Please Don't Ask Me About My Summer Plans. I Wish Only To Sleep And Read And Spend Time With The Trees

please don't ask me about my summer plans. i wish only to sleep and read and spend time with the trees

More Posts from Lrs35 and Others

4 years ago

white people who have signed petitions and donated if you’re able to, the next thing we should do is look inside ourselves. question your way of thinking, the way you were raised, your history books and the movies you watch. ask yourself why they look the way they do and what you’re doing to help it stay that way. you might not see yourself as a racist person, but we’ve grown up with privilege in a racist world. it’s time we pick ourselves and the way we think apart. actively seek out books and articles and documentaries by and about black people and their history. learn and share the resources you find with your white friends and family. make them understand the difference between our fear of feeling uncomfortable or scared and black peoples fear for their lives. it’s not one and the same. one of us can afford looking away and closing our eyes and the other can not. it’s about time we don’t either. it’s not a movie or show we can switch away from, it’s happening right now so wake up. to see change we must change. we must be angry, at the world and at ourselves. 

to everyone in america who are protesting, please stay safe. and to every black person, black people in the lgbtq+ community, black people with disabilities: you matter, your lives matter, your safety matter, your children matter, your future matter. I love you, please stay safe❤️  

1 year ago

scream it literally just occured to me that ronan didnt know about blue's kissing curse so imagine his reaction when he was literally getting murdered by the demon and gansey just. starts sucking face with blue

Scream It Literally Just Occured To Me That Ronan Didnt Know About Blue's Kissing Curse So Imagine His

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2 years ago

she asked me if i believed in god and i told her that when i was four i almost drowned in a public pool and in my panic mistook a stranger for my father. i clawed my way up his leg. four years later he’d send my parents a picture of the scars alongside a tin of cookies. he said, “i hope she’s still okay. i carry her with me. it isn’t every day you save a life. it isn’t every day you feel like you were here for a reason. when it does happen, you have to cherish that memory. for once, i had a purpose. just being there was enough. she tore me open but she taught me a lot about love.”

5 years ago

Any advice on back and forth dialogue? Like properly portraying an argument? I think all the spaces will get bothersome to the reader...

(Since arguments are the hardest type of back and forth dialogue to master, and other dialogue follows the same structure but in a more flexible manner, I’ll focus on arguments specifically…)

Writing an argument.

Everyone’s process for this is a little bit different, but here’s a look at mine, which has helped me reach the best end result (after many failed argument scenes in the past):

1. Dialogue. I like to write this as a script of sorts first, playing the scene in my head and only writing down the words and some vague comments regarding what the characters might be experiencing or doing. I leave breaks in the dialogue where the characters naturally pause from build ups of emotion, and add in all the em-dashes and ellipsis my heart desires (despite knowing a lot of them won’t make it through the reread, much less the final draft.)

2. Action. Not only does having your characters do things while they argue make the whole scene feel more realistic and plant it within the setting, but it also provides a great way for your characters to express things they don’t have the words to say. These “actions” can be facial expressions and body language, movement, or interaction with the objects in the setting, such as gripping a steering wheel too tightly or slamming a cupboard or tensely loading a gun.

3. Emotion. I save this for last because I find emotion very hard to write into narratives, but no matter when you write it or how you feel about it, feeling the pov character’s internal emotions is integral to the reader’s own emotional connection to the argument. Remember though, emotions should be shown and not told. Instead of saying the character is angry, describe what that anger is doing to them physically (how it makes them feel), and what desires it puts in them (how it makes them think.)

Other equally (if not more) important factors:

- Build tension slowly. Arguments will never be believable if the characters go from being calm and conversational to furious and biting in a single paragraph. The reader must feel the character’s anger build as their self-control dwindles, must hear the slight tension in their voice and the sharpness of their words as the scene leads up to the full blown argument.

