This post contains spoilers for Galaxy in Flames, by Ben Counter, first published as a novel on (as nearly as I can tell) October 10th, 2006.
I'll be honest, I don't have a lot to say about this one. This book is the story of how Horus took the major part of the Sons of Horus, Death Guard, Emperor's Children, and World Eaters Legions to the Istvaan system on false pretenses of putting down another rebellion, and on the planet Istvaan III deployed those portions of them he judged most likely to object to his rebellion against the Emperor in a spearhead strike against the planetary capital, then bombarded the planet from orbit in an attempt to kill all the potential loyalists in a first strike. Saul Tarvitz, an Emperor's Children marine from Horus Rising, does some investigation behind the scenes, figures out the plot, then flees to the planet's surface in time to warn the spearhead, who take shelter underground, allowing many of them to survive the bombardment (virus bombs that otherwise kill all life on the planet, including its six or so billion civillian inhabitants). What follows is then three months of fighting on the surface in the ruins of the planetary capital, with the loyalists in slow retreat, getting whittled down to buy time in the hope that word has gotten out of Horus's treachery and a relief force will be sent to rescue them. No relief force arrives, but their slow defeat does tangle up the traitor forces in time for word of Horus's treachery to make it back to the Imperium. Loken and Torgaddon, the loyalist half of Horus's advisory Mournival council, fight Abaddon and Aximand, the traitor half; Abaddon and Aximand both live, Torgaddon dies, and Loken's fate is left unclear (spoilers he survives and is a character in later books).
It ends like this:
In the meantime, three embedded civilian observers who've been secondary characters in the last two books escape from Horus's flagship the Vengful Spirit to the Eisenstein, the one ship in the fleet held secretly by loyalists, which escapes and will be the subject of the next book. One of them, Euphrati Keeler, is now preaching the Emperor's divinity, manifesting miracles, and being called a saint.
It's essentially an extended action story with a jailbreak B-plot. It makes some odd pacing decisions, basically skipping from the bombardment to the last few day of the siege; I feel like it could have wrung more drama from making the situation more grinding and desperate... but then I'm just describing Helsreach, which is not surprising because Helsreach did this better.
All but one of the traitors have ridden a slip-and-slide down into Saturday morning cartoon villainy in this book; they're now all sneering monsters, constantly internal monologuing their own sense of superiority and expressing petty contempt for everyone around them, including amongst each other. Horus imperiously tells people who were his trusted allies, friends, and close confidants in Horus Rising how cool he is and how they'd better not fail him; those former close confidants and trusted allies just accept that he's right to do that and then treat their former friends and subordinates the same way. It's not even that they feel out of character; they don't really have characters. The exceptions are Lucius, who's like that but more so, because he's one of the series' designated ultra-assholes like Erebus, and Aximand, who kills Torgaddon and feels bad about it. I assume that'll come up later.
Look, it's fine. It does the job it sets out to do. It doesn't fail in any interesting or infuriating ways like False Gods did; the ending is reasonably affecting if you like Saul Tarvitz. It successfully novelizes some lore that was around for decades and moves the events of the series forward. This is one of the most important events in the Heresy and we'll be re-visiting it a lot in future material; I hear some of that future material treats it better than this did.
Euphrati Keeler's role is weird. You would think the book would be interested in playing with tone when it comes to the death of the atheistic Imperial Truth and the birth of the Imperial cult, but like the death of all native life on Istvaan III and the betrayal and murder of the loyalists by their traitor brothers, it's all presented in a very matter-of-fact manner.
just finished reading the latest manga chapter and now im sobbing over all the spotlight yui is getting in ur
Oh god, this may be why I keep persuading people to get into Good Media and then wondering why they're all three books/games/etc ahead of me suddenly...
"any time is a good time for mid, but quality deserves the perfect environment" really does explain my habits lmao
happy yuri night everybody
rpg setting with multiple competing units of damage/resilience used in different regions. you gotta worry about the conversion between hp celsius and hp fahrenheit
One of my favourite things about the setting is how Teenagers With Attitude are clearly considered a strategic resource that every nation should be developing, lest they develop an Angsty Teen gap with the Soviets.
The geopolitics of the Trails series are so funny. In Trails in the Sky SC, you have an entire chapter dedicated to figuring out who is trying to disrupt the signing of a major non-aggression pact, during which you learn a lot about the internal politics of all sides and what the treaty can and can't do. It's a really interesting chapter that teaches you a lot about Liberl's place in the world and it helps to ground the setting in a good way.
All that being said, it turns out the disruption was caused by a bored child supersoldier with a fucking gundam.
et tu, boopte?
Something I've seen a couple of times recently: "Credit to the original artist," or words to that effect.
I've bitched elsewhere to get the feelings out (tl;dr FUCK OFFFFF WHAT A NOTHING PHRASE), but here you're getting the positively-worded PSA:
Crediting art is a practical act to let people know whose work they're enjoying. It needs to at least include their name, and if at all possible it's polite to put a link to somewhere their work can be found so people can explore further. This isn't just a spell we invoke for politeness' sake: it's part of a healthy artistic ecosystem, and without actually connecting to the original artist it's not achieving that purpose.
"Credit to the original artist" invokes the form but has none of the function. It's wearing credit's skin but I don't care about the skin; I need the meat.
...what is the "sex is just rock climbing" category
It was kind of a joke between me and a friend ("you wouldn't judge someone for having gone rock climbing with a bunch of different people") but honestly the more I thought about it the more I bought into it unironically because:
It is a physical activity done with one or more partners
You should only go rock climbing with people you trust to not let you fall
You should not go rock climbing with someone who is drunk or currently incapable of rational decision-making
Some people get super super super into rock climbing and do not shut up about all the places they have climbed and how many are left on their bucket list and these people are usually men between the ages of 20 and 35 and like it's fine dude I'm glad you're happy but I don't know what most of those mountains even are
While many consider it a fun activity, pressuring someone into climbing when they don't want to (or ignoring their feelings and just dangling them off a cliff,) could cause both psychological and physical trauma
There is no moral value to it whatsoever. Who you have gone rock climbing with (or whether you have rock climbed at all) has no bearing on who you are as a person. Imagine telling someone "it's not that heights make you nauseous, it's just that you haven't found the right person to belay you!" or "you need to save your first time rock climbing for someone special." That would be absurd.
For some people it is a deep and moving personal experience.
historically I have not asked myself "will this aggravate my hip flexor injury" before participating when perhaps I should have 😔
"Beware he who would deny you access to information, for in his heart he dreams himself your master."
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