Was Completely Unprepared For JRox To Snatch My Entire Soul And Now I'm Just...unsettled. How Am I Supposed

Me: *Has the thesaurus open in multiple tabs.*

Also me: *Opens another tab and types in "redundant synonym."*

*a few minutes later opens another tab and types "excessive synonym."*

*and another tab: "compulsive synonym."*

The "Isn't he sexy" stream notes

'Blair Witch Phantom' by @illuminaughty and 'Mr incel dungeon' by @flora-gray as alternaitve titles

The VHS quality in general made it so cozy

Someone noticed how this production's Carolotta really embodies Belle Époque, I see that

Someone has said it was 'one of the Three Sit-Down Productions in the U.S. back in the 90s' - this one by Christine Company (LA), and @phantoonsoftheopera kindly listed all 4 companies: Phantom (Broadway), Christine (LA & SF), Raoul (2nd Natl Tour), and Music Box (3rd Natl Tour)

apparently, Oracle of Delphi was high from the geothermal vents @illuminaughti-online . It seems like academics found some evidence for gases which could cause vivid imagery, but it's up for a debate whether there were enough exposure to chemicals to cause these hallucinations

Trivia about the Crawford production that's new to me: apparently, at first many expected little from Crawford's Phantom since he was more used to comedy parts @stephistopheles

In the same lieu, from @glassprism: '@daaesviolin I remember Operafantomet talking about how both Crawford and Brightman sang using, what, an elder RP accent is what it might be called? It's not really taught anymore I think, so you don't hear it nowadays'

List of Phantom actors with 'ghostly' voices: Michael Crawford, Hugh Panaro, Davis Gaines, Alexander Goebel, Masachika Ichimura, Peter Karrie

Someone noted Crawford moves like a panther (in parallel to other Phantoms who are lizard-like)

@lit-ari-ture has found an academic article that discussed Michael Crawford's hands a lot! "‘Think of me fondly’: Voice, body, affect and performance in Prince/Lloyd Webber’s The Phantom of the Opera" (tmblr doesn't let me link the pdf here, but if you google it it should pop up on the 1st page)

Isabel Leonard in her trouser roles like Cherubino (when discussing Christine's Serafimo)

@haunted-hideaway: Aww man I miss Car Talk @illuminaughti-online: Gondola Talk got you covered

I forgot to copy it, but I think Celina mentioned how the monkey costume during Masquarade both mirrors Erik's Monkey music box, and possibly represents Christine's anxiety about him

it was far-reaching (which was the original, until someone ad-libbed it, and then it was transferred to libretto; most of this PotO trivia here is from Celina, thank you for sharing the knowledge!)

Thinking about how Erik wasn't just left alone by people, but also had no support system in the century he was born. His traumas would never be taken seriously (specially considering the men in his time), his mental illness would never be treated, he would probably be locked in an asylum and endure horrific torture if he ever tried to search for help. His abusers were protected by this very system and got away with everything they did to him. He was left down by everyone, even in his family, anywhere he went he was met with abuse, discrimination and ableism, and there was no way to escape this monstrous society other than hiding from it.

Thinking about no matter how much Leroux evidenced Erik's humanity, his nuances, the good he was capable of making, how his crimes were circumstantial (and in a lot of cases even forced), but not from thoughtless sadistic satisfaction, how he had no chance of living as a normal person in the world that casted him out like a 'monster'... he will always be a "villain" in the eyes of so many people. Because it's easier to blame one single person that already doesn't have anything or anyone and is already down on his misery, poverty and trauma, than to aknowledge the very system and society that forced him to live that way. It's easier to create an enemy that won't be accepted by anyone as anything other than an enemy, an 'other'.

Just thinking about how tragic and sadly realistic Erik is.

Oh shit, I started a fanfic!

Welp, we've gone this far. Follow me on AO3 and tune in to a POTO retelling lol.

Filing an Emotional Distress Claim Against Jonathan Roxmouth for:

The way he sings/acts "is THIS what you wanted to see?" during the unmasking. Why is it so unique and convincing??

That reptilian neck movement in the graveyard. He is a poisonous snake. He will BITE you, Raoul!

That looooooong pause in the final lair before he whispers "you try my patience."

(3a) Sometimes a well-placed pause is more powerful than a yell--especially in a musical like POTO where everything is meticulously paced and most of the audience probably thinks they know what to expect. I thought I knew!! Turns out I did not, JRox.

His hands. I'm bringing a claim against JRox's hands alone. They just kept...doing things that made me want to cry and/or die like (see points 6, 7, 8, and 9):

Touching Christine's face in PONR.

Wrapping his fingers around the apple like that.

The flickofthewrist during the title song.

Reaching for Christine during the ring return as if this is an Earl Carpenter throwback, I am GUTTED.

The whole first lair. The whole thing.

Resting his cheek against Christine's head during the embrace between kisses like he's being soothed/mothered.

The general thoughtfulness of his interpretation. Props to him for maturing into this role the way he has, it's all so assured now! He really "gets" it, but I'm just emotionally damaged by it.

I issue a public apology for my completely private judgments of you JRox. But you will still be served papers.

It's over now, the music of the night. Laird Mackintosh, April 16, 2023. [X]

God give me courage to show you, you are not alone...

Killian Donnelly and Lucy St Louis as The Phantom and Christine

For @meilas

@lasagnatrades master

More Phantoms in 1-2 Sentences

[These are like my 'unpopular opinion' Phantoms?]

Josh Piterman: He cheated the unwritten final lair rules by actually embracing Christine back, but I am SO glad he did! He has the voice and natural intangibles for Phantom.

Greg Mills: Love him as a person (on social media at least) and want to love him as the Phantom, but inexplicably...don't and I don't know why *crying emoji*.

Stephen Buntrock: Inexplicably do love him and don't know why. The voice, the vibe, and the choices just work for me and I wish there was more of him to see.

Franc D'Ambrosio: Serving face, serving drama, always so extra, but I have to be in the mood for it.

Peter Jöbeck: I truly do not understand the hate he gets; his voice is so perfectly disturbing and Joker-esque!!! And he actually seems to regret his actions at the end, not just losing Christine.

James Romick: He's very forceful/on the nose (vocally + acting), and I think the Phantom is more than just "commanding." That being said, his "I love you's" are beautiful.

Géronimo Rauch: He's scary and sexy in equal measure. Elements of his performance remind me so much of JOJ.

Jon Robyns: Don't know much about his Phantom, but want to get to know more lol.

Tim Howar: He seemed very violent with Amy Manford's Christine in the final lair, and that turned me off. The Phantom is already "yikes" so let's not add unscripted physical aggression to the equation.

Brad Little: I live for the way he's so bossy and booming in "Phantom mode" but such a damn softy during the AIAOY reprises and final lair.

PRIDE AND PREJUDICE (2005) dir. Joe Wright

Incorrect Quotes: Jane Eyre (70/?)

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