I'm So Normal About Them, Don't Mind Me

I'm So Normal About Them, Don't Mind Me
I'm So Normal About Them, Don't Mind Me
I'm So Normal About Them, Don't Mind Me

I'm so normal about them, don't mind me

More Posts from Manosuavez and Others

1 year ago
A New Troll.... Her Name Is Macabe Scarab And She's A Model That Wears Dresses Based On Other Blood Castes
A New Troll.... Her Name Is Macabe Scarab And She's A Model That Wears Dresses Based On Other Blood Castes

a new troll.... her name is Macabe Scarab and she's a model that wears dresses based on other blood castes (usually Ceruleans) and is based off the rainbow scarab...hence being a rainbow drinker. despite attending a lot of art shows and having a lot of promo of her in cities, she prefers a very private life and staying out of the public eye

2 years ago
GERARD WAY.
GERARD WAY.

GERARD WAY.

1 year ago

"I think Homer outwits most writers who have written on the War [fantasy archetype], by not taking sides.

The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek — maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.

Of course you can take sides, and almost everybody does. I try not to, but it’s no use; I just like the Trojans better than the Greeks. But Homer truly doesn’t take sides, and so he permits the story to be tragic. By tragedy, mind and soul are grieved, enlarged, and exalted.

Whether war itself can rise to tragedy, can enlarge and exalt the soul, I leave to those who have been more immediately part of a war than I have. I think some believe that it can, and might say that the opportunity for heroism and tragedy justifies war. I don’t know; all I know is what a poem about a war can do. In any case, war is something human beings do and show no signs of stopping doing, and so it may be less important to condemn it or to justify it than to be able to perceive it as tragic.

But once you take sides, you have lost that ability.

Is it our dominant religion that makes us want war to be between the good guys and the bad guys?

In the War of Good vs. Evil there can be divine or supernal justice but not human tragedy. It is by definition, technically, comic (as in The Divine Comedy): the good guys win. It has a happy ending. If the bad guys beat the good guys, unhappy ending, that’s mere reversal, flip side of the same coin. The author is not impartial. Dystopia is not tragedy.

Milton, a Christian, had to take sides, and couldn’t avoid comedy. He could approach tragedy only by making Evil, in the person of Lucifer, grand, heroic, and even sympathetic — which is faking it. He faked it very well.

Maybe it’s not only Christian habits of thought but the difficulty we all have in growing up that makes us insist justice must favor the good.

After all, 'Let the best man win' doesn’t mean the good man will win. It means, 'This will be a fair fight, no prejudice, no interference — so the best fighter will win it.' If the treacherous bully fairly defeats the nice guy, the treacherous bully is declared champion. This is justice. But it’s the kind of justice that children can’t bear. They rage against it. It’s not fair!

But if children never learn to bear it, they can’t go on to learn that a victory or a defeat in battle, or in any competition other than a purely moral one (whatever that might be), has nothing to do with who is morally better.

Might does not make right — right?

Therefore right does not make might. Right?

But we want it to. 'My strength is as the strength of ten because my heart is pure.'

If we insist that in the real world the ultimate victor must be the good guy, we’ve sacrificed right to might. (That’s what History does after most wars, when it applauds the victors for their superior virtue as well as their superior firepower.) If we falsify the terms of the competition, handicapping it, so that the good guys may lose the battle but always win the war, we’ve left the real world, we’re in fantasy land — wishful thinking country.

Homer didn’t do wishful thinking.

Homer’s Achilles is a disobedient officer, a sulky, self-pitying teenager who gets his nose out of joint and won’t fight for his own side. A sign that Achilles might grow up someday, if given time, is his love for his friend Patroclus. But his big snit is over a girl he was given to rape but has to give back to his superior officer, which to me rather dims the love story. To me Achilles is not a good guy. But he is a good warrior, a great fighter — even better than the Trojan prime warrior, Hector. Hector is a good guy on any terms — kind husband, kind father, responsible on all counts — a mensch. But right does not make might. Achilles kills him.

The famous Helen plays a quite small part in The Iliad. Because I know that she’ll come through the whole war with not a hair in her blond blow-dry out of place, I see her as opportunistic, immoral, emotionally about as deep as a cookie sheet. But if I believed that the good guys win, that the reward goes to the virtuous, I’d have to see her as an innocent beauty wronged by Fate and saved by the Greeks.

And people do see her that way. Homer lets us each make our own Helen; and so she is immortal.

I don’t know if such nobility of mind (in the sense of the impartial 'noble' gases) is possible to a modern writer of fantasy. Since we have worked so hard to separate History from Fiction, our fantasies are dire warnings, or mere nightmares, or else they are wish fulfillments."

- Ursula K. Le Guin, from No Time to Spare, 2013.

1 year ago
Here's My Finished Draculara Crochet Ragdoll !! I Tried To Make Her Look Kinda Like A Lalaloopsy.

Here's my finished Draculara crochet ragdoll !! I tried to make her look kinda like a lalaloopsy.

10 months ago
Lana Del Gay

lana del gay

1 year ago

the Heir is a hero who reviles what he reveres. an Heir in fairy tales is one who wants nothing more than to attain his father’s station, but hates his father for not giving it to him; or one who loves the privileges of his rank but hates its responsibilities, wishing for the freedom of a commoner.

Equius wants to be dominated by what he hates, and loves what is beneath him when he should be exercising dominance over it. he hates meat - implying to Nepeta that he doesn’t eat it - but values his own “meat” or flesh over his spirit. Alternia’s indigo caste - its Heir class - is entirely a caste of walking contradictions. they treat the planet’s musclebeasts as creatures “meant to be 100ked upon with adoration“, but treat another race of man-beasts as inferior, fit only for the role of being part of a “butler genus”. though they exist to serve those above them, they reject the sea dwellers for being “EVEN PURPLIER“ than the subjugglators, in fact considering themselves “obligated to be at odds”. it’s only fitting that Equius is the one to discuss the difference between friends and enemies with his superior only a page after we’re told that “in troll language, the word for friend is exactly the same as the word for enemy.”

naturally this makes the Heir a class closely tied with the concept of masculinity, because the complex dual nature of masculinity is such a strong theme in Homestuck. the indigoblood’s power comes not just from his position on the hemospectrum but his position in a patriarchal society, and when Equius starts to lose his grip on the saddle of his high horse it’s not only for a lowblood, but for a lowblooded woman.

the successful Heir is a hero who successfully overcomes masculinity’s trappings and, like all heroes ultimately must, reconciles the contradicting aspects of the masculine and the feminine. John matures as an Heir by overcoming the side effects of being brought up in an all male household, under a father who valued his strength of the flesh above all else, and mastering the spirit and the feminine - represented by spirit arms and the feminine blue slime of his ghostly mentor. Equius’ fate is instead to succumb to masculinity altogether, allowing the male superior in his life to cut off his connection to breath entirely.

1 year ago
manosuavez - jayslay

gift comm for @johaerys-writes' fic, You're a Walking Disaster and Yet-

10 months ago
NextReality Games' Abyssal ☼ Floor 3

nextReality Games' Abyssal ☼ Floor 3

4 years ago

Really confused as to how my logo changed to kermit the frog. Unless im starting to have hallucinations from lack of sleep. Still. mindfucked. 

1 year ago
Solid Scrappy Granny Pillow By Mallory Krall

Solid Scrappy Granny Pillow by Mallory Krall

Free Crochet Pattern Here

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manosuavez - jayslay
jayslay

anal

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