Latest Posts by little-soldi3rs - Page 6

I'm at SPYxFamily ch 85 and I drew this because I'm growing old waiting for a Twilight vs Thorn Princess set up. It will happen one day, right? :( (Read left to right >>>)

something they don’t tell you about being autistic is that every character you write WILL end up autistic/autistic-coded whether you like it or not

learning that people want you in their lives is a skill you can develop if it does not come naturally

full offence but I do NOT watch movies so I can "turn my brain off" I take this shit so seriously

DIFFERENT WOMEN'S BODY TYPES SHOULD BE REPRESENTED NOT BECAUSE YOU FIND THEM HOT OR SEXY OR WANT THEM TO STEP ON YOU BUT BECAUSE THEYRE NORMAL RAAAAAH RAAAAAAAAAH I DONT CARE THAT YOU WANT A BUFF WOMAN TO THROW YOU SHUT UPPPPPP RAAAAAAAAAHHHH

the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only way out is through the only

Steven Reads PokeSpe

Reblog In 5 seconds for good luck

[CONTESTANT 02] - Ken

(Art by @groppy)

it's last match tonight, the biggest tournament series in the world. it's everything... and he's just KEN. as soon as we watched the movie, we knew we had to get him in there. looking at our audience, i'm surprised he didn't win it all. judging by how much production wanted him in, i thought he had at least the first round on lock. i grabbed him right after the movie ended, and he was more than happy to try to prove himself once again. with an inability to describe his own job, and a fractured masculinity, who knows what'll happen to him post-elimination.

...and no, this isn't product placement for mattel.

- Ryan Gosling, Barbie album artists, & toys/merchandise-based media.

(Drive, La La Land, Dua Lipa, Ava Max) (Transformers, Skylanders, Care Bears, Power Rangers)

- Heartbreak, unrequited love, and toxicity.

(I Will Survive, When I Was Your Man, You Belong With Me, Creep) (d3r - toxic, System of a Down - Toxicity, Love The Way You Lie, Bad Romance)

- Cowboys, horses, and masculinity.

(She’s a Big Boy, Old Town Road, Wild Horses, My Little Pony) (Man in the Mirror, Men At Work, American Males, Men In Black)

The production value here is off the charts but this is also literally just what it feels like to play Uno.

legendaryjay_ on TikTok

UC or ER?

Happiness Will Come To You.

i hate this weird trend in fandom where subtext is seen as a Bad Thing and is only done if the creators are too cowardly to commit to showing something. i hate to break it to you but nuance and layers are what make stories interesting, if you have no subtext then you have a very flat story

Me: I don’t have any real inspo or ideas for ace attorney ocs/fankids lol

Also me: skyemadhi fankid who ive been brewing up since last march

perceive

wdym an average platonic bond cant be deep and meaningful do none of you remember the power of friendship

"shipping and blorbofication are not inherently at odds with understanding a story's deep themes" and "some people can't grasp the themes of a story because they never learned how to engage with stories outside of the lens of shipping and blorbofication" are two statements that can coexist

oops! it seems i tripped and dropped several million free books, papers, and other resources

https://annas-archive.org

https://sci-hub.se

https://z-lib.is

https://libgen.is

https://libgen.rs

https://www.pdfdrive.com

https://library.memoryoftheworld.org

https://monoskop.org/Monoskop

https://libcom.org

https://libretexts.org

http://classics.mit.edu

https://librivox.org

https://standardebooks.org

https://www.gutenberg.org

https://core.ac.uk

Does anyone know of any spy x family fics where Loid speaks westalian? There's not really any tags for it and I keep misplacing fics that have it lmao

2024

THIS IS NOT YOUR GRAVE

LOOK STRANGERS IN THE EYE

I WILL HAVE A GOOD DAY

I AM VERY YOUNG AND STILL LEARNING HOW TO LIVE

DO IT SCARED

ASSUME THE BEST

WRITE EVERYTHING DOWN

A mouth-watering fuck-ton of hand angle references.

By Shadowcross on DA.

Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :

Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources

Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)

Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women

Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women

Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)

Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)

Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community

Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS

Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough

Blaming China for all existing homophobic censoring in western media

Assuming all queer media would be better told by western creators and by western standards

Only out queer ppl get to tell queer stories

Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")

And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue

Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)

re: Somerton

Not for nothing, but I think we should remember that James Somerton's fans and subscribers are normal people, just like you. They are people who received his output in good faith, and extended to him a normal amount of grace and benefit of the doubt, which he took advantage of.

I don't think it's helpful to respond to the exposé on Somerton with sentiments along the lines of "wow, how could anyone ever think THIS GUY'S videos were any good, ha ha ha, how did he ever get subscribers?" because 1) you have the substantial benefit of hindsight and a disengaged outsider perspective, and 2) it's a rhetoric that creates a divide between you (refined, savvy, smart, sophisticated) and Somerton's audience (gullible, unrefined, easily taken advantage of, terrible taste), which is a false divide, with a false sense of security.

Somerton's success happened because he stole good writing. He found interesting, insightful, in-depth work done by other people, applied the one skill he actually has which is marketing, and re-packaged it as his own. He targeted a market which is starving for the exact kind of writing he was stealing, and pushed his audience to disengage from sources that conflicted with him.

Hbomberguy makes this point in his exposé video: good queer writing is hard to find and incredibly easy to lose. The writers Somerton stole from were often poor or precarious, writing freelance work for small circles under shitty conditions, without the means or the reach or the privileges necessary to find bigger markets. And, as Hbomb demonstrated, when people did discover Somerton's plagiarism, he used his substantial audience to hound them away and dissuade anyone else from trying to hold him accountable.

He stole queer writing by marginalized people, about experiences and perspectives that people are desperate to hear more about, and even if his delivery and aesthetics were naff, his words resonated with people because the original writers who actually wrote them poured their goddamn hearts and souls into it.

Somerton also maintained a consistent narrative of persecution and marginalization about himself. He took the plain truth, which is that queer people and perspectives are discriminated against, and worked that into a story about himself as a lone, brave truth-teller, daring to voice an authentic queer perspective, constantly beset by bigots and adversaries who sought to tear him down. As @aranock, who works with some of the people he targeted, writes in this post, Somerton weaponized whatever casual bias and bigotry he could find in his audience to reinforce his me vs them narrative (usually misogyny and various forms of transphobia), which is what grifters do. They find a vulnerable thread in a community and pull on it. And while you may not have the particular vulnerability that he exploited, you do have vulnerabilities, and they can be exploited too.

People felt compelled to support him, even if his work was sometimes shoddy, because he presented himself as a vulnerable, marginalized person in need of help, he pulled on that vulnerable thread.

Again, he has a degree in marketing, and just like propaganda, nobody is immune to marketing.

YouTube as a system is set up to push for more, constantly more. More content, more videos, more output, more more more more, and part of Somerton and Illuminaughty's success was their ability to push out large amounts of content to the hungry algorithm, even if it was of inferior quality. The algorithm rewarded their volume of output with more eyeballs and attention, and therefore more opportunities to find people who were vulnerable to their grift.

It is a system which quite literally rewards the exact kind of plagiarism that they do, because watch-time and engagement are easily measurable metrics for a corporation, and academic rigor is not. There is pressure to deliver, and a lot of rewards to gain from cutting corners to do it.

Somerton and Illuminaughty and Internet Historian are extreme and very obvious cases, so blatant that you can make a four hour video essay exposing what they've done, but the vast majority of this kind of plagiarism isn't going to be obvious - sometimes it might not even be obvious to the people who are doing it. Casual plagiarism is endemic to the modern internet, and most people don't get educated on what the exact boundaries are between proper sourcing and quoting vs plagiarizing. We had an entire course module at my university aimed at teaching students the exact differences and definitions, and people still made good faith mistakes in their essays and papers that they had to learn to correct during their education.

All of this to say: it is extremely easy in hindsight to call Somerton's work shitty and shoddy, his aesthetics flat and uninspired, and to imagine that as a sophisticated person with good taste and critical faculties, you would never be taken in by this kind of grifter. It is extremely easy to distance yourself from the people he preyed on, and imagine that you will never have to worry about your fave doing your dirty like that.

