They're Saving My Life

“At some point, we all have to choose between what the world wants you to be and who you are. I made my choice. I’m done running.”

“Childhood means simplicity. Look at the world with the child’s eye - it is very beautiful.” –Kailash Satyarthi

The residence that Earl Butler built in Des Moines, lowa, between 1935 and 1937. Working in close collaboration with his architects, Kraetsch and Kraetsch, Butler constructed a fire, tornado, earthquake, and termite - proof residence , permitting no conventional decoration since he believed that “simplicity and good design are much more restful and inherently beautiful in a home.” Among the special features were an unusual central ramp, air conditioning, dishwasher and disposal, an electric eye to open and close garage doors, a small storage room for freezing game, an extra ice - cube freezer with a 675 - cube capacity, and an intercommunicating telephone system .

“It starts with the eyes. She’s gotta have those kind of eyes that can look right through the bullshit, to the good in someone. 20% angel, 80% devil. Down to earth. Ain’t afraid to get a little engine grease under her fingernails.”

-Dominic Toretto 

Complete Dead Apple Explanation

Or: “The Ultimate Guide to Dead Apple”.

Warning: this is a long post! I’m not kidding, I worked on this for three months. There is a TL;DR at the end but it will only briefly cover the most important points.

I see posts about Dead Apple not being understood far too often and so I’m introducing: this explanation! I do want to preface this by saying that I can completely understand that this movie can be confusing. Or, as Fyodor said it:

But, as someone who has seen it many times, I’m here to shed some light on it! Hopefully after this post it’ll all make a bit more sense, and you’ll at least have different questions.

If you haven’t watched the movie yet and are wondering when to watch it, the story officially takes place between season two and three, though you’ll be able to watch season three with no issues if you haven’t watched the movie. Please do note that this post will contain light spoilers for the plot after season two, so don’t read it if you haven’t at least finished catching up to the anime.

I’ll try not to summarize the movie, but instead explain it. That means that this post does not replace the movie, but instead tries to elaborate upon it and tries to place it in the larger plot. Most of the early movie is therefore ignored, but please do not hesitate to ask if you have extra questions, comments, different interpretations or you want me to go into more detail about something. I may not know everything, but I’m always down to talk about this movie!

Alright, with all of that out of the way…

The Dragon Head Conflict

We’ll start at the beginning, which is to say, we’ll start at the prologue, which can be found as a permanent event in Mayoi (and also as a part of the Dead Apple manga). This is not technically needed to understand most of the movie, but it does give some context that will make it a little easier, since this is where it all starts. 

The Dragon Head Conflict, sometimes also translated as the Ryuuzu Conflict, is (as the movie states) the largest conflict in the history of Yokohama’s underworld. It took place six years ago, and originally was about five hundred billion yen an ability user left behind after they died, which various organizations were very interested in. It lasted for a total of 88 days, and involved conflict between eight different underworld organizations, including among others the Port Mafia, Gelhart Security Service/GSS (from Fifteen) and Takasekai (also from Fifteen).

Now as you can imagine, the government isn’t super stoked that gangs are shooting each other up all night and leaving corpses everywhere, to the point where the sidewalk is torn up from the bullet holes. To try to combat this, they thought that they could best fight fire with fire, and let a strong ability user from outside Yokohama settle this conflict all at once.

This new ability user, known as the “White Qilin”, unfortunately doesn’t really care about ending the conflict and kills other strong ability users left and right just for the fun of it, contrary to what the government had hoped he would do. Whether they are uninvolved parties or Port Mafia executives, it doesn’t matter to this guy. The White Qilin also ends up taking the money the conflict was originally about, but that doesn’t stop his murder spree. In this way, the White Qilin gains control over the entire conflict pretty fast, making him the main target to eliminate in order to put a stop to the killings.

Dazai approaches this problem similarly as to how he did during the conflict of Stormbringer, with a group of ability users to overpower the lone individual, but gets his plan twisted on him and gets kidnapped instead. Naturally, he predicted this outcome, leaving a hint for Chuuya where he left a transmitter for a tracking device so that Chuuya could come rescue him. 

This is then the first scene of the movie, where Dazai and Chuuya confront and defeat the White Qilin using Corruption, and the whole Dragon Head Conflict ends since the White Qilin is finally gone and all the money burned. This battle is so iconic in the underground circles that it gains them the name “Double Black”, or “Soukoku”.