- Vary sentence length. Arguments in which characters shoot single short sentences back and forth often feel just as stiff and unnatural as arguments where characters monologue their feelings for full paragraphs. If a character does need to say a lot of things in one go, break it up with short, emotional reactions from the other characters to keep the reader from losing the tension of the scene. Likewise, if characters don’t have bulk to their words, try including a few heavy segments of internal emotional turmoil from the pov character to make the argument hit harder instead of flying by without impact.

- Where did this argument start? Most arguments don’t really start the moment the words begin flying, but rather hours, days, weeks, even years before. If you as the author can’t pinpoint where the character’s emotions originated and what their primary target or release point is, then it’s unlikely the reader will accept that they exist in the first place.

- Characters want things, always. Sometimes arguments center around characters who vocally want opposing things, but often there are goals the characters hide or perhaps even from themselves. Think about what goals are influencing the characters in the argument while you’re writing it in order to make sure everything is consistent and focused.

Keep in mind that you don’t have to do all these things the very first draft. My arguments consistently have little emotion and even less build up until the second or third draft. As long as you return to these things as you continue to edit, the final result should feel like a fully fleshed out and emotional argument. 

For more writing tips from Bryn, view the archive catalog or the complete tag!

2 years ago

I am crawling towards March like my life depends on it (it does)…………..


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1 year ago

my favorite poetry books (free PDF or epub)

the complete maya angelou

don't call us dead by danez smith

all the flowers kneeling by paul tran

time is a mother by ocean vuong

madness by sam sax

mayakovsky's revolver by matthew dickman

soft science by franny choi

thief in the interior by phillip b williams

ariel by sylvia plath

calling a wolf a wolf by kaveh akbar

together and by ourselves by alex dimitrov

not here by hieu minh nguyen

brute by emily skaja

post colonial love poem by natalie diaz

unaccompanied by javier zamora

prelude to bruise by saeed jones

howl & other poems by allen ginsberg

the big book of exit strategies by jamaal may

look by solmaz sharif

the crown ain't worth much by hanif abdurraqib

eyes bottle dark with a mouthful of flowers by jake skeets

finna by nate marshall

autopsy by donte collins

a place called no homeland by kai cheng thom

lunch poems by frank o'hara

lessons on expulsion by erika l sanchez

the new testament by jericho brown

said the manic to the muse by jeanann verlee

space struck by paige lewis

safe houses i have known by steve healey

the wound is a world by billy-ray belcourt

nature poem by tommy pico

owed by josua bennett

felon by reginald dwayne betts

come on all you ghosts by matthew zapruder

bluets by maggie nelson

life of the poetry by olivia gatwood

perennial by kelly forsythe

contradictions in the design by matthew olzmann

the big smoke by adrian matejka

peluda by melissa lozada-oliva

american sonnets for my past & future assassins by terrance hayes

king me by roger reeves

in a dream you saw a way to survive by clementine von radics


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2 years ago

i love this character so much. id love to see them at the lowest point of their life


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r
1 year ago

it’s just me and my barely charged phone against the world

5 months ago

a really great organization that i don't see any posts about here is HEAL palestine. it was founded by steve sosebee, who was a founding president of the PCRF before leaving in late 2023 to refocus his efforts on heal palestine to better meet the needs of palestinians impacted by the genocide. the organization provides palestinians in gaza with food, clean water, shelters, "makeshift classrooms," and even medical evacuation for some children when it's possible--their services are pretty wide.

you can donate here if you would like to send a tax-deductible donation to an organization. also, i don't think any evacuations are possible right now, but if you're in the united states and you'd like to welcome medically evacuated children in the future, i highly recommend signing up for their newsletter or following them on social media so you can stay updated in case any children evacuated by HEAL come to your area for treatment. welcoming these kids at the airport is a really moving way to provide them with moral support, entirely for free.

6 months ago
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).
Stitches From Heidi, Girl Of The Alps (1974).

Stitches from Heidi, Girl of the Alps (1974).

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lrs35 - crying about fictional characters
crying about fictional characters

lu | she/her

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