Kevin Gray touching his face while Christine sings "pitiful creature of darkness."
The point in MOTN when Laird Mackintosh and Earl Carpenter's Phantoms walk up on Christine hesitantly so the segue into "turn your face away" is just them chickening out.
The way Gary Mauer yells "NO!" in the angel before crashing out on "you will curse the day."
Davis Gaines's deliberate hand movements during the kiss and "Christine I love you." And the way he sobs and falls to the floor without it reading melodramatic. (Davis Gaines as a whole, tbh.)
When Erik and Christine lock eyes for a hot minute after the kiss. (Killian Donnelly/Lucy St. Louis and Hugh Panaro/Mary Michael Patterson are so good at this.)
The unique way Dean Chisnall sings "save me" during PONR/AIAOY reprise like his voice is breaking a little.
David Shannon wants to touch Christine's face so badly but just can't bring himself to do it.
#I am screaming
Not this…
[X]
Slowly starting to discover Phantoms 2018-present as I build my mini archive. He and Killian Donnelly (but also maybe Dean Chisnall?) are carrying the post-Panaro era on their backs.
Legs.
1. Jeremy Stolle 2. Davis Gaines 3. Hugh Panaro 4. Ivan Ozhogin 5. Ben Lewis 6. Gary Mauer 7. Howard McGillin 8. Earl Carpenter 9. Mathais Edenborn
It's over now, the music of the night. Laird Mackintosh, April 16, 2023. [X]
Made by @mattxiv on Instagram.
They are just absolutely brilliant together. And I think it's a combination of bouncing off each other's spontaneous reactions well, but also having a plan and complete synergy in how they understand their characters and the arc of the scene. It all works together to secure the Phantom's transformation and redemption while also leaving the audience feeling like Christine made the right decision, which is such a hard line to walk in the final lair.
I think Gina's Christine genuinely loves Erik in this one, but there was absolutely no way she was going to stay with him after everything he'd done. The decision is questionable for other Christines, but her particular take on the character just wasn't going to allow for that, especially given his Phantom's more aggressive approach to the final lair.
And unlike other interpretations of this scene, both she and David/the Phantom know that and it plays out in their body language post-kiss. Up to that point, David had literally been grabbing Christine at will and throwing her all over the place, all while desperately denying that his actions were dooming their relationship. And now she comes back to return the ring and he literally can't make himself touch her because he knows he's pissed away every claim to that kind of intimacy with her. There's no verbal or physical bid for her to stay; that unfulfilled caress says "I recognize what I've done and that I have no right to ask you to be with me, so I'm letting you go." And even worse is the fact that David also plays Erik with chronic pain, so we can hardly tell if the face twitch/wince he does is literal or figurative (let's just say it's both).
GIVE THEM A DAMN OSCAR, IDC.
Holy Week coinciding with the anniversary of POTO's closing on Broadway is a very dark combination when you think about it.
Look, I'm very excited to see Jordan Donica in the Gilded Age, but all I know is THIS BETTER NOT INTERFERE WITH MY DARKEST DREAMS OF HIM PLAYING THE PHANTOM FOR THE NORTH AMERICAN TOUR. Listen to the voice. Look at the hands. Imagine the pants!! This man was made to play the Phantom. He is the second coming of Davis Gaines or Howard McGillan in the making.
Whoever is in charge...whoever I need to contact, petition, or pray to...MAKE THIS HAPPEN.
Welp, we've gone this far. Follow me on AO3 and tune in to a POTO retelling lol.
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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