Luke: What Does “take Out” Mean To You?

Luke and Owen swordfiighting:

Owen: Ha! You fight like my sister!

Luke: I've fought your sister, that's a compliment!

TRAYVON MARTIN (Walking home with iced tea and Skittles. Shot by George Zimmerman, who was found NOT GUILTY)

KEITH SCOTT (Sitting in car, reading. Shot by police officer, who was NOT CHARGED)

ATATIANA JEFFERSON (Looking out her window, shot by police officer, who is STILL UNDER INDICTMENT for murder)

JONATHAN FERRELL (Asking for help after auto accident. Shot twelve times by police, case ended in MISTRIAL)

JORDAN EDWARDS (Riding in a car. Shot in the back of the head by police officer, who was found GUILTY of murder ⭐)

STEPHON CLARK (Holdng a cel phone. Shot 8 times, 6 in the back. Officers NOT CHARGED)

AMADOU DIALLO (While taking out wallet, officers fired 41 shots by four officers, who were all ACQUITTED)

RENISHA MCBRIDE (Auto accident, knocked on door for help. Homeowner was found GUILTY of second-degree murder ⭐)

TAMIR RICE (Playing with toy gun, shot by police officer arriving on scene. Officer was NOT CHARGED)

SEAN BELL (Hosting a bachelor party, 50 rounds fired by police officers, who were found NOT GUILTY of charges)

WALTER SCOTT (Pulled over for brake light, shot in the back by police officer, who pleaded GUILTY to CIVIL RIGHTS VIOLATIONS *NOT* MURDER)

PHILANDO CASTILE (Pulled over in car, told officer he had a legally registered weapon in car. Officer ACQUITTED of all charges)

AIYANA JONES (Sleeping, accidentally shot by officer in a raid on wrong apartment. Officer CLEARED OF ALL CHARGES)

TERRENCE CRUTCHER (Disabled vehicle, shot by police officer, who was found NOT GUILTY of manslaughter.)

ALTON STERLING (Selling CDs, shot at close range while being arrested. NO CHARGES FILED)

FREDDIE GRAY (Beaten to death by officers while being transported in police van. All officers involved were ACQUITTED)

JOHN CRAWFORD (Shopping at WalMart, holding a BB gun on sale, police officer was NOT CHARGED)

MICHAEL BROWN (Shot by twelve times by officer, including in the back. NO CHARGES FILED)

JORDAN DAVIS (Killed because he was playing loud music. Shooter found GUILTY of first-degree murder ⭐)

SANDRA BLAND (Pulled over for traffic ticket, tasered and arrested. SUSPICIOUS SUICIDE while in jail. NO CHARGES)

AHMAUD AUBREY (Jogging, shot by two men who claimed they suspected him of burglaries. Both men charged with murder and aggravated assault ⭐)

BOTHAM JEAN (Shot at home, which police officer mistook for her own. Officer found GUILTY of murder ⭐)

OSCAR GRANT (Handcuffed and face-down, officer shot him in the back. Officer found GUILTY of involuntary manslaughter ⭐)

COREY JONES (Waiting by his disabled vehicle, was shot three times by police officer, who was found GUILTY of murder ⭐)

Remember them all. ✊🏻✊🏽✊🏾✊🏿

Also note, these are only the stories caught by the media and/or on video.

How dare this fandom not have a fanfiction written about this very specific and complex idea that only I have thought of and never asked anyone to write about.

Deckard, running into Sam’s room: Do you want to make $5?

Sam: How?

Deckard: I need you to take the blame for something.

Luke, from the hallway: Oh my god!

Sam: What did you do?

Deckard: I can’t tell you. Yes or no, no questions asked.

Luke: OH MY GOD!

Sam: Make it $10.

letting myself be vulnerable for the sake of being honest with myself and others, to be authentic, and learning to let go of the fear of being seen and heard. this is who I am. I care a lot, I feel deeply, and I want people to know that I like them and I want to be there for them. I want to live my little life to the fullest even though my chronic illness often gets in the way and won’t let me do all I want to.

I will be patient with myself and accept that my vulnerability isn’t necessarily a weakness or something that makes me pathetic and that I should hide it. I’m too tired to give a fuck. I want people in my life to know who I am, and I want them to know I care about them, and maybe that will help them feel less afraid of their own vulnerabilities too.

I will be my imperfect self, and I will own it. I am soft, and sensitive, but I am finally letting go of worrying about how people will perceive this. I have found a lot of resilience because I love this world so much, I won’t be anyone else but me, and that’s how I chose to be a part of this place I love.

