Confectioner Lauren Ko Takes Pie Baking To Another Level -

Les épingles ponctuent le paysage feutré, comme autant de lignes mélodiques. Elles reflètent la lumière, tout comme le feraient les pistons des cuivres,ou les tuyaux d'un orgue.

Feutre main, insertion d'épingles.

Laine mérinos.

Esther Scroll, Ancona, early 18th century

Handwritten text, unfinished decorated cut-away parchment Parchment, 8 membranes, 39 text columns,  23x458 cm Carved wooden roller Gift of Mrs. Erna Ascoli in memory of her husband U. Nahon Museum of Italian Jewish Art ON 0495

This scroll is a beautiful example of the particular style of decoration that flourished in the Italian towns of Ancona and Lugo in the eighteenth and early nineteenth centuries. Artists in these towns specialized in a laborious technique whereby the parchment was cut away to create an intricately patterned frame for the text that reminds us of the beautiful lace used in fashions of that period. This elaborate technique was employed to adorn megillot, ketubbot and a variety of Judaica objects. Only a few such Italian cut-out parchment scrolls remain today.

Glitch Art Is My Favorite Therapy II, Asymetr, 2017

National Parks Vol. 1

Seattle-based photographer Navid Baraty went on a solo 7,200-mile road trip to various national parks around the western United States. Navid captured the journey along the way from steaming geyser basins to rugged badlands, from otherworldly deserts to petrified forests, from thunderous canyons to slot canyons, from sheer cliffs to top-secret military installations. 

Inception (2010) directed by Christopher Nolan.

Wanted to draw some energetic fighting poses! The poses are referenced from stock photos, and the character is drawn from imagination. Don’t mess with her!! She’ll kick you ✨

Resource explaining how I analyze a pose and translate that into a character is available on my patreon ~ http://patreon.com/loish

Jaq Chartier (American, b.1961)

BG/Orange (9 whites)  -  2018

@ Dolby Chadwick Gallery, San Francisco

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This beautiful edition of Byron’s The Prisoner of Chillon was published in 1865 and illuminated by William and George Audsley, a pair of Scottish architects.   Each page features a full medieval-style chromolithograph complete with shining silver and gold accents. The Audsley brothers were especially known for their Gothic Revival style, so I suppose it’s only natural that they would produce such intricate, vivid borders.

Kiandjan, globo

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