
This unprecedented act of “mercy,” this concession Voldemort granted Snape, became the very thing that led to his downfall. Had Voldemort simply killed Lily Evans on the spot, as he did James, she would never have had the chance to sacrifice herself for Harry. The protection her sacrifice invoked—the ancient magic that saved Harry’s life and turned Voldemort’s killing curse back on him—would never have existed. Voldemort, the cold strategist, fell because he didn’t bend for anyone—except, inexplicably, for Snape. And that single, dangerous deviation cost him everything. That’s how it’s all started.
And there it is— how it’s all ends. Voldemort’s final words to Severus Snape before he executes him. But pay attention to how he begins. “Clever man,” he calls him. He suggests that Snape might’ve already known the truth of the Elder Wand’s treachery. Tom would never acknowledge someone’s cleverness if it undermined his own intellectual abilities. If he implies that Snape may have already unraveled the mystery of the Elder Wand, it undoubtedly indicates that Voldemort had recognized Snape’s crucial role in the wand’s problems long before. It’s not just idle chatter or casual flattery. No, it’s a bloody confirmation that Voldemort himself had long ago pieced together the mystery of Snape’s involvement with the wand. This wasn’t some last-minute realization that forced his hand. It wasn’t ignorance that delayed Snape’s death, not at all. It was deliberation. Voldemort, for all his cruelty, wasn’t stupid. He suspected, long before that moment, that Snape was at the center of the problem with the wand’s loyalty. He just chose not to act on it until the very last moment.
He held back from executing him, searching for any other way around the wand’s limitations, trying to find a solution that didn’t involve killing Snape. But when it came down to it, when all other options were exhausted, Voldemort finally made his move.
And what does he do? He delivers a speech. A bloody speech, full of regret and excuses—“I regret what must happen.” Does that sound like the Voldemort we know? The Dark Lord who kills without a second thought, who carves his empire from the bones of the disobedient? Hell no. This is the man who thrives on fear, on swift, brutal punishment. And yet, here he is, delivering justifications like some guilty executioner. This isn’t Voldemort’s usual method. This isn’t the whip coming down fast and hard. This is something altogether more… hesitant.
That speech, soaked in rationalizations, tells us everything we need to know. Snape’s death wasn’t just business—it was personal. It’s a messy, ugly end to the unexplainable dynamic between them. Even at the very end, Voldemort is bending, twisting, trying to justify his actions to the one man who had managed to worm his way under his skin. And in that second, we see something rare—a glimpse of the complexity in their relationship. Voldemort’s usual ruthless efficiency is absent.
His “I regret it,” spoken once more, stands out like a blade in the gut, sharp and unexpected, slicing straight through Voldemort’s usual cold indifference. The Dark Lord, who has never spared a thought for the wreckage in his wake, lets these words hang in the air, unnatural as they are. A man who’s never known the weight of remorse now offers something that almost feels like regret. Not true regret, of course—Voldemort doesn’t have the luxury of feeling something so weak, so human. But still, It’s not a sentiment he offers to anyone else. It’s almost as if Voldemort doesn’t know how to process this lingering attachment, as though Snape’s mere existence demands something from him that Voldemort is incapable of giving. Snape occupies some strange corner of Voldemort’s mind, twisted and dark it may be, that not even the Dark Lord himself seems to understand. Despite the fact that I’ve painted a whole canvas of tangled thoughts on the strange relationship between Severus and Tom, I’ve barely begun to tug at the thread of their inexplicable dynamic. There’s so much more I could unearth, layers of intrigue and tension that ripple through every scene between them, and I could easily go on for hours about the small, delicious details woven into their story. But, as it happens, my full-time job is already sharpening its knife and aiming for my back, so I'll have to bring this whole saga to a close with the following quote:
For me, the intensity of this scene speaks volumes about their relationship, capturing the very essence of what makes these two so bloody fascinating. The way their gaze alone can make Death Eaters flinch under the weight of their unspoken understanding. It’s not fear, not exactly. It’s something colder, something deeper. As though they’re witnessing a bond forged in the dark, a grim understanding that none of them can ever be a part of.
That’s what keeps dragging me back to these two. The tension, the labyrinth of contradictions, the complex tangle of manipulation. I want to look away—hell, I should look away, just like the Death Eaters did. But there’s something about it, something that coils around me, tightening like a serpent’s embrace. Can you blame me?
lol now im just imagining voldemort in the middle of brutally torturing snape to death stopping and being like 'oh sorry my bad'
no but seriously. i love how snape has such a calm and understated way of recounting what must have been a tremendously harrowing experience.
PLEASE watch this. i love chaotic sisters best dynamic in the world
WHAT LURKS BENEATH Comic
It's the spooky season...! To celebrate, please enjoy this 7-page horror comic featuring Brook that I made for "WHAT LURKS BENEATH", a One Piece horror zine full of incredible talent. After sales are only open until the end of October so please consider checking it out and grabbing a digital copy absolutely PACKED with amazing art & stories, and some of the nicest merch I've seen from a zine!
The summer of fifth grade, Snape comes home and opens the door to see his mother's feet dangling and swaying in mid-air, and after the burial Snape remembers why Eileen picked the very day he returned from school to hang herself, and believes that it was his mother's revenge on the son who had done nothing to help her in her life
on catholicism and severus & tobias snape
if you’re going to expect a very well-thought out essay about this, please let me stop you right there. it likely won’t be :)) but this was prompted by comments of people on my hc of catholic!snape and a (long) conversation with @dementedlollipop on discord that just spurred so many Thoughts.
going under a cut coz i don’t know how long this will be.
Keep reading
why would you distort “Severus changed sides because of Lily” to “Severus only changed sides because of Lily”? Trying to save someone you care about is a pretty good reason imo.
Thinking of a decidedly non-fixit Arcane AU where Silco and Vander both live, but now have to navigate negotiations with Piltover for the nation of Zaun, and the fallout in their families.
Eight years ago, when Marcus spirited Vi away to rot in prison, unbeknownst to anyone he managed to take a just-barely-alive Vander, too. Vander remains Marcus’ best-kept secret, but after Silco and Jinx are arrested, he’s yanked from the bowels of Stillwater and reinstalled as leader of the newly declared nation of Zaun.
Reeling from his change of circumstance and the paths his family has taken during his imprisonment, Vander must now navigate the aftermath of the very different plans Vi and Silco have laid for an independent Zaun.
But after five months of negotiations, all Zaunite prisoners are released from Piltovan prisons, and Vander and Vi must confront their siblings, and grapple with the base violence necessary for change. Takes place at the end of an alternate Act III.
Vander survived like Vi did, but Vi does not realize this at the time. She spends her entire time in Stillwater believing he died of his injuries.
