Anjelica Huston (Christian Dior Ad, 1973) Marie Claire Magazine Photograph By Bob Richardson

Video eassays part 2? Please?

gladly (part one: x)

the shining and the lighthouse: the horror of isolation

monstrous menstruations: the dehumanising of women in horror

the feminist horrors of jennifer's body, teeth, and a girl walks home alone at night

why the shining is terrifying

why you should watch disturbing horror movies

a monstress comes of age: horror & girlhood

jennifer's body & the horror of bad marketing

scary faces and loud sounds - analog horror

the nostalgic nightmare of skinamarink

queer representation in modern horror

the real reason the thing (1982) is better than the thing (2011)

how to make possession horror/the exorcist

the existential horror of david cronenberg's camera

the tale of two sisters / the unsettling mise-en-scene

what happened to japanese horror?

nope: the rise of existential horror

deconstructing the horror musical

pennywise: how to make a horror villain

alien - the art of horror

green room: why dumb decisions matter

let's talk about goosebumps scariest episode

the catharsis of body horror

the thing is the best horror movie of all time

what we can learn from korean horror

cure / creating the scariest non-horror film

the rocky horror picture show is the most important cult film ever made

ambiguous horror of the wailing

elements of horror - screams in horror movies

noroi: realistic j-horror

kairo / anatomy of the scariest scene ever

psycho / how alfred hitchcock manipulates an audience

the faith & horror of the exorcist

jurassic park is actually a horror movie

the horror (and problem) of sinister

the horror romance of let the right one in and let me in

mainland chinese horror & censorship

the most profound ending in horror film history?

courage the cowardly dog: an intro to horror

why do people dislike smart horror films?

exploring netflix's most unsettling found footage

universal monsters - why are classic horror movies still popular?

strange phenomena: the films of dario argento

exploring cinema's most controversial horror movie

why do horror games sound so beautiful?

atmosphere makes a great horror movie (alien 1979)

horror comedy: juxtaposed genre

why perfect blue is terrifying

the thing: horror in isolation

Jia Li (Chinese, b.1964), Summer Light, 2015, Watercolor on paper

Model of a pigeon with mother-of-pearl inlaid feathers (Japan, Meiji period, 1880)

Margaret Bourke-White, Breadline (There’s no way like the American Way), 1937.

My favourite quote from my old sociology text book.

Reblog if you’re a fellow gay free from the ‘heterosexual baggage of cultural meanings’.

The Lost Boys (1987)

Zeng Fanzhi (Chinese, 1964), Meat, 1992. Oil on canvas, 130 x 95 cm.

Suspiria (1977) dir. Dario Argento - US cut 35mm rip

Roland Barthes, The Pleasure of the Text, trans. Richard Miller