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愛 :  ﹫ni-ki.

𝗆𝗒 𝖼𝖾𝗅𝖾𝗌𝗍𝗂𝖺𝗅 𝖻𝗈𝗒. ❤︎

＃ HEE ?!! ☺︎ % 🗒️

🍶❤︎ 小さな? SUNGHOON!! ☘︎

֊ 🧺 𝘄𝗼𝙣𝙞𝙚  < :  ⌗  ☽︎  tiny jungwon  %!!

!¡김선우 🎲 kim sunoo 𝗯𝗲𝘀𝘁 𝗯𝗼𝗢𝘆𝗬!¡

🖇️ 재윤 𝘀𝗵𝗶𝗺, 02 - is my tiny angel ✦⠁

020426 - 𝗃𝗈𝗇𝗀𝘀𝗲𝗼𝗻𝗴 사랑해 ❥︎

𝗹𝗶𝗸𝗲 𝗼𝗿 𝗿𝗲𝗯𝗹𝗼𝗴 𝗶𝗳 𝘆𝗼𝘂 𝘀𝗮𝘃𝗲 !

I told you, didn’t I? That if you saved my life once again, I’d let you marry me. You saved me from chocking on candy and from the motorcycle accident. Do you know the last thing you did to save me. Our children. You weren’t by our side, but I was always with you. So make sure you come back. Come back and live with us for the rest of your life, okay? Thank you, Mi Joo. I’ll make sure I do that.

7 Dream ♡

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~Cher

bamlisa world domination

CAN I PLEASE HAVE SOME DRARRY SMUT RECS (the more explicit the better!!) WITH DRACO TOPPING PRETTY PLEASE WITH SUGAR ON TOP????? also this is totally unrelated but i love love love your blog and i /may/ stalk it. just a lil bit. oops✌🏻

Hello, love!!! I’m thrilled you like my blog and I AM VERY HAPPY TO PRESENT TO YOU SOME SMUT. Some (most) of these will be PWPs, and some will be fics that have a plot, but also contain significant (amazing) smutty scenes <3 

Smutty Top!Draco Drarry Recs

Endowment by @dictacontrion​ (11K)- Potter has got under my skin for far too long, in far too many ways. I fully intend to return the favour.Harry has always been the one fucking Draco in their arrangement (yes there are some mentions of switching), but tonight Draco finally convinces him to try it the other way and Draco’s hung and there’s dirty talk and it’s Harry’s first time and he’s a wonderful bottom and IT’S THE HOTTEST THING EVER, FIRST FIC THAT CAME TO MIND FOR THIS!!! (Basically PWP)

The Flame by GoldenSkies (2.5K)- He had been commanded to do 3 selfish things at the beginning of the year. Not taking muggle studies was one. Another was having hot, kinky sex with Draco Malfoy.This is my favorite <5K smut fic. The end. I don’t know why I find it so incredible, but I LOVE IT so much. The dirty talk, the knickers, the d/s dynamic, it’s actual perfection (PWP)

Preparation and Blush by closet_bound (~6K? combined)- Harry knows Draco’s gay, and he has a question. Draco’s more than willing to answer. They both get more than they bargained for.Okay this fic….when I started reading this I was looking for smut, but what I got was the most PURE EMOTIONAL SWEET HOT SENSUAL LOVELY SEX and I wasn’t ready and it is definitely smut but it will also make your heart full to bursting and both of these fics are actually incredible (Hogwarts Era PWP)

Aural Gratification by birdsofshore (11K)- Harry’s not gay – he just likes listening to exciting stories about Aurors. It’s not his fault that the narrator’s voice is so smooth, so expressive… and really rather hot.This fic is simply amazing and I could read it 237948 times. Harry discovers a love for audiobooks, and then an obsession with the voice of the narrator of this series of homoerotic novels. And then he discovers who owns the voice and wonderfulness ensues <3

Buy a Heart by xErised (17.5K)- Draco’s cock hardens as he looks at the invitation to the charity auction; his golden ticket to one wild night of desperate sex with Potter to get rid of this inexplicable obsession. His heart whispers that one night will never be enough, but Draco is beyond caring. All he knows is that he will pay any price to have Potter over and over again.YO this fic is hot as FUCK. Draco buys one night with Harry at an auction and they have sex FOREVER in every room of their hotel suite and they are both super into it and it is fucking glorious. Porn with lovely plotty bookends, hahaha