Shimmer did allow him to survive, but he remains Vander rather than Warwick the robot-zombie-werewolf/living embodiment of the Hound of the Underground he will almost certainly be in canon.
The plot of Arcane proceeds pretty much normally. Caitlyn does not initially learn of Vander, as he wasn’t involved in the incident with Silco’s henchman. Few Piltovans know about Vander, and prior to Jayce and Mel’s initiative, even fewer care enough about Zaun to bother with him. After Caitlyn and Vi address the Council, Marcus’ dealings are discovered, and the idea of Zaunite independence is floated, some rusty gears start turning, but Jayce isn’t privy to this and still attempts to negotiate with Silco.
Silco still spirals when offered independence at the price of his daughter, and still monologues to Vander[‘s statue] about it. However, word of the terms, and Silco’s refusal of them, somehow gets out to the other Chembarons, and then to Zaun at large.
Fortunately, this manages to head off Jinx’s tea party of horrors.
Unfortunately, this leads to a (very understandably) enraged mob of Zaunites willing to drag both father and daughter to the bridge of Piltover for the price of one, and/or stone them in the streets.
Silco has precious few moments to assure Jinx he’d never forsake her. When the mob comes for them, he tells her to go and tries to cover her escape, but Jinx refuses to be separated from him. The mob washes over them.
Jinx, as she always does, fights like a woman possessed. Silco may be rusty, but he is and will always be a son of Zaun, and he is scrappy. When a man cuts off one of Jinx’s braids and starts tearing at her clothes, Silco stabs him to death with his own knife. But when the first stone is thrown, at the foot of the Bridge, all he can do is throw his scrawny body over hers in a desperate attempt to shield her.
Meanwhile, Cassandra Kirammen has just seen fit to reveal Vander’s survival to Caitlyn, who races to tell Vi (who is in Zaun hunting Sevika).
Vi is nearly overcome with joy at his survival and the prospect of rebuilding Zaun with a stable adult, and almost as pleased when they hear an angry mob has come for Silco. However, her joy turns to horror when she realizes Powder is with him, and Jinx is just as much a target of the mob as Silco is.
Vi races over the rooftops in the mob’s wake trying to reach her sister. She’s horrified to see a dead man, stabbed and trampled and still clutching a bright blue braid.
The mob surrounds Silco and Jinx at the Bridge, hurling stones. They are dispersed by a warning shot from Cassandra Kiramman, backed by a squad of Enforcers. The first thing Silco sees, when he’s able to lift his head, is a Piltovan gun pointed at him and his daughter.
Vi arrives at the rooftops overlooking the scene to hear Cassandra Kiramman tell them that Violet was right, their own people did turn on them. The anguish in Jinx’s cry as she buries her face in Silco’s chest and he tries to comfort her will haunt Vi for years. For a moment, Silco sees Vi above them, and the accusation and rage on his face as he holds his battered, traumatized daughter is chilling.
Cassandra then drops the bombshell than not only has Vander survived, he’s now poised to become the new leader of Zaun (provided cooperation with the Council). Cue Silco breakdown.
Vi watches the Enforcers arrest Silco and Jinx as Zaun processes this news. Having all but traded places with her sister after all these years, her reunion with Vander takes a bittersweet cast as she, Vander, and Ekko set about rebuilding Zaun and dismantling Silco’s Shimmer empire.
The chembarons put up a fight, but not as much as they might’ve, at least openly. Sevika managed to avoid the mob and she quickly emerges as one of the voices Vander knows he’ll have to negotiate with. Ekko and especially Vi are not happy with this, but the fact remains that Zaun is sorely lacking in any remaining competent leadership who’s been in the Lanes for the past 8 years and is even remotely trusted by the people.
Meanwhile, Silco and Jinx have had near-simultaneous breakdowns with the reveal that Vander is alive, Vi “betrayed” them to Piltover, and both of them are now working with Topside for the independence Silco’s (allegedly) been working for for the past 8 years. Convinced more than ever that everyone else betrays them, they become, if possible, even more codependent.
They are separated during intake (Jinx’s other braid is cut so she's not lopsided), and their frantic reunion in the canteen attracts attention, and some crude suggestions that Jinx should find herself a younger man. Silco, disgusted, says she’s his daughter.
Silco has failed to stand up to Piltover, failed to keep power in Zaun, and now apparently failed to kill Vander. His single-minded devotion to Jinx is all that stands between him and a complete breakdown, but his power to protect his child is severely limited in prison; in Zaun he was a king, here he’s just a sump-rat. And he’s fading.
Like the mutant fish that prowl the waters, Silco is adapted to the chemicals and pollutants in Zaun, and when cut off from the Shimmer, like a fish out of water, he gets very sick, very quickly.
Silco and Jinx see each other at meals and outdoor hour (no effort is made to separate men and women), but otherwise prisoners are left to rot. Neither engage with any other prisoners, even their henchmen. But Silco gets weaker, and as the months turn colder, he becomes too sick to leave his cell. When he doesn’t show at the canteen, Jinx takes it upon herself to go to him. She locates his cell and sneaks in at night (with some lockpicking help from Mylo’s ghost?). She can evade the guards, but she tells Silco they’re more concerned about keeping prisoners in Stillwater than what they do in there. Silco is more concerned about the implications of who might be able to get into his teenage daughter’s cell.
Silco is not doing well. Guards bring food to his cell, but don’t bother to see if he eats it. He can’t keep it down, and he’s becoming too weak to try. He tries to give it to Jinx, telling her not to waste it. It’s the only thing he can do for her.
He’s dying, and despite his attempts to reassure Jinx she’ll be alright, he’s terrified at the thought leaving her alone. Jinx is determined to keep him alive though.
She makes it to his cell every night, rumors be damned. When be becomes too weak to eat, she feeds him, doing everything she can to keep him fed, keep him warm, keep him breathing through the night. Fluid fills his lungs, leaving him in a state of constant drowning. He lapses into delirium, raving about Marcus and Vander and Vi, about Piltover and Shimmer and the nation of Zaun. Eventually, he can barely keep down water, and all Jinx can do for him is draw sharks on the walls and ceiling of his cell, to guard him when he’s trapped in nightmares he can’t wake from (she gets it.)
After five months of negotiations (~December?), Vander and Vi secure the release of all Zaunite prisoners from Piltovan prisons. What to do with them presents a challenge, as Zaun has no criminal justice system and next-to-no legitimate economy. Many of the prisoners are petty criminals by Piltovan standards, but ordinary citizens caught by Topside in Zaun. Then there are prisoners like Silco and Jinx, considered personae non gratae even (or especially) in Zaun. No one knows what to do with them, but it’s agreed they should face Zaunite justice.