And it does make me feel a little afraid, but it also makes me feel like I am strong in my own way. It helps me feel I am living life to the fullest.

I care deeply. This is who I am. I am owning up to it. I am alive and one day I will be looking back to this time and I want to know I have lived it to the fullest by being authentic.

De Aged Deckard: You’re gonna go far, kid - Part 5

Summary:  When the Shaw siblings try to break into an Eteon facility, they’re met with some unexpected consequences. Now, it’s up to Owen and Hattie to be the older siblings Deckard never had. Even if they have no idea what they’re doing

Keep reading

Owen Shaw: [to Deckard Shaw & Hattie Shaw] I'm the one who got us into this mess, so I'll be the one who gets us much, much deeper into this mess.

dazai/yosano character parallels analysis ★

includes: connection/past with Mori, themes of humanity, dehumanization, life/death, change, and Elise(?)

wc: 1.5k

Beginning with the most glaring similarity, they have a mutual connection with Mori as a mentor figure in their past. (I'm not sure if I would assign the “mentor” role to him for Yosano, but for the lack of a better word, that's what he will be called here </3). He represents an important part of their traumatic pasts but in different ways. I want to stress the importance of understanding that the two of them were abused in different ways because of how Mori himself regarded each of the two, and that this is not to say one was worse than the other. I would also like to negate any argument that Dazai was not abused by Mori, this is false. While that is another topic I want to discuss in the future, I just want to get that out there.

Both are victims of Mori's tactics of controlling abuse and were utilized as tools for his plans. Yosano was used for her ability, as she was useful under Mori's immortal soldier regiment, while Dazai was picked up with the intentions to mentor him as a future successor to Mori because of their shared traits (refer to the 15 quote provided, their “common destiny” is being the Port Mafia boss). The reason I say they are abused in different ways is because of the methods Mori enacts on the both of them. While I don't want to say he respects Dazai more as an individual because of that inherent fear he carries of Dazai, however, I'm not really sure what else to word it as. Dazai is able to carry out a lot of his own volition while under Mori in the Port Mafia, and while he was still in a horrible place under this treatment, he did have some level of freedom on his own because of the way Mori viewed him. Mori recognizes that: one, Dazai lacks morals at this point in his life, two, that he is not loyal to Mori and could take him out at any moment (I would argue that he expects it if anything), and three, that Dazai is an extremely intelligent child beyond his years. Since he recognizes all of these aspects, he still controls Dazai to the degree he acts to everyone else, but he also does not push Dazai too extremely. Of course this is not to say his abuse to Dazai was not harsh, I am trying to compare the way Mori treated Yosano vs Dazai, and how this has affected them individually, not by the severity of either. He noticeably treats Yosano harsher, and he does go as far as to lay a hand on her, in the form of grabbing her hair. While he is not a physically abusive person, instead using psychological methods more often, this is an example of the disregard he has for Yosano as an individual herself. She is diminished to her ability in his eyes, and Dazai is almost akin to a mirror in at least Mori's eyes. Both of these lead into my next point, the way both of them experience dehumanization.

Both Dazai and Yosano are, to some degree, seen as inhuman for their abilities and past sins. This can be seen in something as simple as the names they are given by others in their lives. They are the "Angel of Death" and the "Demon Prodigy." Both of these names assigned to them from those around them serve as stark reminders of their past wrongdoings, to which I will expand upon later. Yosano was essentially forced to play God with countless lives until she created her own undead hell, and this burdens her for the rest of her life. As a result of these events, even though it was not something under her control as an eleven year old child, she is viewed in a vicious light for her ability and involvement. Similarly, Dazai's humanity is disregarded by those around him because of his actions and behaviors, but most importantly, his nature. To follow a commonly stated metaphor in BSD, his blood is mafia black. During his time in the Port Mafia, Dazai racked up a laundry list of crimes, and the methods he used were seen as cruel even by Port Mafia standards. Of course, his actions are not justified by the fact that he is a child during this time. Dazai is very much a person guilty of crimes enacted upon others, so he is not absolved from all agency in this, but it is still important to understand that his actions were heavily for survival and his own self destructive pursuit to find something to live for.