A Fox’s Bargain by raitala (6K)- Harry made a bargain with Draco. He knew it was going to come back and bite him on the arse, he just didn’t think about what exactly Draco would ask for. Draco would say that Harry must have known deep down what he was agreeing to, but then Draco is a prick and what would he know?klhdsfjklddfs this fic is exactly what it sounds like. Draco shows up at Harry’s Auror office and collects on a bargain in which Harry promised an hour of his time. Super explicit, super dirty, super amazing *o* (PWP)

The Full Monty by Magpie_fngrl / @cat-wolfe​ (10K)- Harry poses for a naked Auror calendar and Draco goes batshit crazy with lust.Honestly I’m not sure that this fic qualifies as “smut” because there’s so much other great stuff going on, but I don’t care READ IT. This fic is honestly transcendent in its brilliance. Harry posing naked for a calendar is great. Draco pretending to be unmoved but secretly freaking out about it is better. Them being forced to interact is the best. Draco having a transfigured baby chicken is the bestest. Their lust causing strange magical occurrences is T H E B E S T. And their sex is LKHDHKSKJSFHBEST!!

let me see you stripped (down to the bone) by traintracks (24.5K)- “So,” Malfoy said. “Are you in? Or are you out?” He turned and looked at Harry squarely. Harry remembered the slow way Malfoy had slid his hand down his own stomach, into his pants – the outline of his long fingers gripping and stroking his own cock. The way his head had fallen back, exposing his pale throat. How he had owned them all. He took a deep breath. “I’m in,” he said.Aaaaah this definitely has a plot so it’s not a PWP but THE PLOT IS THAT THEY ARE STRIPPERS. AND THEY HAVE A DOUBLE ACT. CAN YOU BELIEVE IT????? IT’S LITERALLY ALL YOUR (WET) DREAMS COME TRUE. 

Don’t Turn Around by @jadepresley​ (3.5K)- It’s Harry’s wedding day, and there’s only one thing that will help calm him down…Harry has wedding day jitters, and Draco sneaks into his room to help him out. SUPER lovely and SUPER HOT with dirty taaaaaaalk <333

Punishment by dysonrules (15.5K)- Harry loses an impromptu wager with unforeseen consequences that open doors neither he nor Draco Malfoy had known existed.AGH MY GOD Eighth year(?) amazingness!!! I love spanking and OH MY GOD does this have it in spades. It starts out with Draco spanking Harry IN FRONT OF THEIR FRIENDS as part of a bet and Harry gets aroused and kfhdslsfkdl it takes a lot to make me blush but I’m blushing please just read it! The fic is incomplete, but because it’s basically just smut that didn’t bother me :)

The Things That I Desire by @gracerene09 (9.5K)- Harry’s a free man now, and he’s determined to get what he’s been wanting for years. Even if he has to pay for it.Harry just got divorced from Ginny and wants to find out what it’s like to be fucked by a man. So he hires a rent….man, who turns out to be (surprise!) Draco Malfoy. But the bigger surprise is how UTTERLY PERFECT AND WONDERFUL their sex is <333 

Moneymaker by @dictacontrion (16.5K)- As a top trader, Draco has power and money, suits and cars, houses and good champagne - everything a person could want. So when Auror Potter comes looking for help, Draco can’t think of anything that might persuade him to lend a hand. Well…maybe one thing.Draco is and Investment Banker and Harry needs a favor for the Ministry and DRACO MAKES HIM PAY WITH SEXUAL FAVORS AND IT IS AMAZING. Also Harry is totally up for it, no matter what he tries to tell himself. Seriously, dicta consistently writes flawless smut and this fic is YES! There is an amazing sequel as well, Suit and Tied, but it is top!harry, so if that squicks you then you can read Moneymaker by itself :)

(☆⌒☆) jenle ‧₊˚ ୨୧ !