Piltover knows that “Zaunite justice” could involve another mob, but they don’t care enough to object. Vi and Vander also know this, and care very much.
Vi is still in denial that Powder/Jinx is hated as much or more than Silco.
The prisoner transfer comes with little warning in the bowels of Stillwater, as the guards round up all the “sump-rat” prisoners one morning and send them to the Bridge, where the leaders of Zaun have assembled.
Vi is overcome with relief when she sees Powder among the released prisoners, but Jinx can’t find Silco.
He’s at the end of the crowd. As per the agreement, Piltover will release prisoners at the bridge, but he must cross it himself, and he’s barely able to walk. When he tries he immediately slips on the icy ground and doesn’t get up. Guards are laughing, Jinx is becoming frantic, and Sevika senses danger.
Lying face-up on the bridge, Silco looks up at the flag of the new nation of Zaun and almost gives in. And then he hears Jinx screaming his name.
Silco can’t walk and Jinx can’t carry him. But she won’t allow anyone near, and Vander and Vi just agitate her more. Sevika finally steps forward to carry him to a van that will take him and Jinx back to Zaun.
Sevika takes a moment to assess their condition before making the executive decision to drug Jinx unconscious and carry Silco into the Last Drop
Vander takes one look at him and calls for a doctor. When it becomes clear that Singed expects him to die and is a little too enthusiastic at the prospect of dissecting his eye, Caitlyn offers her father’s services as a doctor and escorts him to Zaun.
Vi stays at Powder’s bedside. When Jinx wakes asking for Silco, Vi tries to assure her she’ll never have to see him again, only for Jinx to punch her in the face and rush to Silco’s bedside calling for her father.
The first thing she sees is Vander standing over him, and she wrenches him away with strength that shouldn’t be possible. When Vander comes face to face with his youngest daughter after 8 years he can’t help but flinch.
Powder was his kindest of his children, the sweetest, gentlest, always trying to please. Jinx looks at him with rage and fear and accusation and betrayal and hate. She looks at him with Silco’s eyes, the last time he saw him.
Then she has him on the ground, too fast for him to react, going for his knife as Vi and Sevika try to separate them. Jinx and Vi briefly square off to defend their fathers, before Silco stirs.
Tobias Kiramman arrives to find the leader of Zaun battered and brooding, Caitlyn comforting a tearful Vi (who’s sporting a black eye), and Silco and Jinx reuniting for the first time in an independent Zaun. Both are weeping. It would be touching, if they weren’t who they were.
He recognizes Singed as a disgraced former doctor turned serial killer, and is concerned by the Zaunites’ unsurprised reactions. He’s the only doctor in Zaun, and the good ones wouldn’t come to the Undercity if they had any choice.
He’s also disturbed by the condition Silco’s in. It should have been obvious he was ill, but it’s clear he received no medical care in prison.
When Vander slashed his face open, chemicals in the water leached into the wound, formed crystals in his flesh, in the back of his eye. His eye’s turned black, the flesh of his cheek underneath caved in and rotted away. What was in that water? Singed would love to find out! Some phenol maybe. Shimmer kept its spread at bay, but now…
He’s so weak Tobias warns Vander he may not live, but Vander tells him he will, because Silco’s a survivor, for better or worse.
Silco and Jinx’s move back in the Last Drop goes about as well as Sevika expects. They put Jinx in Powder’s old room, leading to disturbing, violent meltdowns that Vi and Vander are unprepared to deal with, while Silco’s health crashes several times in one night.
Vander concedes that it’s unsustainable and, on Sevika’s suggestion, eventually puts Jinx with Silco over Vi’s objections, as he’s the only one who can halfway calm her during meltdowns and she's the only one with experience with his healthcare.
Jinx has become Silco’s sole motivation to go on, and their dynamics subtly reverse. Clinginess and insecurity are traits readily associated with Jinx, but not obviously with Silco. Jinx has always been dependent on Silco, but in Stillwater and after she cared for him. This wasn’t to pump up her feelings of importance, or even a child’s desperation to avoid losing another parental figure; Jinx sincerely cared for her father out of concern. When he tells her she saved his life, she tells him children can take care of parents when they grow up.
The threat to their relationship was never Vander. Vi is another story, but Silco is Jinx’s father, not him.
Vander is unwilling to ask anyone else to care for Silco, and whatever Jinx can’t do Vander does himself. Silco alternates between vicious cruelty and such obvious physical and mental agony it’s impossible to fake, and he can swing unpredictably from one to another. He doesn’t need to accuse Vander; he knows.
Silco’s necessarily feeling overwhelmed and emotional after learning of Vander’s survival and Zaun gaining independence. He’d finally understood and and even forgiven Vander when he believed him to be dead, but the reality of confronting him alive is very different.
Vander: Sweeps in to gain independence and claim leadership of Zaun after 8 years in solitary confinement 🙌
Silco: half-carried out by his teenage daughter after 5 months in prison
Yeah, Silco doesn’t like that.
On one night, Vander freezes outside Silco’s door, listening to his brother curse Marcus and his deception, writhing and crying in pain from the wounds Vander gave him, as Jinx tries to soothe him by describing how she killed Marcus in graphic detail and offering to kill his 5-year old daughter. He curses Vander too, and Vander flinches when he hears Powder offer to kill him as well, if it would make him feel better. But even wracked with pain, Silco realizes how dangerous this could be and that he needs to be the adult in this situation. He declines, and tells Jinx to be absolutely sure he’s lucid before carrying out any hit jobs he issues.
On another night, Vander finds Silco passed out covered in vomit and carries him to the bathroom to clean him up; as he puts him in the tub Silco comes to and panics at the combination of Vander and water, struggling violently enough to injure Vander and himself. Vander in frustration finally asks if he would burden Jinx with all of his care, and Silco begrudgingly surrenders. When Vander makes him admit he hasn’t kept any food down all day, he brings him new food for to eat and watch him eat it. Silco tries to tell him not to waste it and give it to Jinx, but Vander snaps at him that it’s not a waste.
They begin to speak, a little, about their children. What to do with Jinx? Redeem her as Powder or prosecute her as Jinx? Silco credits Jinx’s theft of the Hex gem and threat to Piltover for Zaunite independence, the base violence necessary for change. She’s perfect, he tells Vander, a true daughter of Zaun. She’s done what we never could.
Vander’s learned a lot about the things Jinx has done, what Powder’s turned into. He can’t tell if Silco is truly that blind to her faults or if he’s in denial. When he presses Silco about what role he played in making Jinx, Silco riles, but not at the accusation he corrupted her. He genuinely believes that becoming Jinx was the only way to heal Powder from the pain of betrayal, something he knows well.
