literally love this comment so much i want to frame it
since mrs, ms, and mr are all descended from the latin word magister, i propose the gender neutral version should be mg, short for "mage"
I'm gonna do all of them because I'm bored and i have time to kill.
Catherine of Aragon: crocheting while watching old movies (I'm talking b&w old).
Anne Boleyn: she loves baking but she can never get anything right. She's an amazing cook tho.
Jane Seymour: star mapping (ever since Anna got her a telescope for her birthday she spends almost every night looking at the sky and draw different constellations).
Anna of Cleves: loves to do graffiti and also woodcrafts. She sometimes mixes the two and graffitis the stuff she carves so the queens have a ton of very colourful stools.
Katherine Howard: loves to sing and wants to play all the instruments ever (especially bass), unfortunately she only got to the ukulele.
Catherine Parr: plays piano (tried to teach Kat but was unsuccessful) and loves reading (especially horror and murder mysterys).
If the Queens would live in „our time“ which hobbies would they have?
character misses their shot and the villain goes "ha! you missed." and the main character goes "did i?" and then shoots the villain again while they're frantically looking around the room for what the hero could possibly have aiming for instead
some fake frames based on Fantasy High Junior year!! I love my boys
can't stop thinking about brennan saying "i'm going to describe something very heartbreaking now." how often does he break the kayfabe just to warn one of the players about the next thing he's going to say?? so much tragedy in dimension 20 but it's here, this moment, that is devastating enough that brennan takes a moment to give a warning: i'm going to describe something very heartbreaking now.
adaine abernant grew up lonely and abused in the shadow of a cruel, perfect aelwyn who could do no wrong. adaine didn't even want to find aelwyn, and every step their adventure took in her direction was a step adaine asterisked with a loud proclamation that she hated her bitch sister and didn't care about finding her. and only after discovering that aelwyn had been a months-long prisoner, tortured at her parents' hands, only after hearing a destroyed aelwyn apologize, does adaine consider that maybe aelwyn was a victim, too. and she overcomes her childhood resentment. she sees the bigger picture. she rescues her sister. she protects her as they sleep, and aelwyn's magic protects them in return. it is, maybe, the first time adaine truly feels that she has an older sister. and there's hope now. aelwyn has been broken down, but also redeemed, and they're together now, and adaine can help her, and they can be a family, because people aren't perfect, but aelwyn said she's sorry. and adaine goes into her mind and sees all the self-loathing she never knew about, and even more than that the fear of their parents, and she understands aelwyn so perfectly in this moment, all bitterness and spite dissolved, just a young woman taking a leap of faith and being rewarded with family, finally, a sister she never got to have, who actually loves her and believes in her and wants to keep her safe.
and then aelwyn's memory resets.
and in an instant, adaine loses everything she never knew she could have.
pretty heartbreaking.
Fig expressions with Emily as reference
Council: we're going to m!rder everyone in Zaun that we have to in order to catch Jinx
Caitlyn: wait no, a lot of innocent people will die if we do that. What about if me and a few others go in and find Jinx? We'll use the Grey specifically in areas where Jinx is, and it won't harm anyone, it's just to get Jinx to go out in the open so we can find her
Council: okay fine
--Caitlyn doesn't kill a single Zaunite the entire show unlike everyone else in the main cast besides Ekko. She immediately betrays Ambessa when she realizes that Ambessa is manipulating her grief to make her go along with violent plans. Then acknowledges that she was wrong for going along with Ambessa, admits that hated herself when she was so determined to find Jinx, FORGIVES Jinx for *kidnapping her, attempting to kill her multiple times, severely injuring her, and murdering her mom,* allows Vi to set Jinx free, and in the end gives up her seat on the Council to Sevika (showing that she never wanted power and knows that Zaun needs representation in government)--
Fandom: ...CAITLYN HATES ZAUNITES AND TRIED TO KILL THEM ALL!!!!!! SHE NEVER CARED ABOUT ANYONE ELSE!!!! ANYONE WHO LIKES HER IS A MONSTER!!!
|------» ~~~ «------|
reminder that you can disagree with Caitlyn's actions and still acknowledge both why she did them and that she worked to rectify them. as someone who's ancestors were actually g@ssed and killed... I literally cannot comprehend how people think that's the same thing as what Caitlyn did
Anyways! Quick rant!
In the movie there is a case to be made that the closeness between Elphaba and Glinda is the reason Elphaba didn't fall for Morrible and the Wizard's nefarious plan in the first place.
Like, yes, I think it's pretty much canon across all versions that Elphaba will always revolt in the end. That she can't abide to the cruelty against the Animals and will rage against the machine, so to speak.
But what if she was broken first? How much further would she have fallen for that propaganda, if Glinda had not shown her kindness? In the movie, we see Morrible approach is far subtler than the book or musical. And she even manages to redirection Elphaba's anger for the Animals' mistreatment and harness it into powerful magic.
If Morrible had been able to follow that trajectory, how far would that manipulation have gone? I can easily see an abuser/victim dynamic, where Elphaba only feels competent and important when she's being mentored or in the presence of Morrible. And why would she leave her? Morrible is the only person who ever believed in her.
But in comes Miss Bubble and Glitter. Who tells Elphie she's beautiful, and recognizes her immense talent, and worst of all, she's in the same class Morrible uses to try and train Elphaba into a pawn on her chess board. Suddenly, there is no other way but to back off on the emotional manipulation, bc suddenly she is here too…
Even before they step into the throne room, Glinda takes a moment to pause, look her in the eyes and say: "Elphaba Thropp, listen to me. You can do this. You can do anything." Reaffirming her belief in Elphaba.
And then that intimacy between Elphaba and Glinda is instantly turned against each other the moment Elphaba realizes what's actually up. Elphaba can't be manipulated like the way they planned? Fine. Blondie, you're our barging chip now. First it is done as positive reinforcement: "And hey, if it'll make you happy, possibly, your friend [can stay too]."
And then, as Elphaba actively flees, it is no longer Glinda who tells the Wizard she'll "fetch her back." No. Now Morrible is the one who tries the Glinda-as-a-bargaining-chip-tactic and demands her to get Elphaba back.
Sure, Glinda is the one who eventually gets sucked into the position that was meant for Elphaba. But how easily could the tables have been turned? Where Glinda didn't take that leap towards Elphaba at the Ozdust ballroom? Where they didn't get close and Elphaba remained an outsider, fending for herself.
In that timeline, Morrible would've been able to dig her claws in deeper, and it would not be Glinda, but Elphaba who became the Wizard's puppet instead.
I'm just a small lesbian that's obsessed with music and has a new hyperfixation every two weeks. hope you'll like me :)
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