I’m a bottom!harry

Sorry if I disappointed you, anyone who followed me. It’s okay if you want to unfollow. I don’t want you to feel uncomfortable with your dash. I’m still love you all ( ._.)

Evolution of Chinese Clothing and Cheongsam

the refs: http://i6.photobucket.com/albums/y246/lilsuika/refs.jpg

Alt: Timeline as 1 cohesive file at http://lilsuika.deviantart.com/

Chinese clothing has approximately 5,000 years of history behind it, but regrettably I am only able to cover 2,500 years in this fashion timeline. I began with the Han dynasty as the term hanfu (meaning: dress of ethnic Chinese people) was coined in that period. Please bear in mind that this is only a generalized timeline of Chinese clothing primarily featuring aristocratic and upper-class ethnic Han Chinese women (the exceptions are Fig. 8 (dancer) and Fig. 11 (maid, due to the fact I couldn’t find many paintings in the Yuan period)).

My resources are mainly the books: 5,000 years of Chinese Costume, China Chic: East Meets West, Changing Clothes in China: Fashion, History, Nation, and Hong Kong Museum of History. 5,000 years of Chinese Costume is an invaluable resource in English (though sadly currently out of print), I would highly recommend this book if you can get your hands on it.

NOTES OF INTEREST:

Han Dynasty:

“In the Han Dynasty, as of old, the one-piece garment remained the formal dress for women. However, it was somewhat different from that of the Warring States Period, in that it had an increased number of curves in the front and broadened lower hems. Close-fitting at the waist, it was always tied with a silk girdle.” (5,000 years of Chinese Costume, pg. 32)

Wei and Jin dynasties:

“On the whole, the costumes of the Wei and Jin period still followed the patterns of Qin and Han.” (5,000 years of Chinese Costume, pg. 54)

“From the costumes worn by the benefactors in the Dunhuang murals and the costumes of the pottery figurines unearthed in Louyang, it can be seen that women’s costumes in the period of Wei and Jin were generally large and loose. The upper garment opened at the front and was tied at the waist. The sleeves were broad and fringed at the cuffs with decorative borders of a different colour. The skirt had spaced coloured stripes and was tied with a white silk band at the waist. There was also an apron between the upper garment and skirt for the purpose of fastening the waist. Apart from wearing a multi-coloured skirt, women also wore other kinds such as the crimson gauze-covered skirt, the red-blue striped gauze double skirt, and the barrel-shaped red gauze skirt. Many of these styles are mentioned in  historical records.” (5,000 years of Chinese Costume, pg. 65)

Southern and Northern Dynasties:

“During the Wei, Jin and the Southern and Northern Dynasties, though men no longer wore the traditional one-piece garment, some women continued to do so. However, the style was quite different from that seen in the Han Dynasty. Typically the women’s dress was decorated with xian and shao. The latter refers to pieces of silk cloth sewn onto the lower hem of the dress, which were wide at the top and narrow at the bottom, so that triangles were formed overlapping each other. Xian refers to some relatively long ribbons which extended from the short-cut skirt. While the wearer was walking, these lengthy ribbons made the sharp corners n the lower hem wave like a flying swallow, hence the Chinese phrase ‘beautiful ribbons and flying swallowtail’.” (5,000 years of Chinese Costume, pg. 62)

“During the Southern and Northern Dynasties, costumes underwent further changes in style. The long flying ribbons were no longer seen and the swallowtailed corners became enlarged. As a result the flying ribbons and swallowtailed corners were combined into one.” (5,000 years of Chinese Costume, pg. 62)

Sui Dynasty:

“During the period of the Sui and early Tang, a short jacket with tight sleeves was worn in conjunction with a tight long skirt whose waist was fastened almost to the armpits with a silk ribbon. In the ensuing century, the style of this costume remained basically the same, except for some minor changes such as letting out the jacket and/or its sleeves.” (5,000 years of Chinese Costume, pg. 88)

Tang Dynasty:

