Anastasia and Dennis Klaffert shot by Kat Irlin
Times Square, 1978.
credit: nakdfashion
Northway Trail, November 2020
dreamy winter morning - 11/26/19
Matterhorn, Moon, and Meteor : Fans of planet Earth probably recognize the Matterhorn in the foreground of this night skyscape. Famed in mountaineering history, the 4,478 meter Alpine mountain stands next to the totally eclipsed Moon. In spite of -22 degree C temperatures, the inspired scene was captured on the morning of January 21 from the mountains near Zermatt, Switzerland. Different exposures record the dim red light reflected by the Moon fully immersed in Earth’s shadow. Seen directly above the famous Alpine peak, but about 600 light-years away, are the stars of the Praesepe or Beehive star cluster also known as Messier 44. An added reward to the cold eclipse vigil, a bright and colorful meteor flashed below the temporarily dimmmed Moon, just tracing the Matterhorn’s north-eastern climbing route along Hornli ridge. via NASA
Galaxy NGC 4889
Get sucked into the black hole excitement? Find out more about these unique objects and the missions we have to study them, here.
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The Heart and Soul Nebulas : Is the heart and soul of our Galaxy located in Cassiopeia? Possibly not, but that is where two bright emission nebulas nicknamed Heart and Soul can be found. The Heart Nebula, officially dubbed IC 1805 and visible in the featured image on the bottom right, has a shape reminiscent of a classical heart symbol. The Soul Nebula is officially designated IC 1871 and is visible on the upper left. Both nebulas shine brightly in the red light of energized hydrogen. Also shown in this three-color montage is light emitted from sulfur, shown in yellow, and oxygen, shown in blue. Several young open clusters of stars are visible near the nebula centers. Light takes about 6,000 years to reach us from these nebulas, which together span roughly 300 light years. Studies of stars and clusters like those found in the Heart and Soul Nebulas have focused on how massive stars form and how they affect their environment. via NASA
Space
I think a surprising amount of writers don’t realize that tragedies are supposed to be cathartic. They’re intended to result in a purging of emotion, a luxurious cry; the sorrow caused by a great tragedy is akin to fear caused by a good horror movie – it’s a “safe” sorrow, one that is actually satisfying to the audience. It can still be beautiful! It’s isn’t supposed to just be salting the earth so nothing can grow.
But that’s how you get grimdark: writers who don’t realize that they’re supposed to be doing something with the audience instead of to the audience.
You are just another name I still remember, a song I no longer dare to listen to, a voice I can't forget but I will. You're now a stranger I'd never really wish to know, a road I'll never choose, a bridge I'd always burn, a place I'd never visit. You are just a memory I'd never ever like to cherish. I want myself to get rid of every trace of you. All that you left behind is not my mess to carry, no part of you could be a treasure, it's just trash.
—Trashy memories // Sparkandashes (via tumblr)
“I think I want to be in love with you but I don’t know how.”
— Angela Carter // The Magic Toyshop
photo: @jjj_.in on instagram
Object of the Week: Five-Draw Telescope, unknown maker, Italy, 1700-1750. 2018.8.5.
The introduction of the telescope in 1608 led to the production of many Galilean telescopes with a single-lens eyepiece, low magnification, and a narrow field of view. The development of the compound eyepiece in 1645 made it possible to use the telescope as a more effective device for astronomical and terrestrial observation. This example could be used for both types of observation: at 44 cm in length, it’s portable, and it provides magnification and a field of view convenient for observing both realms.
emotional expressions and shades of eyes in paintings
let's play a game called you bring me a book and i read it
When Donna Tartt said Forgive me, for all the things I did but mostly for the ones that I did not, and M. L. Rio said How tremendous the agony of unmade decisions.