But part of the point of Hbomberguy's video is that plagiarism is extremely easy to get away with, and often difficult for the average person to spot and call out, and with the rise of AI tools blurring the lines even further, it is not going to get any easier.

So I think we should resist the temptation to think of Somerton's audience as people with bad taste and poor faculties. We should resist the temptation to distance ourselves from the perfectly normal people he preyed on. Many times in your life, a modestly clever man with a marketing degree has fooled you too.

On a personal note, by the same token, I am resisting the temptation to assume that I am too good to be vulnerable to the systemic pressures that produced Somerton and Illuminaughty. No, I've never made a video by word-for-word reciting someone else's work, but I know for a fact that I could do a better job of double-checking my work and citing my sources. I feel the exact same pressure to get a video out as fast as possible, I have the exact same rewards dangled in front of me by YouTube as a platform, and I can't pretend it doesn't affect my work. To me, Hbomb's video felt like a wake-up call to do better.

i see a lot of people talk about edward being disabled in fma, but it's less often talked about how alphonse is also disabled. i think it's partially because alphonse doesn't experience physical pain like edward so for a majority of the series, he's not having any of those kind of symptoms, but he is still disabled. also because alphonse's experiences are unique. like you don't see ant walking, talking suits of armour in real life (unless they're piloted by a human being physically inside them) and in world, there are about 3 others like alphonse).

alphonse is dependent on edward's survival to function. after fighting scar for the first time, alphonse is literally in pieces. he can't walk or anything until edward is in a position to fix him. similarly his body is dependent on nutrients from edward's body. like there's the point towards the end where edward gets impaled and alphonse collapses. furthermore, these periods where alphonse collapses start to become debilitating towards the end of the series and massively alter his daily living.

also, alphonse constantly talks about how upsetting it is for him to not feel any physical sensations. yeah, he's not feeling physical pain, but he's also not feeling the warmth of a fire, the sun on his face, or the fluffiness of the cats he keeps petting. he talks a lot about not being able to eat or sleep, and how there's a lot of foods he wants to try.

there's another thing that highlighted by edward at one point. alphonse's body doesn't regenerate at all. the parts scar destroys are gone forever; edward stretches out the metal that alphonse has left to repair his body. and obviously human beings don't regrow limbs, but imagine if your skin didn't ever heal over a cut. how long would your body last?

also alphonse gets told several times that his body is great throughout the series, and he literally argues against it every time, because to him it is shit. like he is missing some of his senses just for some supposedly immortal body that isn't even immortal.

even once alphonse gets his own body back, the amount of physical therapy the boy has to go through. his body has essentially been doing nothing and only receiving what nutrients it can get from edward for years. by the end of the series, he's still using a cane as a walking aid. it's unknown whether he requires that cane for the years to come, but for at least a period of time he requires a mobility aid. I don't know enough to say what effect muscle decay from inactivity and severe malnourishment during a major portion of his teenage years would have long term.

hiring a wizard to break whatever curse is holding henry kissingers shitty body together and laughing with childish glee as he instantly collapses into individual limbs like a lego character

Title in Progress

(Foreword: Hi! (^.^)/ I got semi-challenged into writing some sort of Fanfic Dissertation since I've been dropping large comments on AO3 that kind of count as an essay but in my opinion not quite, so I tried my hand at an actual essay on a topic of my own choice.

This is for the fandom Genshin Impact (Video Game) and in particular for a fanfic about the pairing Childe/Lumine that had gripped me and still has a hold on me. The following below is 3.5k words in which I try to take someone along for the journey of reading said fic.

If you don't know anything about the fandom in question but feel curious to read my insights anyway, there are links in the body of the text and me pointing out when to read it. I do dive into more general theory on why I picked this subject in particular for an essay that's not exclusive to this fandom. Otherwise, feel free to skip past it.)

