Not To Be Over Dramatic Or Anything But The Decline In Popularity Of Hand Written Letters Is One Of The

Not to be over dramatic or anything but the decline in popularity of hand written letters is one of the most disappointing decisions we've made as a modern society.

More Posts from Mainromanoff and Others

4 years ago
Dark Academia / Green Academia Interior Design That I Want My Apartment To Look Like
Dark Academia / Green Academia Interior Design That I Want My Apartment To Look Like

dark academia / green academia interior design that i want my apartment to look like

4 years ago
"I Don't Want To Go To Heaven. None Of My Friends Are There."
"I Don't Want To Go To Heaven. None Of My Friends Are There."

"I don't want to go to heaven. None of my friends are there."

-Oscar Wilde

4 years ago
ADAM DRIVER As Phillip Altman This Is Where I Leave You (2014) Dir. Shawn Levy
ADAM DRIVER As Phillip Altman This Is Where I Leave You (2014) Dir. Shawn Levy
ADAM DRIVER As Phillip Altman This Is Where I Leave You (2014) Dir. Shawn Levy
ADAM DRIVER As Phillip Altman This Is Where I Leave You (2014) Dir. Shawn Levy

ADAM DRIVER as Phillip Altman This is Where I Leave You (2014) dir. Shawn Levy

4 years ago
Fariha Róisín, How To Cure A Ghost

Fariha Róisín, How to Cure a Ghost

4 years ago
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.
I Loved You To The Point Of Ruin.

I loved you to the point of ruin.

4 years ago

let's play a game called you bring me a book and i read it

4 years ago

are there any poems you have on home, if its ok to ask? i feel homesick for a home beyond my reach and thought i could come to you.

image

“I was in a place where nobody knew my heart even a little bit.”

— Carol Rifka Brunt, Tell the Wolves I’m Home

“it’s as if I had to go back home on foot, alone, barefoot not knowing where far away, everybody else went long ago”

— Hélène Cixous, Hyperdream (tr. Beverly Bie Brahic)

“[ON LOSING LOVE]: This is the model I propose. You are arriving home and as you approach the garage you try to work your routine magic. Nothing happens; the doors remain closed. You do it again. Again nothing. At first puzzled, then anxious, then furious with disbelief, you sit in the driveway with the engine running; you sit there for weeks, months, for years, waiting for the doors to open. But you are in the wrong car, in front of the wrong garage, waiting outside the wrong house. One of the troubles is this: the heart isn't heart shaped.”

— Julian Barnes, A History of the World in 10 and 1/2 Chapters

image

— James Baldwin, Giovanni’s Room

“‘I’m homesick all the time,’ she said, still not looking at him. ‘I just don’t know where home is. There’s this promise of happiness out there. I know it. I even feel it sometimes. But it’s like chasing the moon - just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.”

— Sarah Addison Allen, The Girl Who Chased the Moon 

“Wickedness has leaked into the home I made, / and I want to burn it down. Sister, tell me / how you stand the murderous fury. You there / still singing, I crave demolishing, to eat / explosives.”

— Ada Limón, Bright Dead Things; “Home Fires”

“At the core of all sighs is a name, a stone from the body’s last lost home.”

— Karen Solie, from “Days Inn,” Short Haul Engine

“To ask “Where is home?” as if there is one answer. To write home in a poem, like a poem could be a home—is this happy or sad?”

— Chen Chen, from “Craft Capsule: On Becoming a Pop Star, I Mean, a Poet”

“Feeling what we all feel: home is a forgotten recipe, a spice we can find nowhere, a taste we can never reproduce, exactly.”

— Richard Blanco, from “Mexican Almuerzo in New England”

image

— Ross Gay, from Bringing the Shovel Down; “Because”

“I want to ask was there ever one / moment when all of it relented, / when rain and ocean and their own / sense of home were revealed to them / as one and the same?”

— Eavan Boland, from In a Time of Violence

“I: Why not take the shorter way home. HT: There is no shorter way home.”

— Anne Carson, from Men in the Off Hours; “Interview with Hara Tamiki (1950)”

4 years ago
Abandoned Church In Czech Filled With Ghost Statues

Abandoned church in Czech filled with ghost statues

4 years ago

this is unfair. it’s always, “hi, how are you?” and never, “you have bewitched me, body and soul, and i love, i love, i love you. and wish from this day forth never to be parted from you” :(

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studying | dark academia | she/her

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