“The Tang Dynasty was the most prosperous period in China’s feudal society. Changan (now Xian, Shananxi Province), the capital, was the political, economic and cultural centre of the nation. […] Residents in Changan included people of such nationalities as Huihe (Uygur,) Tubo (Tibetan), and Nanzhao (Yi), and even Japanese, Xinluo (Korean), Persian and Arabian. Meanwhile, people frequently travelled to and fro between countries like Vietnam, India and the East Roman Empire and Changan, thus spreading Chinese culture to other parts of the world.” (5,000 years of Chinese Costume, pg. 76)

“…all the national minorities and foreign envoys who thronged the streets of Changan also contributed something of their own culture to the Tang. Consequently, paintings, carvings, music and dances of the Tang absorbed something of foreign skills and styles. The Tang government adopted the policy of taking in every exotic form whether or hats or clothing, so that Tang costumes became increasingly picturesque and beautiful.” (5,000 years of Chinese Costume, pg. 88)

“Women of the Tang Dynasty paid particular attention to facial appearance, and the application of powder or even rouge was common practice. Some women’s foreheads were painted dark yellow and the dai (a kind of dark blue pigment) was used to paint their eyebrows into different shapes that were called dai mei (painted eyebrows) in general.” (5,000 years of Chinese Costume, pg. 89)

“In the years of Tianbao during Emperor Xuanzong’s reign, women used to wear men’s costumes. This was not only a fashion among commoners, but also for a time it spread to the imperial court and became customary for women of high birth.” (5,000 years of Chinese Costume, pg. 89)

Song Dynasty

“The hairstyle of the women of the Song Dynasty still followed the fashion of the later period of the Tang Dynasty, the high bun being the favoured style. Women’s buns were often more than a foot in height.” (5,000 years of Chinese Costume, pg. 107)

“Women’s upper garments consisted mainly of coat, blouse, loose-sleeved dress, over-dress, short-sleeved jacket and vest. The lower garment was mostly a skirt.” (5,000 years of Chinese Costume, pg. 107)

“Women in the Song Dynasty seldom wore boots, since binding the feet had become fashionable.” (5,000 years of Chinese Costume, pg. 107)

“Although historians do not know exactly how or why foot binding began, it was apparently initially associated with dancers at the imperial court and professional female entertainers in the capital. During the Song dynasty (960-1279) the practice spread from the palace and entertainment quarters into the homes of the elite. ‘By the thirteenth century, archeological evidence shows clearly that foot-binding was practiced among the daughters and wives of officials,’ reports Patricia Buckley Ebrey […] Over the course of the next few centuries foot binding became increasingly common among gentry families, and the practice eventually penetrated the mass of the Chinese people.” (Chinese Chic: East Meets West, pg. 37-38)

Yuan Dynasty:

“Han women continued to wear the jacket and skirt. However, the choice of darker shades and buttoning on the left showed Mongolian influence.” (5,000 years of Chinese Costume, pg. 131)

“After the Mongols settled down in the Central Plains, Mongolian customs and costumes also had their influence on those of the Han people. While remaining the main costume for Han women, the jacket and skirt had deviated greatly in style from those of the Tang and Song periods. Tight-fitting garments gave way to big, loose ones; and collar, sleeves and skirt became straight. In addition, lighter more serene colours gained preference.” (5,000 years of Chinese Costume, pg. 142)

Ming Dynasty:

“The clothing for women in the Ming Dynasty consisted mainly of gowns, coats, rosy capes, over-dresses with or without sleeves, and skirts. These styles were imitations of ones first seen in the Tang and Song Dynasties. However, the openings were on the right-hand side, according to the Han Dynasty convention.” ((5,000 years of Chinese Costume, pg. 147)

“The formal dress for commoners could only be made of coarse purple cloth, and no gold embroidery was allowed. Gowns could only in such light colours as purple, green and pink; and in no case should crimson, reddish blue or yellow be used. These regulations were observed for over a decade, and it was not until the 14th year of Hong Wu that minor changes were made.” (5,000 years of Chinese Costume, pg. 147)

Qing Dynasty

When China fell under Manchurian rule, Chinese men were forced to adopt Manchurian customs. As a sign of submission, the new government made a decree that men must shave their head and wear the Manchurian queue or lose their heads. Many choose the latter.

