Lrs35 - Crying About Fictional Characters

i just think they are always on the kitchen floor you know what i mean. like they’ve lived in this shoebox flat two months now but can’t be fucked to buy any furniture all they’ve got is a scratchy red sofa and some bookshelves and as a table they’re using a flipped-over cardboard box that’s got peeling tape and ‘records books other shit’ written on the side in blue marker it’s waterlogged and has mug rings on both sides and that’s all they have so they’re just sitting on the kitchen floor sleep-rumpled in pjs eating their toast in the morning and sitting on the kitchen floor in silence after moons and missions covered w dirt and blood and bruises and some nights they’re sitting on the kitchen floor passing a bottle of cheap liquor between them and they’re laughing and listening to records and sharing a joint and the window is open w a breeze coming through and also sometimes they’re sitting on the kitchen floor eating cereal in the middle of the night w their knees touching sneaking little glances at each other and other times they are fucking on that kitchen floor and other other times they are just quietly saying i love you. on the kitchen floor.

my main goal in life is genuinely just to have a good day

orchid mantis

book covers for horror books are so boring nowadays. they need to go back to being gothic as fuck

"what's your dream job??" Uhh to have 17 weird little hobbies that I don't have to be good at and hang out with friends. I get money via being the world's specialist little princess

People talk a lot about how reading is necessary for writing, but when you really want to improve your writing, it’s important to go beyond just simple reading. Here are some things to do when reading:

Note how they begin and end the story. There are a ton of rather contradictory pieces of advice about starting stories, so see how they do it in the stories you enjoy. Don’t only look at the most popular stories, but look at your more obscure favorites.

See what strikes you. Is it fast or complicated scenes with a lot of emotions? Is it stark lines? Pithy dialogue? What do you remember the next day?

Pay attention to different styles. It’s not just whether they use past or present tense, first or third person. It’s whether the writing is more neutral or deeper inside character’s heads. Do they use italics? Parentheses? Other interesting stylistic choices? Take the ones you like and try them out in your own writing. See what works and what doesn’t.

Keep track of how they deal with other characters. Do we see a lot of secondary character each for very brief periods of time or are there a couple that show up a lot? How much information do we get about secondary characters? Do they have their own plots or do their plots revolve entirely around the main characters? 

Count how many plots there are. Is there just one main plot or are there multiple subplots? Are the storylines mostly plot-based or character-based?  

Pay attention to what you don’t like. If you don’t like what’s going on in a book or even just a scene, note what it is. Does the dialogue feel awkward? Are the characters inconsistent? Does the plot feel too convenient or cobbled together? Does the wording just feel off? See if you can spot those issues in your own writing, especially when reading a completed draft or beginning a later draft.

Full Moons 2023

girls need a step by step guide for how not to feel like everything they’re doing is a performance

what if we went on a road trip across eastern europe to see medieval orthodox monasteries and communist monuments and we were both girls