He tells Vander that after Vander tried to kill him, he returned to the mines, through paths even Vander never knew. He stumbled for days (though he admits that he might have been hallucinating, as there are things in the mines that can make you “see things”) before he came to an underground clearing filled with impossible flowers sustained by a mysterious glowing fluid. He collapsed there, and it was there Singed found him. Singed asked him if he wanted to live, and Silco tells Vander he wanted revenge.
Vander’s heard enough and turns to go, but Silco becomes more agitated, snarling at Vander not to turn away from him, to look at him. But to Vander’s surprise, her doesn’t seem motivated by anger or possessiveness or a disagreement in ideology; he’s terrified for what will happen to Jinx if they try to force her to become Powder again, reduced to begging Vander not to do that to her.
When news comes that Piltover has officially recognized the nation of Zaun, most of the surviving adults of the rebellion generation are overcome with emotion at the news. Silco breaks down as Jinx comforts him and Vi finds Vander weeping it the Last Drop and goes to him. Caitlyn spies Sevika crying quietly in a back room and slips away before she sees.
Silco and Vander have achieved everything they once wanted with the nation of Zaun, but they cannot share this victory together, not now. The truth they are unwilling to concede is that Zaun’s independence took both Silco and Jinx’s “base violence necessary for change,” and Vander and Vi’s diplomacy and compromise with Piltover. They need to be united, as they once were, as they always planned to be, if they are to move forward. But they won’t. They can’t. Not anymore.
Vander was never meant to be the diplomat. Silco was supposed to be the clever one, the negotiator, who wove his way through a trail of paperwork and legalese, who’d gain the respect of the Pilties once Vander was done cowing them from the Undercity. It takes more than a revolution to build a nation. Vander needs his brother now.
But that’s just it, isn’t it? Silco’s there, he’s right there, down the hall, on the other side of the door! But his brother is gone.
On top of that, wanting Silco dead is one of the few things that unite most in Zaun (and Vi and Ekko aren’t inclined to deny them). Vander insists he will stand trial once he’s strong enough to stand, but many would prefer a quicker end to justice. Fear of Jinx is all that stands between Silco and a very easy death.
Sevika: You’re welcome to try. It’s just a matter of how many of you Jinx will take with her.
Vander is between a rock in a very hard place. One night, Silco wakes to Vander crying silently over him, but gives no indication that he’s awake. Silco and Jinx are monsters, but they are monsters of Vander’s own making. It is not possible for Vander to pursue justice for Zaun without betraying his brother and his daughter, again.
Silco gradually becomes aware that a significant factor in independence negotiations was the return of the Hextech gem to Piltover, and it hasn’t been returned yet, because Vander and Vi can’t find it in the Undercity. When Jinx confides that she hid it before the mob took her and knows its location, for the first time since Stillwater, Silco has some hope.
For better or worse, Silco is back in the game. He starts to pull himself together. His hair’s grown out, hanging unevenly to his jaw, clipped back with Jinx’s sparkly barrettes. He's lost so much weight his dress shirts no longer fit, so he wears them wrapped around, held in place with a belt that needed a new hole worked into it, and what look like pinstriped pajama bottoms. Tobias Kiramman hears one Zaunite comment that “at least he’s dressing normally now.”
At one point he also watches in horror as Silco, barely strong enough to walk, lights up a cigarette. When Dr. Kiramman protests, citing his lungs, Silco coolly asks Jinx to open a window, allowing a haze of greenish smog to enter. As Tobias chokes and coughs, the two Zaunites remain impassive, and three glowing eyes stare at him through the haze.
Sevika also pays Silco a visit. She denies being a traitor, as she worked for Zaun, not Silco, but tells him she wasn’t the one who exposed his deal with Piltover to the Chembarons and to Zaun (That was Renni, and I honestly can’t blame her). She also tells him he looks like shit, but he looks more like himself than he has in years.
Silco’s plan is to use knowledge of the Hex gem as a bargaining chip. Not to avoid prosecution, he knows that’s impossible, but his goal is to get a sentence that’s survivable rather than being left to rot in Stillwater, with a guard bribable enough to allow Jinx visits (and potentially explore other means of leverage).
He also seeks to shield Jinx from prosecution, taking all blame for her crimes however implausible. Everyone in Zaun knows it’s a lie, but Silco’s hoping that apathy will save them rather than ignorance.
Ironically enough, his and Vi’s goals are completely aligned, had they ever considered coordinating their assertions that Jinx was blameless and acting solely on Silco’s orders.
However, all his plans fall to nothing when, on trial by the leaders of Piltover and Zaun, Jinx lives up to her name, threatening them with Hextech weaponry in a bid to protect Silco. Sevika later finds him crumpled in a corner, helpless and out of options to save his daughter or himself.
(This family is so doomed by the narrative).
Jinx : 😠
Silco : you’re my daughter 🥺 , I’ll never forsake you
Jinx : 🥺
An emotional first reaction to Arcane's finale
With an accent on Silco's arc...
*Wipes tears away*
Anyway. When was the last time you sat down to a tv show that punched this hard and respected its villain this deeply? Silco is by far the most interesting character, and he carries the show on his scrawny shoulders.
Compelling if mysterious backstory, overcomes his demons and his traitorous brother in one fell swoop as he gains power. Silco's a zealot who dreams big for everyone. And yet in the end he finally understands why Vander did what he did. Finally has an emotional tie on a personal level that means more to him than the Nation Of Zaun, that big all consuming project that's been driving him from the start.
And yet in a completely masterful twist, Vander chosing his daughters over Zaun means the Status Quo, while Silco choosing his daughter over Zaun means War.
He gets everything he ever wanted. He's a villain who uses all ends to reach his goals and actually gets there, and the creative minds behind Arcane had the guts to make it absolutely irrelevant to his death. That is so wild, honestly. His love is his personal downfall (or more likely, the lack of mental health care in the Lanes is his downfall...) but he's never more human and more like Vander than when he dies...
For the creators to chose to NEVER redeem him, and instead just... humanize him to the very end... To let him say his piece and clear out misunderstandings and also to go knowing all his *fucked up* efforts fucking paid off...
*Silco style slow clap*
Fucking bravo.
Turns out Silco wasn't lying, not anymore than any of us do from time to time, even to our loved ones. Turns out that he was really worrying, really caring, and that it was really "just the two of them".
There's plenty wrong with Jinx's arc as a villain in the becoming, the whole "hearing voices makes me unhinged and violent" really isn't palatable.. it's an easy cop-out that puts people with IRL mental illnesses in another toxic limelight.