A few small notes on the Dragon Head Conflict before we move on.

As can also be seen in the first scene of the movie, this is where Oda adopts all five of those kids you see during the Dark Age, which was also already stated in the Dark Age itself. 

“I heard all about it, Odasaku. You’re raising five kids, huh? And not only that, they’re orphans from the Dragon’s Head Conflict.” ―Dazai, Dark Age

Also, ever wondered why the Port Mafia is the only major criminal organization in Yokohama? There actually used to be five in total but four of them completely perished during the Dragon Head Conflict. Another reason why Dazai & Chuuya ending the conflict is so impressive, since because of that the Port Mafia is the only one to even survive it at all.

Shibusawho?

As you’ve probably guessed by now, the “White Qilin”, also named “the Collector” in Dead Apple itself, are both different names for our main antagonist: Shibusawa Tatsuhiko. The government had good reason to believe Shibusawa would be able to stand against the entire Yokohama underground and come out on top: his ability.

Shibusawa’s ability, Draconia, creates a fog around him, which separates other ability users from their own ability and makes non-ability users disappear as long as the fog persists. When surrounded by this fog, ability users are confronted with this version of their ability that is split from themselves. If an ability user is to die within this fog, their ability will be added to Draconia’s collection room.

There is decent evidence that it takes a while before the fog activates, so the effect isn’t immediate. This can be seen with Chuuya, who makes very short contact with the fog before he lifts up the building that he shoves in the Dragon’s mouth, but it’s seen even more clearly with Atsushi and Kyouka at the start of the movie. They spend a small while running around Yokohama wondering why everyone is gone before they’re finally confronted with their abilities.

To some extent the separated abilities represent the inner conflict in an ability user. This can of course be clearly found in Atsushi and his shaky connection to the tiger, or in Kyouka who has Demon Snow which is the last remnant of her parents but also murdered them in front of her. But the clearest example of this in the movie is actually Kunikida, since there is a visible change between him and his ability.

The notebook of Kunikida’s ability does not read its usual “理想” (ideals), but instead now says “妥協” (compromise). For Kunikida, a person so tied to his ideals, this version of his ability is an “abomination” (his words, not mine), and thus a source of inner conflict, since it represents a side of Kunikida that he carries within him.

“A copy of himself that didn’t follow ideals but made compromises was an abomination to Kunikida.”―Dead Apple (light novel)

If ability users manage to defeat their abilities in a physical fight, and then also accept these parts of themselves for what they represent, they will regain their ability. For example, Atsushi does not immediately regain his ability after defeating the tiger because he does not completely accept that the tiger represents that he has killed a person. For Atsushi, a person who connects his entire reason of living to saving other people, this is nearly irreconcilable. The only reason he probably is able to get over it in the end is that the person he killed was actively torturing and trying to kill him, so Atsushi had to kill to survive.

Shibusawa, then, is dead. Chronologically, his murder is the earliest you see of him. Fyodor has told Shibusawa that Atsushi contains something that “guides the envy of all ability users”, so Shibusawa, who feels like he is missing something, seeks to take this by any means. This doesn’t work out too hot for him, and Atsushi kills him.

Now a fun thing happens. Since Shibusawa is the center of the fog at all times, so to speak, and he’s the keeper of the abilities that die in his fog, his ability is separated from himself and lives on, nearly indistinguishable from his original body. Only one downside to this: he completely loses his memories.

I can only assume the government steps in at this point to take this strong ability user in his vulnerable state, and then have him solve the Dragon Head Conflict not long after. He most likely also survived Chuuya’s Corruption by being an ability, and having ability crystals in his collection to fall back on and recover, as he also does in Dead Apple. However, all of that is just pure speculation.

After the Dragon Head Conflict, Shibusawa spends some years abroad, casually killing thousands of ability users for the same reason as during the Dragon Head Conflict: just playing around and trying to fill that hole of something that is missing inside of him. The Japanese government mostly does a spectacular and spectacularly unethical job of cleaning up after him, since they learned nothing from the Dragon Head Conflict and still think that they can control him to protect Japan should it ever be invaded by foreign ability users.

Eventually, when the timing is right, Shibusawa gets invited back to Japan by Dazai. At the same time he is told by Fyodor (can you see the manipulation happening on both sides?) that Dazai’s ability is the ultimate ability that will finally complete him, and so Shibusawa eagerly comes to Yokohama. 

