I’m not surprised a movie as terrible as Emilia Perez is being awarded by mostly white audiences and white film critics, it gives them exactly what they want on how they perceive Mexico. A French man had not business doing this movie. Particularly when it admitted not to feel the need to do research since he already knew “enough” hence why the movie is filled with so many harmful stereotypes. And heavy on how the casting director insinuated there wasn’t good Mexican actors to star in this movie outside of the half white/American ones it got for this film. The movie is absolutely trash from acting to script. Not wonder they released the movie in European countries first before going into Mexico - they knew the reception it was gonna get from Latin countries and didn’t want the bad reviews and opinions to affect their award buzz - and it worked. The award shows will never convince me it was a good movie with performances worthy of acclaim. The movie was at best another over-dramatic romanticization musical of cartel violence and we were supposed to think it was progressive because of the main character. Hopefully Fernanda Torres’ win allows I’m Still Here to get a bigger leap into that Best Foreign Film win at the Oscars. The rightful Latin representation.
adrien and marinette are partnered in health class and become parents of a fake baby for a final project
they both become way too invested in the baby, which is funnier when it’s just a sack of flour
marinette constantly dresses it in new clothes she’s designed every day
adrien insists on doing a family photo shoot or having a family portrait commissioned
a stranger bumps the baby and they both immediately scream in panic
when there’s an akuma, whoever has the baby immediately has to try to find the other person to hand it off to because no of course they can’t leave it alone it’s a BABY but they’re nowhere to be found
fuck all romance except whatever the girl with a voice of an angel and mr rockstar mcbiceps got going on
“I think…if it is true that there are as many minds as there are heads, then there are as many kinds of love as there are hearts.” ~ Anna Karenina
The way we hear the Rina cue in different variations throughout the season as Ricky’s feelings for Gina grow stronger/clearer and then we hear it again but in a full orchestra during their first [second] kiss. Not only the song stops sounding melancholic, it finally sounds completed and bright/expanded.
i love that it’s implied that the boys’ love for julie is stronger than caleb’s evil, manipulative powers and that’s how they escaped him. they used their love for her to temporarily save themselves, but when that wasn’t enough to stop the flickering, she saved them with her love.
i mean, luke starts glowing right after she tells them she loves them.
this show just has the purest message and symbolism.
chat noir’s magical girl suggestions
ahem
i miss girl meets world
thank you for attending my tedtalk
oh to be a little cat and sit in a windowsill
what a great day to wake up knowing you've stanned kagami from the very beginning
Julie and the Phantoms being one of the most heartwarming and feel good shows I've ever watched, while simultaneously having the most absurdly tragic premise will never not to be funny to me.
| blog dedicated to a bunch of pixels, movies, tv shows and non canon ships that own my life || Miraculous Ladybug , GMW and JATP enthusiastic | still not over Lucaya 2k25 |
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