What is the first thing you make note of when deciding if you’ll read a fic? What can make or break clicking on a fic for you if all the other parts were the same? There are a handful of things I focus on when deciding to read a fic:

The title

The summary

The tags

There are more factors, of course. Some people factor in it being recommended by others, amount of bookmarks or kudos or comments, but all of those are influenced by fandom while the title, summary, and the tags are solely the choice of the author. They are the representatives of the fic itself, and some are diplomatic and serious in their duty for it while others are a reflection of… being close to the people in how unhinged it can get (I say this with great affection!).

For today’s fanfic dissertation, I want to take you along to tackling one of my most favourite parts of a fic when thinking about what to comment: the fic title. I could ramble for a long while about various differences in fics with titles for their story, their chapters, or lack of a title. Perhaps you are thinking of a particular fic which title you hold close? Did it have meaning to you prior to reading or did it only get that after you read the fic?

Let’s dive in:

no amount of fear will keep you safe by dovelious

What’s your first thought when reading this title? What kind of themes might it tackle and what contents might the story keep its focus on? Since the title isn’t the only representative of the fic, I’ll hand you the summary and the tags as well since I had them when diving in:

There will not be a peaceful ending to their story. Their final confrontation will test every limit they have. This is the climax of his story, and it is just another chapter in hers. But in this world nothing is ever for certain, and they can only hope it will end with their hearts intact. (Lumine thinks about what circumstances will lead to childe’s final fight on teyvat.)

With this extra info, it’s time to type out a first thought on the meaning of the title and, by extent, what the author considers an important part of the story.

The story title is something that you could find in a fluffy fic of learning about bravery, especially if the perspective of the title is from Lumine (who holds the perspective in the summary). With the death tag, however, it’s prudent to look at it through an angst-y pair of glasses. I’ve done the legwork for us and added something that might have been kept silent for both our characters:

About Childe: No amount of fear will keep you safe (from dying) About Lumine: No amount of fear will keep you safe (from grieving)

I have a big reason to think of it as being from Lumine’s perspective beyond the argument of the summary being from hers, too. Childe doesn’t seem afraid of dying to the point of throwing himself into battles with anyone strong. The only fear he might seem to have is fear for his family’s wellbeing, which might likely extend to Lumine as they grow closer. That, however, feels like a reach but it would become:

No amount of fear (from me for your wellbeing) will keep you safe

It’s still a possibility, of course. What is a given here is that there is a major character death and it won’t be Lumine’s. Whether it’s Childe’s or that of another important character remains a question phrased with desperate hope, I’d wager that the title is important to the two main characters—they’re the two main characters, after all! So, the angst-y pair of glasses will do its work: Childe will die in the end. Let’s bring in the first chapter title to continue this discussion:

allies or enemies? this will be the death of me

It doesn’t matter if Lumine and Childe are on the same side or opposing sides, Ajax will meet his end. As enemies, I can see it clearly too; Lumine survived with two elements against Childe in the Golden House (who admittedly didn’t go all-in from the start, but the point remains that he failed to finish the fight). At the end of her journey, she will have seven elements and have fought and won against more gods and harbingers than Childe has. If they fight as enemies at the end, Childe will lose. If Lumine were an ally, though? The fate of the world is balancing on this and there will be bloodshed to ensure a better world—apparently, Childe will be unable to keep up with Lumine and lose his life in a double battle.

About Lumine: Are we allies or enemies? I’ll survive this, but I won’t come out the same on the other end. About Childe: Are we allies or enemies? It doesn’t matter which, this will be the death of me. Literally.

This is something Lumine would ponder; the Big Thoughts™ on Childe’s inevitable fate compared to the inevitability of her own long, long life. Whether this will be the death of her in the fluffy sense of Childe working on her nerves with his cheer or in the angsty sense of making her care about him and then dying, Lumine will live on with the memories.

I won’t copy paste the chapter, but if you’ve been discovering this fic as you’ve been following along with me, this is the moment to progress to reading that first chapter.

Lumine knows she’s important to Childe because she has eyes. Lumine thinks further ahead after Childe sought her out to spend time adventuring with. She’s going to be a big part of his story, while he remains contained to one chapter, and that difference in scope? It might creep up on Lumine just how far Childe is willing to go for something as short-sighted as “fighting to the death” with a comrade. She might not even be aware of Childe being the death of her, in a way.