From here on out, as far as Shibusawa is concerned, it’s just a matter of covering the entire city in fog, killing Dazai and then taking his ability. Since Dazai cancels the fog itself with his ability, Shibusawa does need to kill him first, since the fog will work just fine on a corpse. Unfortunately, Shibusawa, however smart he is, is not in control of the plot in this movie. That control is left entirely to the combination of Dazai and Fyodor.

Intermezzo: Singularity Crash Course

Let’s do a lightning quick crash course on singularities before continuing, because you’re going to need that to understand what is happening in the next part. While Stormbringer was released after Dead Apple, I’m still going to be leaning heavily on and paraphrasing the information provided in that novel since it gives a really nice overview.

Abilities are bound to rules, just like everything else. No organisms other than humans, such as plants or monkeys, can possess an ability. Each human can only have a single ability, and when they die the ability disappears with them. Finally, there is a limit to the strength of any such ability.

But what if you wanted to go beyond that limit? What if you wanted to play with the natural laws of this world? What if you wanted to get really silly with it? Well, in that case, you can try your best at creating a singularity.

Singularities are defined as “the interaction of multiple abilities that develops into a higher-level phenomenon different from the original abilities”. This mostly exhibits itself in a massive release of energy, but rarely there are semi-stable versions of them. Singularities aren’t bound to conventional rules, and can be much more powerful for that exact reason.

As for creating singularities, there are two defined ways. The most reliable method is to have two contradicting abilities clash with each other. This leads to fun mental exercises, think “unstoppable force meets immovable object”, or, two ability users who can both see a few seconds into the future fighting to the death (sound familiar?). As a second method, an ability can also contradict itself, essentially causing the same result, but it’s a lot more finicky.

“Dead Apple”

The latter part of the movie revolves around exactly the creation of such a singularity, as all planned out by Fyodor, and accurately anticipated by Dazai. Let’s lay out all the layers of this.

Shibusawa is after Dazai’s ability. Meanwhile, Dazai is trying to stop the fog to save Yokohama. As for Fyodor, we’ll get to him in a second.

Dazai “teams up” with Fyodor and betrays Shibusawa to put a stop to the fog. The idea of this is that Fyodor combines two abilities from Shibusawa’s collection, which Dazai can’t do himself without canceling them: the ability to pull abilities in a surrounding area close, and the ability to merge abilities together. When these two are merged, together they create an ability that will absorb Shibusawa’s entire collection, and then Dazai only has to touch this ability to effectively get rid of Shibusawa’s power source.

There is a specific reason why it has to happen like this, and Dazai just touching Shibusawa isn’t quite enough. Let’s mentally walk through the process if Dazai were to touch Shibusawa. The fog disappears for a bit (and Shibusawa with it, most likely), but Shibusawa now knows Dazai’s intentions. Fyodor will take Shibusawa’s side and now Dazai is at a large disadvantage. Ultimately, it doesn’t even solve the problem. We know from the Dragon Head Conflict that just destroying Shibusawa’s body is most likely not enough, and he will be able to resummon the fog (and his body) with time and energy. The problem needs to be cut off at the root, the ability crystals.

Unfortunately, Fyodor didn’t really team up with Dazai, instead choosing to team up with Shibusawa in order to get rid of Dazai. This is then where Shibusawa gets to kill Dazai, and discovers that wait, Dazai’s ability may not be what he’s seeking after all. However, the abilities are already merged, and Dazai’s ability joins them. This combines “the ability to merge” with “the ability to nullify”, which don’t exactly mix well. Does Dazai’s ability become part of the other ability? Does his ability nullify the merging ability before that can happen? It’s already part of it, but at the same time the merging can never happen. It’s contradictory, and thus a singularity is born.

Fyodor, meanwhile, hasn’t quite had his fill of betrayal yet, and decides to remind Shibusawa of what he is by killing him, reminding Shibusawa of his earlier death by Atsushi’s paw. All of this, killing Dazai and using his ability to create a singularity, having that power from the singularity then go into Shibusawa to create the Dragon, all of that was part of Fyodor’s plan. Shibusawa is only able to cover an entire city with fog because of the large amount of ability crystals he has collected, and so with enough power (like from a singularity) he can cover the entire world in this fog. Up until this point, neither Fyodor nor Shibusawa have seen a single ability user survive the fog, and thus it is the perfect method for getting rid of all ability users in the world, which does seem to be Fyodor’s end goal.