On the other hand, Chinese women were not pressured to adopt Manchurian clothing and fashions. “Women, in general, wore skirts as their lower garments, and red skirts were for women of position. At first, there were still the “phoenix-tail” skirt and the “moonlight” skirt and others from the Ming tradition. However the styles evolved with the passage of time: some skirts were adorned with ribbons that floated in the air when one walked; some had little bells fastened under them: others had their lower edge embroidered with wavy designs. As the dynasty drew to an end, the wearing of trousers became the fashion among commoner women. There were trousers with full crotches and over trousers, both made of silk embroidered with patters.” (5,000 years of Chinese Costume, pg. 173)

The Manchurians attempted several times to eradicate the practice of foot-binding, but were largely unsuccessful. Manchurian women admired the gait of bound women but were effectively banned from practicing food-binding. Hence, a “flower pot shoe” later came into creation and it allowed its wearer the same unsteady gait but without any need for foot-binding. 

Republic Era

“Ever since the Tang Dynasty, the design of Chinese women’s costumes had kept to the same straight style: flat and straight lines for the chest, shoulders and hips, with few curves visible; and it was not until the 1920’s that Chinese women came to appreciate ‘the beauty of curves’, and to pay attention to figure when cutting and making up dresses, instead of adhering to the traditional style.” (5,000 years of Chinese Costume, pg. 214)

“The most popular item of a Chinese woman’s wardrobe in modern times was the qi pao. Originall the dress of the Manchus, it was adopted by Han women in the 1920s. Modifications and improvements were then made so that for a time, it became the most fashionable form of dress for women in China.

Two main factors account for women’s general preference for the qi pao: first, it was economical and convenient to wear.” (5,000 years of Chinese Costume, pg. 214-215)

Women traditionally bound their breasts in the Ming and Qing dynasties with tight fitting vests and continued to do so in the early 20th century.

“The vests were called xiaomajia ‘little vest’ or xiaoshan ‘little shirt” “used by Chinese women as underclothing for the upper part of the body.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162) “Doudu [is] a sort of apron for the upper body […] in former times the doudu had been worn by everyone, old and young, male and female. The young wore red, the middle-aged wore white or grey-green, the elderly wore black. A little pocket sewn into the top was used by adults to secrete them money and by children their sweets. When a girl got engaged, she would show off her embroidery skills by sending an elaborately worked doudu to her fiancé, decorated with bats for good forturne and pomegranates, symbolizing many sons.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162)

A ban on bound breasts began in 1927, in which the government started advocating for the “Natural Breast Movement”. Despite this, bound breasts still widely continued into the 1930s. The government also banned earrings as it fell under the criteria of deforming the natural body. The 1930s also saw the introduction of the western/French bra come to Shanghai.

“The little vest was designed to constrain the breasts and streamline the body. Such a garment was necessary to look comme il faut around 1908, when (as J. Dyer Ball observed): ‘fashion decreed that jackets should fit tight, though not yielding to the contours of the figure, except in the slightest degree, as such an exposure of the body would be considered immodest.’ It became necessary again in the mid-twenties, when the jacket-blouse—a garment cut on rounded lines – began to give way to the qipao. At this stage, darts were not used to tailor the bodice or upper part of the qipao, nor would they be till the mid-fifties. The most that could be done by way of further fitting the qipao to the bosom was to stretch the material at the right places through ironing. Under these circumstances, breast-binding must have made the tailor’s task easier.” (Finnane 163, Changing Clothes in China: Fashion, History, Nation)

Successful eradication of bound feet would not come until the 1949 when the People’s Republic of China came into power.

1950s-1960’s

Under the People’s Republic of China, very few mainland women wore the cheongsam, save for ceremonial attire. Clothing became de-sexualized for mainlanders.

It was the flip side in Hong Kong, as the cheongsam continued its function as everyday wear which lasted until the late 1960s. The cheongsam in the 1950s and 1960s became even tighter fitting to further accentuate feminine curves. Western clothing became the default after the late 1960s, though the cheongsam continued to survive as uniforms for students (who donned a looser and androgynous version), waitresses, brides, and beauty contestants.

21st century

Designers today are creating new forms of the qipao/cheongsam. The fish tail appears to be a current popular trend.