Maybe you knew already, maybe you didn’t, but when you search for the fic title on the internet, you’ll find it’s a lyric from Keep You Safe by the Crane Wives. The same can be said for the chapter’s title: Allies or Enemies also by the Crane Wives.

Of course, the title has a bigger chance of remaining important to the overall story while the chapter titles are usually contained to one chapter, so let’s start big again with the story title and then wind our way down to the chapter title.

Listen to the song, open up the lyrics and see if there are things jumping out to you. I did the same and can offer you this:

When I watched my friends/ Rise to the tops of the trees/ With the risk of fall

When Lumine watches her friend Childe rise to the top of the world with the risk of death, she isn’t ready for it. No matter how strong Lumine is, she never wants to rise to the top of the world; she just wants to find her brother.

Time is not your friend

“Though we need not rush, sister. I have more than enough time to wait for you. We have always... had enough time.”

Time had always been a friend to Lumine or worst case scenario: a stranger. There are now people Lumine will care about who do not have enough time to wait for her and there will come a time when it’s impossible for her to wait for them (because they are long gone). If she takes having time for granted, it will stab her in the back in due time. It’s neither friend nor stranger but a secret third thing: an adversary.

The older I get/ The more fears I collect/ I gather them from/ All the people I meet/ Their stories reveal/ Regrets their smiles can’t conceal/ I carry them/ I carry them with me

There is a reason Childe is a chapter in Lumine’s life. She will carry him with her, as the moments with him were enough to be worth a chapter. Childe will be the death of her, and Childe will give her a fear she did not have before meeting him.

What if the steps I take turn out to be mistakes?

What if when she flips the coin in a decisive battle, it lands on the wrong side?

“Come what may.”

This is something Childe has long since mastered. If he dies, he dies. If he doesn’t, he’ll find a next battle. If they spend the night together at the beach, come what may, Childe will make the best of it.

Title: no amount of fear will keep you safe

No amount of fear will keep Lumine safe from continuing on in Teyvat, and then it might just be Childe who will, come what may, brave the risk of falling down, down, down.

We took a look at the song behind the fic’s title, so what about the song behind the first chapter’s title? Play it in the background, open up the lyrics, whatever floats your boat.

Instead of picking out lyrics as I did with the previous song, I’m asking a question. What do you consider among the most important things to have happened this chapter?

I have multiple things I notice. Childe makes Lumine promise they will fight one final battle together (as allies? Or as enemies?) before she leaves. Though Paimon was hesitant to take Childe up on travelling together temporarily, Lumine had little problem with it. Why? Because meeting Teucer gave her a new insight. Childe hearing about Lumine’s brother gives him a new insight. I propose that the song is not a reflection of Childe and Lumine’s current predicament. Instead, the song is a reflection of a character most impactful to the chapter and in this case, it’s Aether.

Aether and Lumine are at the end stage of the song, being together as kids and now not knowing if they are allies or enemies. It's the crux of this chapter—yes, it's great that Childe and Lumine are travelling together and that Lumine confides in Childe with her reason for getting stronger, but that's the centerpiece: Lumine can't fight with Aether and if she would have to go separate ways from him, period, it will be the death of her. Aether appears so shortly, but he's lurking in the narrative and is a focal point for Lumine and her connection to Aether of allies or enemies.

As for Childe and Lumine? They are at the start stage of the song. They're at the stage of being able to crack up and smile instead of holding on to the fight between them or staring at the other as they wonder if they should clap each other on the shoulder or drive a blade through it. Because they are at the start, they are going to head for the end of the song too, and Lumine and Aether's connection of allies and enemies will be reflected and paralleled in the relationship Lumine and Childe will build up.

(That’s my guess going of the title, tags, summary, and this first chapter and its title anyway. I’ve been right in my predictions and I’ve been wrong. I think there is a reason for the tag Lumine & Aether as well as Childe & Lumine, and it’s paralleled with this chapter title.)