However, Chuuya swoops in and defeats the Dragon. Dazai was well prepared and had the antidote to the poison he was killed with hidden in his mouth, so he is alive and well again. That means that Dazai has his ability back and it cancels out the singularity space they both are in. It doesn’t completely get rid of the Dragon however, as some energy still lingers around the tower. 

Fyodor is still on the scene, and uses a part of the merging crystal that he saved which was used earlier to create the singularity to merge Shibusawa with the singularity, giving Shibusawa a very anime transformation into his final form.

At this point, as a result of Shibusawa’s transformation, the fog turns red. If this red fog then covers the entire planet as Fyodor is hoping, and you were to watch it from space, it would look just like a poisonous red apple. The name of the movie therefore refers to this plan of using Shibusawa to rid the world of ability users.

This idea of poisonous apples in this movie comes from two different sources. From Fyodor’s side, it is referring to the apple Eve ate in the Bible, the original sin. For Fyodor, there is poetic irony in this: the world will end with the same sin as it began with. The crime is the punishment. On Dazai’s side, it refers to Snow White, who bit the poison apple and died (temporarily). He already talks about this to Oda when he is sixteen, vaguely implying he knew all of this was coming as soon as he met Shibusawa during the Dragon Head Conflict. Since Fyodor was already around at that time and also had a hand in enabling Shibusawa originally, this may indeed be planned out this far in advance, but it’s always hard to tell with these guys.

Then the kids take over the fight for the rest of the movie, and Atsushi, Akutagawa and Kyouka work together to defeat Shibusawa’s final form in the form of a long, epic final fight. Shibusawa is finally defeated and it all ends happily ever after. 

The End.

Byakko VS The Dragon

…Or is it? You thought we covered the entire basic layer of the movie, so we’re done now, right? Think again! This is only where things start to become really interesting. Please note that this section will take some ideas that were already pointed out by other people, and build on those.

When looking at lore relevance of characters, Atsushi may not immediately spring to mind as one of the most important ones. Sure, he’s the protagonist of the main manga, but in comparison to the mystery surrounding Dazai or Fyodor he fades a little into the background.

Even in this post, an explanation about a movie that’s basically about Atsushi, I’m able to explain the basics of the movie without mentioning him much at all. And yet, the movie’s core conflict is not between Shibusawa, Dazai and Fyodor, but between Shibusawa and Atsushi.

While there isn’t a lot of information given about Shibusawa’s and Atsushi’s connection, what we do get is very interesting. Shibusawa is consistently referred to as a Dragon during Dead Apple, and while subtitles usually translate everything as “tiger”, Atsushi’s tiger is actually referred to as “Byakko” half of the time. 

Now what is the difference between any good ol’ normal tiger and the Byakko, I hear you ask. The Byakko is much more than an ordinary tiger, since it is part of the 四神 (shijin/ shishin), the Four Guardians of the Four Compass Directions, which the Dragon is also a part of. What you essentially need to know from this is that the Byakko belongs to the same group of creatures as the Dragon, and that this solidifies Shibusawa’s status as Atsushi’s foil in this movie.

It also allows us to make a direct comparison between Shibusawa and Atsushi. The thing is, I have been lying to you a little bit. So far, I’ve been calling the Dragon a singularity. The truth is, it may not be. I know, I know, if it’s not a singularity, then what was that whole Dragon thing about?

Fyodor actually specifically tells us that the Dragon isn’t a singularity, but instead it’s “the true form of the chaos born from abilities”. (Note here that the Dead Apple light novel talks about Fyodor as if he is “reciting some Oracle”. Did Fyodor get this information from someone else?) Is this related to why Fyodor wants abilities gone from this world? Is there another layer to abilities and other creatures that BSD hasn’t even touched upon (think Lovecraft)? It’s hard to say at this point. All we can say is that the Dragon gets referred to as something else, and… that the Dragon is similar to the Byakko.

The tiger ability we see that got separated from Atsushi in the movie actually doesn’t follow the rules the other abilities do. It has a clearly defined face, and the red gem is not on its forehead. The gem found on the ability tiger is also red, which is in line with the other extracted abilities we see, but what gets extracted from Atsushi by Shibusawa is this blue cube. The weirdness continues in the flashback we see of Atsushi being tortured by Shibusawa. 