Coming back to these two and their pasts as these inhumane figures, both also go through a series of changes as a person to go on a better path. Dazai himself could care less about good vs bad during his Port Mafia days because there was no person who guided him properly on that course, but once Oda's death sets Dazai's path in stone on the good side. Oda's final request to him is to be on the good side, despite the indifference Dazai harbors. Dazai lives out this path up to the current events of the timeline, and he clearly benefits from being in the Agency. He goes to deliberate lengths to hide from his past as well, he avoids any possible association with that and denies similarities between him and those he has harmed during his Port Mafia days, namely those he hurt, like Akutagawa. At the same time, as I pointed out, Dazai is making the conscious choice to change. Yosano follows this similar path of trying with the Agency because of Fukuzawa and Ranpo picking her up from Mori after the isolation facility. The Agency does not require her for her ability, unlike Mori did, she is more than it. She chooses to continue to save lives with her ability because she so heavily values human life.

And this brings me to my next point, their shared connection with life and death, and their attitudes surrounding it. Both Dazai and Yosano greatly value life, as ridiculous as that sounds for a character like Dazai. Yosano is intrinsically connected to the cycle between life and death because of the nature of her ability. She holds life as having more value than death itself, and she expresses this with her drive to save lives. Dazai does not have the ability to control the cycle itself, but he does have a connection to it through his suicidal nature. He stumbles between the line of living and dying due to his inability to find a purpose to live, but he does appreciate life. Dazai appreciates the way other characters such as Oda live their lives, and the humanity Dazai sees in them. He does not believe there is an inherent value to his own life, but he voices his opinions on the human experience and he admires how others do find a reason to live. Dazai and Yosano's frame of mind surrounding life and death is not the same, however, they do share a mutual value for humanity and life in some fashion, even if Dazai seeks out death more than Yosano ever does.

Now, to address Elise. Her as a topic is separate from the rest only because the connection between her, Dazai, and Yosano is speculation on my part. It is not something observable as fact to canon, unlike something as the two's relationships with Mori or their shared themes. It is clear that Elise is at least partially inspired by an eleven year old Yosano. Before the events of the Great War, Elise is shown to follow orders blindly. She is a subservient ability, and her usual liveliness is not present at this time. This changes after Mori loses Yosano, and Elise behaves like an average child at this point, but the specific traits he takes from Yosano are her willpower and opinionated personality. Another notable detail in Elise's design is her hair bow, which does resembles Yosano's hair pin. This can be attributed to Mori's obsession with Yosano at this age, but I don't believe her likeness to Yosano is only because of that. She also shares traits with Dazai. What I'm referring to his her hair and attitude towards Mori himself. Outside of the time when Elise is based upon someone else, she wears her hair up in a bun. Though she is absent from timeliness between the Great War, we do see her after that, and she now has more open, wavy hair. While you can attribute to this design just for the sake of it, I do think it is interesting to point out this similarity between her and Dazai because Yosano has perfectly straight hair. Elise also chastises Mori, something that Yosano does not do, but Dazai does voice his disapproval of Mori and straight points out his faults, which Elise does too. She also exhibits similar behavior to Dazai in negotiating for what they want, neither lies, and I say this is a trait she got from Dazai only because Yosano does not do this. I think that Mori projects traits of these two onto Elise, a manifestation of his desires, both because of the obsession and because Yosano+Dazai symbolize regret from the past.

HAZBIN HOTEL EPISODE 6 SPOILERS

ANGEL DUST’S SISTER IS IN HEAVEN!!!

Honestly, I don’t think we appreciate the Arkham Games’ writing enough. Like. Okay. Jason’s backstory here really does have him sort of at fault for getting caught; it says outright that he turned off his trackers with the intent of hunting down and murdering the Joker. Regardless of his motivation, that…is not smart. I mean. You know I love him to bits, which is why I say, earnestly, honey, no.

BUT. Not one time do the general narrative OR the other characters pull the ‘don’t be like poor, reckless Jason’ card. (Granted, he’s not brought up, really, but Dick does allude to him a time or two.) Neither the flashbacks nor Hallucination!Joker’s comments regarding him cast him as anything other than someone who did not deserve what happened. Even when he’s actively attempting to kill Batman (and if he does take you out, he’s not sorry.), Bruce’s response is to double down on trying to convince him to come home; he disarms him, which is reasonable (two hits! that’s all it takes, what the hell!), but despite having a ridiculous amount of ranged weaponry, the only thing the game will let you do to him is pop up and essentially try to hug him. It won’t even let you try the disruptor on his rifle, even though it will let you jam (but not rig to blow, due to fatality likelihood) the mini-guns.

…

…

Gee. It’s almost like Joker is responsible for his own actions, and that those actions include the torture and (faked) murder of a teenager.