I’ve got another thought about this chapter’s title, but since I’ve only come to realize the hypothesis after reading the second, let’s march onwards to chapter two.

safe ship, harbored

Since there was a theme with the previous two titles, it’s an easy choice to do an internet search and find that it is yet another song by The Crane Wives, creating a theme thus far for the two of seven chapters planned. To listen to the song on YouTube, click here, and find the lyrics here.

What does it mean, a safe ship harboured? Like all of us shippers know, a ship wants to set sail to truly be alive, whether through fandom or crumbs of interactions from canon. It can be dangerous to go out there, but the alternative means the ship is stagnant.

When I read the song, I am reminded of one person in particular.

The Tsaritsa.

She is a ship Childe should not waste his bottle on for blessings. Where does his faith fall in her? She lost all of her good years on that throne while the Fatui planned and planned for centuries for this, and she hasn’t fared across the world all that time. She is the Goddess of Love, yet she hasn’t seen the people in Teyvat to love as the plans unfold and cause death and desolation. She is not born a safe ship; she is made one because Celestia cost her everything.

I then proceeded to read up to the second paragraph—I suggest you do the same.

My verdict after reading it is that the Tsaritsa absolutely is the safe ship in the harbour (an archon safe on her throne in the palace). Lumine proves she herself isn’t a ship safe in the harbour by being on the move: last chapter, she was in Liyue and right now, she is in Snezhnaya and braving the worst blizzard to get to the throne room.

The question I was left with is if it will be Lumine who withholds the bottle of blessings on the ship or if that’s our favourite Harbinger. I’m holding out for Childe because to Lumine, the Tsaritsa is just another archon. To Childe, it’s been the archon at the ice palace that will finish what she started centuries ago. When glancing at the tags, you’ll note that there is a Childe & Tsaritsa tag, signalling that their relationship is important to a section of this story, and that’s why I’m rooting for something this chapter for Childe.

Take this as your signal to read the second chapter in full. I’ll be talking about its contents, whenever it comes up now.

Childe had the choice between dying for his Tsaritsa or yielding. As if he understood the message his Tsaritsa is silently screaming to her followers, Childe opted not to waste his life to bless the Tsaritsa on a journey she might not even make. Childe yielded, and Lumine even hints that the Tsaritsa wanted to teach Childe a lesson here. Don’t break the bottle, don’t waste your blessings on me.

Now that we’ve got most of the second chapter out of the way, we can make a short side-step and make ties to the previous chapter and overall story.

The thought of bloodthirsty blue eyes crossed her mind, and she gripped her blade tighter. [...] This will not be an easy fight, and she knows that delaying the inevitable will not get her anywhere.

There are soft call backs to the story title's song in this chapter: time is not your friend, and delaying the inevitable will not make you braver. So Lumine does not delay and moves forward.

This chapter's title: safe ship, harbored, ties so nicely with the story title. no amount of fear will keep you safe. The ship might be in the harbour, it might be seen as safe, but its fear of setting out in the harsh world won't keep it safe because danger will find its way to it eventually.

(The danger here, of course, being Lumine.)

Similarly, no amount of fear would keep Lumine safe in her battle with Childe, but for the time being, it was keeping Childe safe. Lumine defeated three Harbingers already and mentioned that the numbers of Fatui had thinned—I doubt she has given the other Harbingers the same grace she gave Childe, because even when he is an enemy he’s an ally. A friend. Something she reminded herself of by getting that mask off so she saw her friend Childe instead of the imposing enemy Harbinger. I know how I will interpret it, but it’s up to you what you read between the lines.

At the end of the chapter, Lumine and Childe make plans to travel together. What does that mean in the context of this chapter’s title?