We see Atsushi’s ability leave him, but then in a flash of self protection instinct, he partially transforms into the tiger, claws and all, while the blue gem is outside of his body. Earlier in the movie it is shown that if an ability is extracted from an ability user, they no longer have access to the powers of that ability. Then how is Atsushi able to use his tiger abilities here? 

Granted, there is a bit of conflicting information within the movie about this, since during the final fight with Shibusawa this blue cube is once again extracted from Atsushi, but now he does lose his tiger powers. Could he resummon the tiger while not in possession of the cube if the situation is dire enough? Is this just a psychological thing because Atsushi is aware of it this time? Who can say. At any rate, this blue cube is connected deeply with Atsushi, but the clues given imply that it may not be the Byakko itself.

“That’s not an ability! That is me!”―Atsushi, reaching out to the blue cube in Dead Apple

To be honest, the movie does very little in explaining anything around Atsushi, instead raising more questions than answers. For that exact reason, the rest of this section will mostly be speculation about one possible angle on Atsushi’s ability that personally makes sense to me, but of course this is only one potential theory.

I do also want to add here that Atsushi personally goes through an arc in this movie from seeing the tiger as something separate to something that is intrinsically part of him. This can also be a reason for this final exclamation of “that’s me!” when he reaches out to the blue cube, but it doesn’t explain everything, which is why we explore an alternate possibility here.

My take on it is that the Byakko and this blue gem that get extracted from Atsushi are not the same thing. With the side note here being that they are probably deeply connected, but not the same regardless. 

My reasoning for this is that everything Atsushi-related you see in Dead Apple makes a little more sense when you consider the Byakko and the blue cube as two separate entities. The Byakko’s gem is red, the cube is blue. The Byakko is framed as something separate from Atsushi, while he claims the cube is not an ability but he himself. Atsushi had access to the Byakko while the blue cube was outside of him. Shibusawa even makes a point of mentioning that the orphanage director, who correctly thought Atsushi was the tiger, had the wrong idea about Atsushi’s ability. The Byakko is definitely Atsushi’s ability, but this blue cube is… something else. 

And yet, the tiger is also deeply connected to whatever this blue gem is. Currently, one theory that makes sense to me is that the tiger is an ability that can be passed on, just like Demon Snow, that has the specific task of protecting the power of this blue gem. So, a two in one deal. Atsushi also gets referred to as “the one holding the Byakko ability” by Ivan, which would be in line with the Byakko being an ability that can be passed on as needed. Shibusawa makes a similar statement, calling Atsushi “the one clad in the Byakko”. Atsushi also has issues controlling his ability before joining the ADA, just like Kyouka and Tsujimura, who both also inherited their abilities. I would love to further speculate on this, but there is so little information on anything relating to this, so anything further would be completely baseless.

However, there is one more different clue given to us by the movie. Namely, what this comparison to the Dragon means for Atsushi as the one holding the Byakko.

Almost in the same breath as Shibusawa is recounting Fyodor’s words about the Dragon being the chaos of all abilities, the holder of the Byakko also gets its own description about its true form: the one opposing all abilities.

This relates to what the blue cube may really be. What Atsushi does to Shibusawa in his final moments is what I essentially believe to be this blue cube’s true power: it completely unravels an ability. The blue power eats up everything supernatural about Shibusawa until only his natural skull is left.

If you think this sounds familiar, it kind of does! I cannot ignore the similarity to Dazai here, though I do have to point out that Dazai can only cancel out an ability, and this blue cube power seems to… completely erase the ability itself, leaving no trace of it. The similarity to Dazai is further found the moment Dazai dies and his ability leaves his body. At first, his ability is white and vaguely similar to the blue cube before deciding that nope, this is just barely not it.

I have a hard time connecting this to anything larger simply because the series does not give a lot of clues on this subject. How did abilities come to be? How is the Book related to that, since it is not an ability or borne from an ability? And how does Atsushi factor into this? 

Shibusawa has been led to Atsushi since he believed Atsushi would grant him something special, something he had been looking for all this time. “That which every ability user desires.” 

This is actually a familiar story! This is not the first time Fyodor has led someone to Atsushi with the premise that he would be able to lead them to what they were seeking. The first two seasons of the anime follow that specific idea, of Fitzgerald wanting Atsushi so he can lead him to the Book.

