I have never seen Hadestown but the gifsets constantly convince me that I might not be able to handle it emotionally.
So I took him underneath my wing, And that is where he stayed, Until one day...
Melanie La Barrie as Hermes, Dylan Wood as Orpheus, Hadestown West End 2025: @callmelasagna’s master
The content I didn't know I needed.
another excerpt from The Hang With Ramin Karimloo where Sierra talks about regretting her choice at the end
As a rabid POTO fan, imagine how I shocked I was when I watched this niche independent film for class and learned that LND was featured. I literally thought I had left another window in my browser open playing ALW but nope, the filmmakers actually weaved the song into the final frame. My hyperfixation is following me everywhere in the best way.
24 Frames (Abbas Kiarostami, 2017).
I'm ruined.
John Cudia + Jennifer Hope Wills
2006 U.S. tour
GIANMARCO SAURINO as PROCURATORE FOURNEAU on "The Law According to Lidia Poët" | Season 2
The chat next Saturday is going to be so unstable and I am totally here for it 💀
I try my best to schedule around Saturday evenings, but it's an event night! I might be back in time, but I don't want to risk it. See you next weekend!
I thought Gary Mauer and Marie Danvers's final lair kiss was special but after watching (more than) a few bootlegs I realize that Danvers never fails to deliver a good kiss regardless of who's playing the Phantom or Raoul.
And I feel like she deserves more appreciation because this is in fact an acting skill. Multiple Christines and Phantoms have already told us that Erik's face is just a disgusting mass of makeup, glue, saliva and sweat by that point in the show, so manufacturing chemistry and infusing the kisses with the right nuance(s) is no small feat.
I just watched Thomas Schulze's final lair. Send help.
Thinking about Jordan Donica's Raoul and the illegal way he said sOAkEd to the sKiN
In one of your older posts I read about how Marcus Lovett deliberately echoed Raoul and Piangi for some scenes, because he thought that Erik would mimic them in terms of “manly” behavior. I thought this was really interesting, and I was wondering if you could talk about any scenes in particular that stood out in this way?
One scene that definitely stood out was the proposal after “Point of No Return”, before the unmasking. Here Marcus Lovett’s Phantom seemed to perfectly mimick Raoul’s movements and manners in the Rooftop scene.
I thought it was an interesting take on it, and I brought it up when talking to Marcus Lovett after the show. He looked mighty pleased that I had noticed that detail. He told it was an acting choice; that he envisioned the Phantom studying the men of the opera numerous times to try and understand how a man was supposed to appear to the world. Which is why the Phantom has a slightly theatrical flair, because without realizing he was just as much studying opera roles than actual men. But with Raoul he saw genuine affections towards a woman, and this is what he figures out Christine wants - hence the PONR moment (albeit he could probably pick up more clues from Raoul, given what happens next...!)
There’s something deeply human and adorably clumsy about this, and when seeing Marcus Lovett’s Phantom again with this arch in mind I loved him doubly. He had really thought of every single little detail he did on stage, from hand movements to grander arch storytelling. Which is also why, despite moments of rusty vocals, I list him as one of my favourite Phantoms.
PRIDE AND PREJUDICE (2005) dir. Joe Wright
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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