But there's incredible beauty in her being truly embraced by the villain, for the most wholesome family to really be with him. To be fought for as hard by him, as much as Vander did. Vi doesn't want Jinx. She truly wants "Powder", and even if she probably loves her and probably needs the mental help Vi would desire for her "to change" and "become stable", Jinx's toxic, zealot, asshole second dad loves her exactly as she is. Why the fuck would you not chose that side, being in Jinx's boots?
*chokes up for a minute*
I can't clap my hands hard enough to applaud the team behind Arcane (so I'll use them to write fanfic instead)
How did they manage to break the curse of video game adaptation?
Well, I think it helps that the studio itself retained absolute creative control. For once it's not a film industry giant buying rights and trying to do it's usual "adaptation" cash grab wringer. It's a studio getting another studio to work their (insane) magic and produce the best 9 episodes cinematic we've ever seen.
The vision was theirs, the story was uncompromising and unflinching.
I am not surprised the writing punches this hard. Video game writers know what the fuck they're doing, because they create immersive worlds and storyline in which the players/viewer is directly active. I mean look at other hard gut punches out there like God of War, Wticher 3 or even Jackie's arc in Cyberpunk.
But for them to stick to their guns to the very end... To give us characters this compelling instead of following the cliche route... For them not to betray us, the way so many other storylines do by trying something bold for a hot minute before falling back on tried and true cliches like deflating souflés...
Guys, I'm sorry but even Disney doesn't clap this hard. Arcane came on to the scene and swatted everyone aside. The visuals, the animation style, the music, the cast of character all painted in deep shades of grey, the riveting plot with its series of mirrored pairs going through the same divisive process... Arcane is the show we've all been begging for, but we were asking for it to the wrong people.
Bravo team. None of y'all will ever see this post, but know you're appreciated. You made me scream and choke up and built a whole new condominium in my skull for Silco to live in rent free. Fuck you and bless you, I love you guys.
Hi, I love a lot of your meta and analyses. Especially for Arcane. One thing that's bothering me is what exactly was Silco's reputation among the Lanes in act 1? It's odd how Vander seems to say he's worse than enforcers, and Benzo even calls him an animal and immediately tries to charge at Silco after Grayson's death. But we know that Silco only became this ruthless AFTER his attempted murder by Vander. So during the old times when Vander and Benzo knew him, Silco was apparently a "weak man" who wasn't nearly as violent as Vander. So what gives?
Sure, the "animal" line could just be because of the brutal way he killed Grayson and the enforcers, but idk, the way he immediately charges Silco no questions asked seems to indicate something deeper. It's funny too, because Silco murdered only the enforcers that were arresting Vander, and didn't even want to kill Vander until he rejected Silco's plan and refused to join him. So if Benzo just stayed calm and kept his hands to himself Silco would've probably kidnapped them both. Hell, without Benzo's murder hanging over Vander's head, maybe he could've even be persuaded to rejoin Silco for another try at revolution? But the story needs him to refuse, so ofc Benzo had to die.
I'm just wondering why exactly, if Silco was known as the less violent one before Vander tried to kill him, then why do Benzo and Vander in act 1 treat him like he's been a devil the whole time. Did they maybe catch wind of his unpleasant activities while he was underground and building his revolution plans?
Hi Anon! What a great ask! And thank you, you make me blush. It's nice that my horrendous Arcane brain rot actually serves some purpose somehow x'D
This is a very good question and a difficult one—because of the writers. I'm not sure if they really know or care to make sense of Silco and Vander's past. The timeline is shaky and vague. I think they were happy to leave things quite mysterious. Some of us desperately try to unravel it, but the bulk of viewers took it all at face value and concluded that Silco is a horrible man who did horrible things.
This is not me bashing other fans, all theories are valid, but I must admit sometimes I wonder if the Arcane writers managed to convey their point across. Because I've seen quite a few people theorise that Silco did something truly horrible and 'deserved' to be killed by Vander, despite the lack of evidence or accusation, or the show going to great length to harp about Vander's potential for change, of his "monster within" who caves in skulls with his fists.
(Not to mention the casual fans who thought the sun shone out of Vander's ass because they couldn't see past Vi's pov and didn't do dozens of obsessive rewatches like yours truly).
My point is that their relationship is pretty complicated and there are plenty of dissenting theories. And I think a lot of people go one way or the other precisely around those moments you mention. I'm going to give you my theory, but it's very fanon. I'm genuinely a lot less certain about this than some of my other meta. It's just what gels for me considering how I interpret the rest of the show.
I'm going to put this under a cut, because there's a lot!
What exactly was Silco's reputation among the Lanes in act 1?
I don't think Silco was weak. That's him reframing his trauma. Not just weak physically (like obviously he could never fight Vander off fairly), but for having trusted him. Weak for not seeing the betrayal coming, and not coming on top of that conflict. He calls his old self weak because he must believe in his own progress, his own resurrection into a being who can enact his plans at last.
I think Silco was a beacon of hope and zealotry. I think he was a propaganda machine. Young Silco united a lot of Zaun under the banner of his dream. He probably worked hard, and led the movement. From the way their dialogue goes, the accusation of betrayal, saying "I trusted you", and the manner of Silco's attitude around Vander, I'm of the (generally not that popular) sentiment that Silco was the leader of the early rebellion, and that Vander was his follower. Most likely his right hand man.
In fic I've theorised that Vander, who tells Vi he used to always be so angry and violent, didn't have a channel for said violence until Silco gave him structure and a purpose. Directed that violence at Piltover, at creating (read, carving out) the Lanes.
Which, FYI, are NEVER clarified. We don't know if it's a business model or a territory or both. Writers truly don't care to explain it.
Anyway, Silco speaks of "our dream" and then uses "brother" with a LOT of irony laced in, in reply to Vander's own use of the term. They used to be brothers in arms and Vander believed in that dream. We also know that Vander used to fight for the cause and claims he's "not that man anymore".
He basically was fighting for team Silco—team Zaun—right until the day of the betrayal.
Then we're told by Vander that Silco had his respect, the Lanes' respect, "but that... was never enough for you". We're also told by Sevika that Vander created the Lanes.
This suggests to me that Silco and Vander created the Lanes together.
I assume that over time Vander started seeing Silco's plans as too greedy, while leading the Lanes seemed ideal. 'Good enough', if you will. Vander is small minded where Silco is aiming for the sun. One wants too little and the other too much. Silco says they 'shared a vision, dreams of freedom, not just for the Lanes but for the whole of the Underground, united as One'. They used to dream of Zaun together... And then Vander realised Silco would tear the Lanes apart if it would serve his purpose (to attack Piltover).