The tiger as the guide to the Book is something emphasized again and again. While in English it gets translated as “guide”, the original manga panel said “道標（タイガービートル）”, or, “guidepost (pronounced: tiger beetle, in English)”. While this is partially just a funny pun, it also once again points to the tiger specifically as a guide.

It did leave me to wonder about the absence of a certain scene in the series. Fyodor has been sending other people to Atsushi for the entire length of the series, but has never interacted with Atsushi himself. For someone who claims to be looking for the Book, and knows that Atsushi is somehow the guide to the Book, isn’t that a bit weird? Is there a reason Fyodor won’t interact with Atsushi himself? Fyodor knew about Atsushi way before he joined the ADA, so it’s not like Dazai is particularly standing in the way here.

Regardless, this factor that makes Atsushi so special may very well be this blue cube. How does the power to completely undo abilities lead to the Book? Who knows. We simply do not know enough about the Book or the origin of abilities to say more about this. Maybe the true power of the blue cube is something else entirely.

What does all of this mean? Where will it all lead? Only the future (Asagiri) can tell.

The Unexplained and Weird

Welcome to the section I’d fondly refer to as “a collection of things I have no explanation for”. There is plenty of that in this movie, but I do want to touch upon them since not being explainable as of currently does not necessarily mean that they aren’t important in the future. Also, not having an explanation for these things is driving me insane and I need to share in my suffering. Let’s go! :)

Let’s get the big thing out of the way first.

Mukurotoride, my friend, my enemy. For those unaware, Mukurotoride is the name of the large black tower that Shibusawa, Dazai and Fyodor were chilling in for most of the movie. The name gets translated as “Skull Fortress”, but the kanji used gives the name more of a “Dead Man’s Castle” feeling, since it refers to a person long since dead more than a skull. My problem with this tower is as follows: it doesn’t make any sense. Whatsoever.

Why is it there? Fifteen establishes it’s there seven years before the current timeline, so a year before Shibusawa dies. I would’ve accepted it if the tower was a weird side effect of Shibusawa dying or something, but the current facts point towards this tower not having anything to do with Shibusawa at all. It’s also very decayed. How long has it been there? Who put it there? Is it relevant that it’s right next to Suribachi? Or in the Yokohama foreign settlement? (Side note: foreign settlements have not been a thing since 1899. What’s up with Yokohama having a foreign settlement?) No one seems to know anything about this tower, not even in the Japanese community. And then in-universe, everyone also seems okay with this wildly out-of-place tower that looks like it’s made out of human bones being there in the middle of the city? It’s giving me Sky Casino vibes.

Okay, now that I’ve gotten that out of my system, we can talk about Fyodor’s ability.

I want to start this part by explaining my personal stance on the current Fyodor theories, since it influences how I talk about what is shown of his ability in Dead Apple. There are a bunch of theories about Fyodor having an insta-kill ability that only works on non-ability users. Personally, I don’t subscribe to this theory, and I have multiple reasons for this.

First, I don’t think we’ve ever seen Fyodor’s ability being used. At the end of Cannibalism a cop dies as soon as he touches Fyodor. In the manga abilities don’t have a special shine effect, but in the anime they do. However, in the anime there was no ability-shine here.

A stronger argument, perhaps, is that this happens right in front of Dazai, and Dazai immediately afterwards says he has no clue what Fyodor’s ability could be. He could be lying, of course, but since this is a common enemy he shares with Fitzgerald, who is the one asking him about Fyodor’s ability, I don’t see any reason for him to do so here. The whole murder reads a little bit like Fyodor just putting on a show for Dazai.

Finally, from a narrative viewpoint, killing with a touch is a little… useless? Don’t get me wrong, I’m sure it’s convenient, I guess, when you’re a terrorist who seeks to exterminate part of the global population. But there are many ways to kill a person, and Fyodor has shown time after time that he doesn’t need to rely on an ability to murder people.

The strongest argument for the insta-kill ability in my opinion is Fyodor himself saying “this is my true ability” before killing that kid who was enslaved by Ace. However, this may also be part of something else that is going on with Fyodor, in a way that is perhaps very similar to Atsushi.

Alright. Whether you agree with that or not is up to you. To get back to the movie, there are a few interesting clues provided about Fyodor’s ability.

