dune is about the forces that humanity lives at the mercy of, both natural and man-made. it's about how power exerts itself upon the powerful, how they're controlled by it as just as much as they control it. it's about how people become locked into a process of history that they as individuals are nearly powerless to control, so much so that even being able to see the future only serves to show how trapped you really are. it's about all of this more than it is about any individual characters and this is something that no adaptation so far has gotten right
alia atreides & marie fenring.
"in the blood" by john mayer / portrait of elisabetta gonzaga by raffaello sanzio / adeleide by hiroshi furuyoshi / fatima aamer bilal / fair rosamund and eleanor by frank cadogan cowper
Still having Chani feelings, man. Because I think it is actually not that common to see a character (but especially a female character) whose main commitment in life is to a political struggle, and to have that be taken seriously by the narrative. Not painted as naive idealism or a trendy lifestyle choice or something the character eventually leaves behind for "real" commitments like marriage, career or children.
We don't see really anything of Chani's home life in the sietch, but it seems reasonable to infer that the fedaykin are what she's built her life around. The very first thing we learn about her, before we even know her name, is that she's a fighter. This is a core part of her identity.
She falls in love with Paul when he's willing to risk his life beside her as an equal, for a cause that she can't escape but he could walk away from if he chose. The question she asks him is not Do you love me? but Will you always be with me? Will you always be beside me in the struggle, fighting for the same things I am?
And as soon as the answer to that question is no, they're over. There is absolutely no possibility of love overriding that political betrayal, because her love for him is inextricable from coming to trust that he is committed to their liberation and not simply trying to use them. He said over and over again that he didn't want power, and as soon as he reaches out to claim it there is no way they can be together. The worst betrayal isn't watching him choose another woman, it's watching him declare himself emperor and send her own people off to slaughter others when he said he was fighting for their freedom.
So she leaves him, and we're never supposed to see it as anything but justified. There is simply no way she will turn her back on the most important thing in her life for him.
Paul Atreides & Feyd Rautha in Dune: Part Two // Dune by Frank Hubert, Chapter 48
ERIS. a dune sideblog. SEMI-HIATUS.ask me about my alia x marie agenda. analysisabout/tagsmetaaskboxhome
183 posts