I think he didn't believe it'd work (and given what we see of Piltover vs. Zaun before shimmer, it might not have), and realised he wanted to rule the Lanes. Vander would now see Silco's dreams as too dangerous.
I know some people in the Zaundads community who theorised that Vander was influenced in turning on Silco by Benzo or others. It's not my prefered theory.
I think Vander wanted the Lanes for himself, and knew that Silco was too zealous to ever stop. We don't know why he got so (intimately) violent. Why they were in the Pilt. We see Vander first very cold, slowly drowning Silco, then very hot and brutal, once he's been hurt. I think he was very different indeed from the genial Vander we know in arc 1. Young Vander is the guy who carved the Lanes with his fists. The guy who built the reputation old Vander still coasts on. A guy known by foreigners! In short, it doesn't really help to look at him through the old Vander lens. He did what he did..
And THEN, he hid the (most likely black and contaminated) wound from Silco's knife. While Silco wears his scar unashamed for what must be a decade or two, Vander has his arm constantly covered. This speaks of shame to me. We know he had regrets too :
Truly a young, impulsive, violent man, who rushed into a bad decision and has regretted it since. I can picture a young Vander missing his best friend, his guiding light, and yet finally becoming the leader he wanted to be. Curtailing Silco's uprising entirely and settling, at least until his own revolt.
We know there was only one time where the rebellion went ahead, and that was well after Silco left. Vander, to the assembled Lanes people, says "we crossed that bridge once before". It's the era where he still had Silco's respect, but was immediately followed by his pact with Grayson. Which Silco knew of.
Sorry... I'm rambling to try and get all the details in... Almost there.
Finally we come to Vander holding his (shamefully hidden) wound and saying "there's worse things than enforcers out there, we both know that."
And I'm not sure WHAT HE MEANS!! Like, this is not proof he knows Silco is alive. My personal feeling is that Vander believes there's a chance Silco might be alive, but he's not actively taking precautions like that's a possibility. Silco's attack wouldn't have come out of left field and taken them so completely by surprise otherwise.
There are plenty of things worse than enforcers. Including himself!! He could mean competing chembarons. He could mean someone wanting his seat. He could mean anything, it's infuriating.
Anyway, I think Vander came back from the Pilt with a bad stab wound and a story. I think he told everyone that Silco attacked him and died. That he turned traitor. Or any other bullshit story. But I believe he did what any new illegitimate ruler does, and shat all over Silco's reputation. Or else cried some crocodile tears over him and called him dead. But Silco never stepped back into the open, so Vander making him persona non grata is more likely.
Whatever the case, Vander had completely taken over the Lanes by the time Silco was in good enough health to show up.
Did they run into each other? Did Vander scare him off again? I'm not sure, but I don't think so. Vander looks way too shocked when he realises who's showing up at the murder party. This isn't the expression of someone who is used to thwarting schemes. This isn't the Batman's face when the Joker appears with mischief around a street corner.
Meanwhile, why would Benzo react so negatively to Silco? The well respected man who was betrayed (a fact Vander owns up to and APOLOGISES for), who was half drowned and mutilated by Vander's hand... Yet Benzo immediately calls him an animal (which, you're right, could be in reaction to stepping into a mass killing—which, fair), and tells him to "crawl back into whatever hole he came out of."
I feel like this is the reaction of someone who thinks "wow, it's the cunt who harmed my bestie 20 years ago and (insert Vander's lies about him). Who knew he was still alive?"
Meanwhile, Vander looks like it's judgement day. I think he has excellent reasons to be afraid. He stole the Lanes, destroyed Silco's dreams, ruined his rep, drove him out of the Underground... and somehow Silco stayed under the radar all this time? And now he's got killer monsters? Of course he'd be scared. Vander knows how intense Silco used to be, and knows how guilty he himself is. I think he believes all bets are off. Precisely because Silco never had a reputation as a weak man.
I mean, consider! If Vander was mega violent under Silco's guidance... If they built the Lanes together... If Silco was the leader who helped Vander redirect his rage... Then Silco clearly didn't mind being extremely violent. He didn't mind unleashing "the Hound" on the people who stood in the way of Zaun.
((I think Silco's "weak" narrative is a self soothing framing device. That he's recontextualising himself, making a philosophy of life. After all, he tries to use these same terms to speak to Jinx about her own trauma, while failing to grasp that while he was at his weakest, Powder was at her strongest. His personal motto of letting the weak die doesn't work for Jinx.))
It's very revealing that Vander says "Benzo stay back!" and Silco says "you never did know when to walk away." Like if he'd stayed back and then walked away, he'd have been fine. I fully agree that this tells us that Vander thinks Silco is only after him. That he wouldn't kill Benzo needlessly. Needless deaths were probably never Silco's style, as someone wanting to 'unite' the Underground. And after all, he's not even here to kill Vander, but to recruit him.
So, yeah... In conclusion (at last lol)
Silco was never weak, simply too big a dreamer, someone who wouldn't surrender his lofty ideals for the reality of being one of the most powerful men in the Undercity. Ultimately he got in young Vander's way. Vander impulsively sacrificed Silco for his own desire to rule the Lanes. Then he turned around, shameful and regretful, and lied to everyone about it as he usurped Silco's place and became the Lanes' sole leader.
(I personally theorised in several fics that the last Drop was actually Silco's, and that Vander took over it after the betrayal, partially explaining why Silco never leaves the place after his own takeover. Complicated feelings + it was his and fuck Vander lol)
I don't believe Benzo or Vander have any clue about Silco's plans, and simply react based on what they know and imagine (Benzo based on whatever Vander told him, and Vander based on how fucked he has to be and how insanely dedicated Silco must still be). I believe Vander has a lot of double agents in his midst (Sevika, Syd), and people who've been keeping tabs on him for years.
Counter-argument : Marcus says he spoke to one of Vander's "old friends" and that he "wasn't always so peaceful". You could think this may have tipped Vander off... But how many people did he leave behind or crush when creating the Lanes? How many people hate him for leading the failed uprising? I think it's still plausible that Vander doesn't suspect Silco's involvement.
Vander just lacks cunning. Another final argument for him being totally clueless is that he had a direct line to Grayson, and a quick, 'Hey, okay I'll tell you who stole your stuff' pointing fingers towards Silco would have entirely solved the situation for him.
Yet he never is shown to consider it.
PHEW. I think that covers it?? I think I covered every point? At least that's how I interpret this situation, even though it relies heavily on my own fanon readings of the timeline and a lot of other details.
If anyone disagrees with this, or wants to double down, as always go crazy. I love me a meta pile on.