Instead of staying safe in the Snezhnaya, they set out on their dangerous journey. Instead of staying docked in the harbour, they set sail with the risk of getting hurt, and seem to avoid what happened to the Tsaritsa. Remember, however, that the Tsaritsa was not born a safe ship. Something or someone wore her down, and it could be “Celestia” being the culprit but most importantly: losing someone very dear to her broke her. Just like the previous chapter seemed to have Lumine and Childe at the start of the narrative of the song, it could be the case here. They go around the world, but one of them will sink and the other will remain docked in the harbour because of the scars that experience left. With it being the end of Childe’s story and only the end of a chapter in Lumine’s, you can fill in the blanks who of the two becomes a safe ship, harbored.

This brings me to the final metatextual point: this whole fic’s premise. #thinking about all the ways childes character will end.... All these chapter titles and other relationships so far have been warning signs of Lumine’s (and Childe’s) future, similar to how certain aspects in the game’s narratives have been warning signs of Childe’s future, particularly how he’s toeing the line with death. The chapter titles all have a bearing on someone else’s present and are the writing on the wall for Lumine and Childe’s possible future.

Since you read Genshin fic, you’re likely playing Genshin Impact. In the various quests and hidden in the lore that describes the history of Teyvat through books, weapons, artifacts and other writings, you’ll find that the same stories are happening over and over again. I’d argue that every time a story gets repeated, though, it goes just a fraction better. (Alhaitham’s story quest has Alhaitham, whose design and characterization is inspired by King Deshret, outright rejecting the collective consciousness King Deshret worked towards with the Golden Slumber. I have high hopes for Mondstadt to end up differently than Khaenri’ah, what with all the parallels between Aether’s connection to Khaenri’ah, ours to Mondstadt, and just general connections between Khaenri’ah and Mondstadt.) The people in the current stories make a better choice and avoid greater tragedy than those in the past. That’s why I can’t lose hope that all these warning signs of death to Childe and warning signs of isolation for Lumine remain that: they take the better path because those in the past took the tragic road.

And if it does end up with Ajax dying far too young, then the warning signs were all there. While I can’t say, “I knew it,” I did know it remained a possibility. Even though I’ve thrown all these words of analysis on the titles in the fic, and I will do so on future chapter titles too, I’m no closer to finding the answer of how this fic will end. Future chapter titles will prove if the current theme I’ve settled on will hold:

The song is by the Crane Wives

The title is primarily about someone else or a relationship Childe or Lumine has with someone else

The title is secondarily about Childe and Lumine, acting as a warning sign of their future

I have many, many more thoughts about the fic, but they don’t revolve around the subject I carved out as my focus: titles. I will, however, point you to read the first chapter again and then read the last scene between Lumine and Childe in chapter two. The parallels. Read it again, and then look down:

Talking while watching the stars (Lumine's home, in a sense) - talking while watching the snow (Snezhnaya, Ajax's home). Lumine sharing a part she doesn't tell just anyone (her most important person: Aether. He hasn't showed up yet, but he's so important, lurking in the narrative, being Lumine's main quest) and then Ajax doing the same here, with the sun rising (his name! something he still has of before he became Fatui. Before he got lost in bloodshed. Before he fell in the abyss. When he was a bright-eyed kid listening to legends told by his father when ice fishing). Childe reached out to Lumine to travel together for a bit in chapter one and in chapter two, Lumine reaches out to Childe to travel together for a bit. So many delicious parallels that, just like Childe said in chapter one that Lumine is important to him, it’s clear in chapter two that he is important to Lumine.

I’ll wrap it up now, as this has reached beyond what could fit in two comments on AO3.

The title is the first thing we see as a reader, yet it might very well have been the last thing the writer decided on for their story. The title is the beginning and the end, as we uncover more and more through the story about what the author considered—one way or another—the most important representation of it. The title is just a random combination of words at the start you hold no connection to, yet as you progress though the story, your understanding of the fic grows with every word, every paragraph, every chapter and everything else you can get your hands on as being meaningful to the title.

Somewhere down the line, the random combination of words will hold meaning of its own. Somewhere down the line, the title in progress just became the title and heart of the story.

Yes. Have YOU considered that sometimes working on hard things is both necessary and worthwhile?

Every day I think about if ppl treated any other country the way they treat japan + korea

please reblog for a larger sample size my friends disagree with my methods

TAYLOR SWIFT vs HATSUNE MIKU