Not them kissing last time in the season near the window through which she was looking for him and dreaming about this exact moment for years
Waiting till BTSV for the fandom to bring itself to life
Y'know I miss when the spiderverse fandom was like, ALIVE and THRIVING. Now I'm eating off of literal crumbs
YES
Gwen telling Miles: "I love you. You don't have to say it back, though." in a mirror to the first film.
i looked like I haven't slept in 3 days while doing heroine the whole time while also being like a crazy celebrity that is on their last straw
but it's okay cause thats the vibe
đđđ
When I was 24 I sat in a backstage dressing room in London, buzzing with anticipation. My backup singers and bandmates gathered around me in a scattered circle.Scissors emerged and I watched in the mirror as my locks of long curly hair fell in piles on the floor. There I was in my plaid button down shirt, grinning sheepishly as my tour mates and friends cheered on my haircut. This simple thing that everyone does. But I had a secret. For me. It was more than a change of hairstyle. When I was 24. I decided to completely reinvent myself.
How does a person reinvent herself, you ask? In any way I could think of. Musically, geographically, aesthetically, behaviorally, motivationally. And I did so joyfully. The curiosity I had felt the first murmurs of while making red had amplified into a pulsing heartbeat of restlessness in my bars. The risks I took when I toyed with pop sounds and sensibilities on red? I wanted to push it further. The sense of freedom I felt when traveling to big bustling cities? I wanted to live in one. The voices that had begun to shame me in new ways for dating like a normal young woman? I wanted to silence them.
You see, in the years preceding this, I had become the target of slut shaming, the intensity and relentlessness of which would be criticized and called out if it happened today. The jokes about my amount of boyfriends. The trivialization of my songwriting as if it were a predatory act of a boy crazy psychopath. The media co-signing of this narrative. I had to make it stop because it was starting to really hurt.
It became clear to me that for me there was no such thing as casual dating, or even having a male friend who you platonically hang out with. If I was seen with him, it was assumed I was sleeping with him. And so I swore off hanging out with guys, dating, flirting, or anything that could be weaponized against me by a culture that claimed to believe in liberating women but consistently treated me with the harsh moral codes of the Victorian era.
Being a consummate optimist, I assumed I could fix this if I simply changed my behavior. I swore off dating and decided to focus only on myself, my music, my growth. And my female friendships. If I only hung out with my female friends, people couldn't sensationalize or sexualize that, right? I would learn later on that people could and people would.
But none of that mattered then because I had a plan and I had a demeanor as trusting as a basket of golden retriever puppies. I had the keys to my own apartment in New York and I had new melodies bursting from my imagination. I had Max Martin and Shellback who were happy to help me explore this new sonic landscape I was enamored with. I had a new friend named Jack Antonoff who had made some cool tracks in his apartment. I had the idea that the album would be called 1989. And we would reference big 80's synths and write sky high choruses. I had sublime, inexplicable faith and I ran right toward it, in high heels and a crop top.
There was so much that I didn't know then, and looking back I see what a good thing that was. This time of my life was marked by right kind of naïveté, a hunger for adventure. And a sense of freedom I hadn't tasted before. It turns out that the cocktail of naïveté, hunger for adventure and freedom can lead to some nasty hangovers, metaphorically speaking. Of course everyone had something to say. But they always will. I learned lessons, paid prices, and tried to⊠don't say it don't say it. I'm sorry, I have to say it. Shake it off.
Iâll always be so incredibly grateful for how you loved and embraced this album. You, who followed my zig zag creative choices and cheered on my risks and experiments. You, who heard the wink and humor in "blank space" and maybe even empathized with the pain behind the satire. You, who saw the seeds of allyship and advocating for equality in "Welcome to New York". You, who knew that maybe a girl who surrounds herself with female friends in adulthood is making up for a lack of them in childhood (not starting a tyrannical hot girl cult). You, who saw that I reinvent myself for a million reasons, and that one of them is to try my very best to entertain you. You, who have had the grace to allow me the freedom to change.
I was born in 1989. Reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly.
Never in my wildest dreams did I imagine the magic you would sprinkle on my life for so long. This moment is a reflection of the woods we've wandered through and all this love between us still glowing in the darkest dark.
I present to you, with gratitude and wild wonder, my version of 1989.
Itâs been waiting for you.
proudly anti-byler
Hi, I see that you ship Mileven, that's really cool! I've also seen that you've made quite a few anti-Byler posts, which is also totally fine. But I have noticed in many of those posts that you seem to believe Bylers don't have substantial evidence for their claims, which is untrue. Byler shippers are actually quite skilled in areas of media literacy and analysis, which is how we've collected so much proof. If you're interested in hearing what legitimate arguments Byler shippers have, I'd suggest checking out this huge list of evidence:
https://www.reddit.com/r/byler/s/RNOLvEEGcR
It currently has 180+ links, so I don't expect you to look at all of them, but even just a handful may equip you to at least argue against Byler better because you will be aware of what we actually believe. :)
Ok I read through some of them and this what I noticed.
^ mike was surprised because up until that point theyâve never said I love you to each other. The entire season he was trying to get the courage to say it, eleven picked up on it.
^ No evidence in mike lying whatsoever. As an audience where supposed to have an outside look and know a character is lying.
With eleven we seen her before mike arrive and after how she lied abt how she was doing.
For will in ep1 eleven states she doesnât know who will is painting for at all, then in the van will says she does.
For Mike tho thereâs nothing that indicates he isnât interested in eleven. From the fact each season ends with them, they never have broken up/split up on their own terms. And in s4 he puts eleven basically over everything.
^The party didnât really lose tho. Them losing wouldâve been max and eleven dying. We know elevens strength is determined by love instead of hate like 001. If it truly didnât work bc it was untrue she wouldnât have been able to break free.
^This is already explained within the show itself. He doesnât want to overstep bc he feels heâs not good enough for eleven and sheâs gonna realize that and break up with him. He feels like he got lucky of finding eleven and she just stuck with Mike bc he found her first. He just doesnât want to mess his first relationship up. Remember heâs 14.
^This is where I stopped bc this is so much of a reach itâs crazy. Mikes statement in itself says that if he expresses how he feels he thinks eleven will not feel the same. Aka leaving mike after him being at his most vulnerable. Him not outright say he needs her does NOT speak volumes bc of the fact of the entire season we see how much mike wants and needs her. Pretty much every arc mike has had shows how much he cares for and loves eleven. Itâs subtext if itâs byler but for mileven if itâs not explicitly said then itâs not there? Very convenient
#name twins and NETFLIX CAN WE HAVE THAT
Not to be dramatic or anything but Iâd cut off my left arm to get a scene in season 4 where Mike and Anna are just observing Jiara from a distance. They watch them interact for a moment â talking, laughing, kissing. And it turns into this lightbulb moment for the Carreras as they realize how truly in love Kiara is because sheâs looking at JJ the exact same way they look at each other. And JJ is looking back at her just the same. And itâs THAT moment that finally starts them on the path to some level of acceptance in regards to their daughterâs relationship.
Colin kept all of Penelopeâs letters and was still oblivious to the fact that he liked her. that is so funny of him. What an adorably dumb man
Real friend right there
jack said âi protecâ (x)
this is 100% a brain dump place feel free to join ;')
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