Hi, I'm not sure if you've talked about this before and it might be silly to ask this, but I'm curious about your opinion:
There was a scene that surprised me quite a bit in episode 6 when Vi escapes. Initially, Silco was sitting calmly, and then boom! Everything explodes. It's understandable, but it's strange because Silco has always reacted in a cautious and calm manner, except for one time in episode 3 when he was talking to Vander. After that, he has been someone who knows how to stay calm. I've seen people say that Silco's reaction is because he's a megalomaniac who doesn't like anything being out of his control, but I don't think that's the case. I think it's something more complex. I see Silco as someone who internalizes everything to maintain control or appears to have it, keeping his thoughts and emotions to himself. That's why you see Silco exhaling or releasing tension before and after meeting with his associates, but I might be wrong. Anyway, I'd like to know what you think is the reason for Silco's actions.
And I'm sorry if I made a mistake in my grammar, I don't speak English very well
Hello anon! Thank you for reaching out and asking me this question... It sends me back to my Arcane meta days with a big smile on my face.
But honestly, I don't know who looks at Silco in that episode, having finished the story, and thinks he screams because he's megalomaniac. Not only does this not go with the rest of his character, it just fails to comprehend his character arc.
Silco doesn't want power. He wants freedom, and he wants his mission to realise itself. Silco has more of a religious fervour to him. He's a zealot. He speaks of the 'Nation of Zaun' with an air of rapture. He believes it, lives only for it. Just because we may not like his ways doesn't change that. I mean look at this guy :
#fully lost in the sauce
A character who really wants power would be Finn. We see him fallen to the trappings of wealth, plotting to uproot Silco from his position. Finn never shows any care for the cause. He only cares about supplanting Silco.
If Silco truly cared about power, then why is he still leaving down deep, on top of a night club? If he's a megalomaniac, why are his list of conditions for Jayce not covering him, but demanding amnesty for his people and equal access to the Gate for commerce?
No. Silco isn't a megalomaniac. He definitely wants to be in control, but that's hardly surprising for a leader. We also only ever know Silco at crazy important moments of his life, where his plans are running wildly or exploding in his face. It's not exactly every day Silco.
Most of the people we see him interacting with also tell us things : of course he needs to be ruthless and in control while facing Marcus. That man would lash out at the slightest show of weakness. Same with the other chembarons, who actively turn on him after the factory attack (that makes him look weak).
Silco isn't a control freak to be a jackass. He's like that because he's a Zaunite, and a Zaunite in a dangerous position of power. He's shaped by his environment too.
Anyway, why does he lose his cool in episode 6?
It's actually a very short answer! It's because of Jinx.
Jinx is his everything. Across my many meta posts I covered how codependent they are. How she physically abuses him, yet he never reaches out with any force towards her. The most violent he is, is after she nearly ruined his life plans and won't listen, and all he does is snatch a pen from her hand to make her pay attention.
They exchange caresses, rest against each other. He keeps her gifts on his official desk and actively uses them. And in the end, he can't accept her mortality, and sacrifices everything he's suffered and fought for his entire sad, fucking miserable life, because he loves her more than his cause.
So why does Silco lose it? Because Vi is alive, Vi is looking for Jinx, and Vi is the only person who could actively take Jinx away from him.
I mean like a day or two prior Jinx lost her shit and nearly killed Sevika because she saw a pink haired girl. Silco takes her to the pilt to try and soothe her and put her demons behind her, the only way he knows how. And then she happily gets to work! She's doing well!
But Silco isn't dumb. He knows Jinx is unstable and unpredictable. And finding Sevika hung like a ham from the ceiling? With a broken arm? Yeah, he knows she knows, and she's pissed... And he KNOWS that he just told her that VI IS DEAD. Which he 100% believed! Since when Sevika tell him about Vi being back he's like "From the dead???" in total horror and disbelief.
Marcus completely blindsided him, and it's a race against time now.
A race in which if Vi lives and finds Jinx... His Jinx, the only person he thinks he has... The girl he loves more than his cause, even if he hasn't fully realised it yet... Might hate him. She might decide to leave him.
Then he'd be alone again. And uhm... IDK if you all noticed but like... Silco isn't exactly a picture of clean mental health either. He's trauma ridden, set in very harsh ways, and has a solid spark of paranoia (which has kept him alive, but also isolated).
So the Silco screaming and spitting and kicking is a Silco who thinks that potentially everything will be fucked up now. He's stressed about the developing situation (the one where he asked his unstable daughter to basically make a nuke with stolen uranium, while juggling an increasingly strained sheriff and actively traitorous colleagues), AND the potential idea of his ONE person, his one broken, fucked up, twisted emotional bond, potentially being ripped from him.
Last time that happened, Vander was trying to drown him.
So he's just in a Bad Place™️
Cut the poor man some slack ahaha. I think it's normal that the mask finally cracks and reveals his emotions.
Silco isn't a cold character! His speech to Vander shows his zealotry and his passion! He has a dark humour too, and is aggressive and bitter when cornered. Silco wears a mask of cool professionalism when it's convenient, which is very often, as a leader in the undercity. But he also shows lots of emotions whenever suits.
I don't think you can be a cold character and stay riveted on your insane freedom fight for like 20+ years. He's got a big fire burning in there, and the scene in episode 6 is the proof of how hot it gets when he thinks he's about to lose it all. All your examples of him 'reining it in' are great too! He clearly has strong emotions. He just manages them a lot.
I hope this answers your question! AAaaaahhhh look at me, I just went and gushed, didn't I?
Thanks a lot Anon. And your English is better than some native speakers I know, so don't worry! <3
I've seen so many takes that portray Silco as having bribed Marcus in Act 1, but I think this detracts from Marcus's corruption as well as Silco's intelligence and have some ice cold, rigor mortis takes for you under the cut:
_
Silco invites Marcus to the cannery to offer him information, and the audience can naturally assume that from the money Silco tosses at Marcus after Grayson's murder, there's been a transaction between the two of them.
Marcus, though, has little reason to be interested in money with a position like his. He's in a senior role despite his youth and his personal grooming is off the charts well-maintained, not to mention tasteless almost to the point of opulence. Depending on Ren's age and the timing of his wife's death, he may have a family to support, but he's still Piltovian. He's still a presumably wealthy man.
Indeed, Silco has his own resources behind the scenes, however, he does need to lean into the stereotype Marcus places on fissure folk in order to get what he wants.
Marcus doesn't believe people of the Undercity to be altruistic; he sees them as greedy criminals, and by playing into that bias, Silco is able to secure a higher degree of trust in him. In eliciting a bribe from Marcus rather than simply passing information along for no good reason other than an old grudge, Silco is leading Marcus to consider himself smarter than Silco. He instils false confidence that Marcus is ahead of the game, and in doing so gives him the extra push he needs to challenge Vander without Grayson's authorisation.
