The real tragedy of Dune (which the movies did an excellent job of portraying) is that almost none of the characters we see have any real choice in what they do. The only choices they have are in how they do them.
Duke Leto must take House Atreides to Arrakis, or be declared a traitor to the Imperium and hunted down. He knows it's a trap and that the Emperor is, in the very best case scenario, setting him and his family up for a serious reversal of their fortunes (far more likely, he's outright scheming to get them killed). But he doesn't have a choice. He must go to Arrakis. He does go to Arrakis. He dies.
Paul and Jessica must flee into the desert or the Harkonnen soldiers will kill them both brutally. They must go to the Fremen for refuge or the desert will kill them. They go. They find that the Fremen have already begun to mythologise Paul. He's the Mahdi, the Lisan al-Gaib. There is no option for Paul to be a normal person here. He is either the messiah or he is a false prophet, and false prophets in a nation of true believers don't live for long.
So Paul fits himself into the mold of the myth. He becomes Muad'dib and leads the Fremen in war because they believe too much in him to let him be anything less. Is it manipulation? Yes. But because the Bene Gesserit have been manipulating the Fremen for centuries, Paul has no choice but to continue it if he wants to live.
He sees the holy war at the end of every timeline by glimpses and he fights to avoid it. To avoid it, he becomes the Kwizatz Haderach and gains the ability to fully see timelines, and thereby he makes himself that much more of the Fremen messiah and brings himself one step closer to the holy war. Every choice he makes is a choice for survival and an attempt to avoid that war, the war he cannot escape because every step he makes along the path to survival is one more step towards the war. He has no more choice in what he becomes than his father had in whether or not he went to Arrakis.
The only people who ever had a choice were the Emperor and Gaius Helen Mohiam. They made their choice, to exterminate House Atreides, and thereby they took everyone's choices away, including their own. Once they sent House Atreides to Arrakis, the entire plot was inevitable.
“No more terrible disaster could befall your people than for them to fall into the hands of a hero.” —Dune, Frank Herbert
“Your habits always come hunting after you. The self you construct will haunt you. A ghost wandering around in search of your body, eager to possess you. We are addicted to the self we construct. Slaves to what we have done.”
— Frank Herbert, Chapterhouse: Dune
Cover art by Matt Griffin for new hardcover Deluxe editions of ‘Dune Messiah’ and 'Children Of Dune’, books 2 and 3 in the 'Dune’ series written by Frank Herbert, as first revealed by io9.
The new Deluxe hardcover editions will be published April 4 2023 by Ace Books.
Feyd-Rautha Harkonnen & Marie Fenring, father and daughter.
"I'm Nobody! Who are you?" by Emily Dickinson | Jacek Jędral, Untitled, 2020 | "Black Bathing Suit" by Lana del Rey | Moebius' Dune concept art, 1974 | Imogen by Herbert Gustave Schmalz, 1888 | "Poacher's Pride" by Nicole Dollanganger | unknown | "Anecdote of the Pig" by Tory Adkisson | The Abduction of Ganymede, Gustav Moreau, 1886 | Snow Maiden, Viktor Vasnetsov, 1899 | A Storm of Swords by George R. R. Martin
“Once I put myself in their skin, and get rid of all the onion skins, the levels between the inside and the outside, I feel I can then help create the bridge from the actor to the character. I did psychological studies on each of these characters. Lady Jessica is basically a concubine but a very intelligent one and a highly trained Benne Gesserit. Not only does she have a mystical side but she also has an intelligent, old soul side. I wanted her outfits to be both compellingly nun-like, but also appropriate for a courtesan, which is also what she is. I had to embody all of those somewhat contradictory things in her costumes.
So I went to Goya, who is one of my favorite painters. I’ve always felt there are two painters from the past who would be filmmakers if they lived today. One is Goya and the other is Giotto. I took from both of them — Giotto more for the nun-like Benne Gesserit; and more Goya for Lady Jessica, because there’s a deep, Spanish romanticism in his paintings, especially The Clothed Maja. That’s where I got the idea for the laced dress for her. I didn’t use Spanish lace, but I had a lace made that looked very much like the future, but with a real romantic touch from the past.” - Jacqueline West, Costume Designer on Dune
Rebecca Ferguson as Lady Jessica in Dune (2021) dir. Denis Villeneuve
alia atreides & marie fenrig.
"i'm nobody! who are you?" by emily dickinson / chinese shadows, the rabbit by ferdinand du puigaudeau / photography by chris bell / lyra wren / the girl king, dir. mika kaurismäki
[..] You’ll bear my sister: St. Alia of the Knife.
DUNE 2021 | Denis Villeneuve
ERIS. a dune sideblog. SEMI-HIATUS.ask me about my alia x marie agenda. analysisabout/tagsmetaaskboxhome
183 posts