When it comes to Vander's arrest, Silco's gang pursues and ambushes the arrest party as a means of killing two birds with one stone. Vander and Benzo have been drawn out into the open, but so has a demoralised Grayson. Attacking this particular group at this particular time secures Silco a victory over both cities, but it also acts as a dialogue with Marcus in that he has been duped — that Marcus is not any more intelligent than a trencher, and that his own prejudice hasn't only allowed Silco to use him — he now owns him.
Failing to honour Marcus's deal is an attack of its own. Marcus's intellect, his ego, his beliefs come under fire when Silco throws his own money back at him and declares a change of plan. All this tragedy came about because Marcus's bias prevented him from ever considering that Silco might be playing him.
All Marcus is left with once Silco gets his way is his own fat tits and the knowledge that this particular moment is entirely his fault, and Silco drives this point home by returning Marcus's bribe.
Vi's kidnapping occurs not only as a last-ditch effort on Marcus's part to do right in a disaster he played a massive role in causing, but also because he himself has just learned how dangerous a man Silco is. Also like idk kind of poetic justice for both of them that the one barely-righteous thing Marcus does in his career before Silco has him 100% under his thumb eventually leads to Silco's total undoing.
Ah Vander...
I'm still cracking up over this one line!
Vander has seen Silco turn a teen into a monster who killed 5 armed enforcers, the sheriff and then Benzo, got knocked out and dragged here, heard Silco's passionate speech, and he still seems to think that Silco could possibly be satisfied with just killing him.
WHAT HAVE YOU DONE, VANDER??
What have you done to Silco, that you believe that he might stop everything he's got going and call it quits after killing you?
The more I look at this sentence and the more it feels like Vander has this sort of... self important perception of who he is, or what he means to Silco.
Vander betrays a massive lack of understanding for Silco's dreams and passions, which is sort of heartbreaking, and feeds my perception of a young Vander who was always more in on it for himself than for ideals or true beliefs.
Vander would settle for personal revenge. Vander understands revenge more than anything else, because even after Silco's speech, he *still* believes that deep down it's all this is really about.
It hints at a young Vander who was full of rage and violence, but devoid of ideals. Silco thought he'd shared his dream with him, but he only gave him a direction to channel his anger, a conduit for his violence. Vander, I think, never really cared for a free Zaun, or never believed in it. That probably made betraying Silco that much easier, back then.
Silco asks him if he's forgotten, and he hasn't. He simply never really believed.
This scene is so good I really love it so much, the blocking and shot composition is great, and tense and I love it.
The way Deckard subtly recoils in disgust
And Silco juuuuuust sliiiiiiightly turns to him and it's like... dude you said the wrong thing.
I LOVE THIS SHOT framing it through the blood-spattered, cracked glass? Amazing choice. And the body language is so good. Only Silco can feel predatory while standing perfectly still and unbothered.
"Power" Silco spits. I made a post earlier commenting on how Arcane uses spit, it's gross. And they do this with Silco a lot. He's icky, he makes your skin crawl. And it was a good choice, because Silco is charismatic and the grossness counterbalances that, it maintains this unsettled feeling about him. If you're starting to like SIlco it helps keep you ambivalent towards him, because ew.
And then yeah this shot is just super cool
BANGER line
#silcowasright
some arcane stuff again!
Jinx : 😠
Silco : you’re my daughter 🥺 , I’ll never forsake you
Jinx : 🥺
What do you think of Death as a character?
Death of The Endless is straight up my favourite depiction of Death in literature and media that I've seen so far. It's so good to see a depiction of Death that is sweet and compassionate for once.
But what I think is rather unfortunate about her—as is also the case for her other siblings (or every fictional characters ever)—is that people tend to only remember a part of her and forget the rest
She is one of The Endless. She is Dream's big sister. But first and foremost, she is Death itself—and I think people tend to forget that part (and I am not exempt to that either). And Morpheus being so close to her says a lot about him.
At first, you'd see her as 'the voice of reason'. After all, she has a good head on her shoulders, and what she's saying sounds reasonable. But when it comes to Morpheus, everything she said made him stride closer to her. He followed her. He followed her advice. He sought her out. He felt at peace with her. That's not just a little brother looking up to his dependable big sister; She. Is. Death. What does it say when someone has that mindset and attitude towards Death?
It's written all over (which is why I don't buy people's complaints that the ending 'came out of nowhere') but of course, people tend to forget Death or what she is—both in real life and the story apparently. Especially when Death isn't depicted as terrifying I suppose.
Also, I love that she is compassionate and caring but she's still indiscriminate. She loves everyone the same way—which, in a way, is still cold and cruel to us humans; because in our context, being kind to the cruel is being cruel to the kindhearted. But that's what she is; she is not justice. She is not mercy. She is not punishment. She is just what she is; she is Death—and she is there for all.
Also, I personally think the parts of her that many dubbed as her 'humanity' or the signs that she is 'the most human of all The Endless' has less to do with 'humanity' specifically and more about how she is so close and inseparable to life that we can't recognize her—which is, imho, what makes her so jarring as a non-human being, and what's so terrifying but at the same time, makes perfect sense about the concept she is.
Her speech bubble and dialogue font being the exact same as the regular ones in comics. Her dialogue—the choice of words—that are totally normal, casual, snd familiar (like someone we know. Like a friend). The fact that she has a house which she decorated to her taste—that she has her personal taste. How she keeps goldfishes as pets; it's all so 'human' but we recognise that because we are humans and that how we live—so maybe it's not just about being human but rather being alive.
Either way, we recognise her as one of us: be it as the same being we are or as a being who is alive. She is indistinguishable from what we perceive as normal and natural because that's what Death is: it is as natural to die as it is to be born. Nothing out of place and nothing unsettling about her that we forget that she is there amongst us—she is everywhere. She will always be there. We don't know when we'll see her. We can't recognize her until she said 'time's up'. Thus, many of us live our lives as if she doesn't exist. But she will be there for all.
And forgetting and denying that she has always been there and always will be might make it even more agonizing when she does come for us than it would be if we were to accept that. But either way, she is just what she is. We live our lives because she will be there for us. We live our lives according to how we see her. She is the reflection of our lives and what defines it, but our lives are our own.
That's such a cool depiction of Death, methinks.
drops my briefcase 💼 oh no my sillies!!
jokes aside i think it’s amazing and heartwarming to see like 4chan incel bros perform the miracle of crawling out of that hole and becoming real human beings and chronicling their journey to realizing that they can be well adjusted happy normal dudes
Lieutenants’ working space, coloured