The first is of course Fyodor’s iconic line when his ability shows up on screen: “Crime and Punishment are close friends.” Everything he says after that point is already referring to Shibusawa again, so this is the only clue he himself is willing to offer up. If we consider that the abilities that get split from their users represent inner conflict, all he is saying here is that he apparently has no inner conflict. Does he know something else about the world? Does he just know who he is? Honestly, I don’t think we’ll get anywhere talking about Fyodor’s mental state.

Then there is the “I am Crime”, spoken by Fyodor holding the skull, and “I am Punishment”, spoken by his ability holding the apple. This one is slightly more straightforward. The ability user being the crime, and the ability the punishment. I’m not 100% sure if this is actually referring to Fyodor himself, or if it’s just about Shibusawa again. The skull (Shibusawa, an ability user) being the crime, and then the apple (covering the world with fog through Shibusawa’s ability, thus punishing ability users) being the punishment makes sense when viewed like this, but it could be that Fyodor is somehow also referring to himself during these lines.

Okay, if Fyodor is apparently not willing to open up, we can gather some more info just from what we can see instead of what we’re told. Most of what this part covers is taken from these excellent posts, but I’ll summarize it here for the sake of completion. Fyodor’s ability looks different compared to most other abilities. Most of the abilities shown in the movie have a blank face without any features, and have their gem on their forehead. The exception to that first part, interestingly enough, is Elise, Mori’s ability. This is most likely because she has physical form as an ability to begin with. Which then raises the question: does Fyodor’s ability also have a physical form outside of the fog? His ability looks identical, so that would imply some sort of clone ability. Next to this, Fyodor’s epithet is “The Conjurer”, which would be in line with him being able to create another copy of himself. (Though I should add here that the Japanese seems to just refer to him as “魔神”, which can be any type of evil spirit. However, if I’m not mistaken, the “Conjurer” should be from the official translation, but let me know if I’m mistaken on that.)

Finally, there is the position of the gem on Fyodor’s ability. Nearly all other abilities have their gem on their forehead, but for some reason Fyodor’s ability has his on his hand. The only other ability that has its gem not on its forehead is… the Byakko. I don’t have an explanation for this one, but the weirdness should be pointed out, since it’s another way in which Fyodor’s ability deviates from the others.

Next to the above, there are two other weird details I want to quickly touch upon.

First, the knives in the apples in the dish in Mukuroride, as well as the apples with a knife in them in general, as they are the theme of this movie. I believe this to be of a more metaphorical touch, so we won’t read too much into it, but it does have physical consequences that tie back to the title as well.

This exact shot is used four times throughout the movie, but with a varying amount of knives stuck in the apples. It starts with one, then two, then three. The room starts with just Dazai, then Shibusawa enters, then Fyodor. With each of them showing up, another knife appears in an apple. This is then a metaphor for these three being the instigators behind the Dead Apple incident. These knives in the apples can also be seen as their calling cards, as they were left both at the bar and at the scene of the crime where that agent was killed who was supposed to meet with Kunikida and Tanizaki. 

In a later scene, it cuts again to this frame, but a knife and the skull has disappeared. These both get taken by Fyodor. The knife is used eventually to kill Shibusawa, but Shibusawa also took one of these knives to kill Dazai with. Either way, these knives that have been in these apples are used to murder, once again corroborating the connection between death and apples.

And finally, the relevance of the moon. 

There are a few impressive shots of the moon in Dead Apple, where the moon is shown to be enormous, to the point where even the light novel points out how extraordinarily large it is. The novel also points out that the blue cube crystal holds a similarity to the moonlight. Just symbolism to show that it’s connected to Atsushi, or something more? The other side of the page in the main series will also only be written on the night… of the next full moon.

The Point of It All

I hear a lot of “Dead Apple doesn’t matter to the plot, just watch it for the Soukoku scenes and move on”. And while I do agree that it’s not mandatory viewing to understand the storyline that corresponds with season three onwards, I do think there is more to Dead Apple than most people give it credit for.

I always like to ask myself after reading a book or watching a movie: “Okay, so what was the point of that? What was I meant to take away from this?”

For example, in essence Stormbringer is a case study on singularities. Likewise, BEAST is a study into the limits of the Book, and all other side stories similarly have a message, however big or small.

So what does Dead Apple establish? Why bother?

I hope by now you agree that Dead Apple seems to be the introduction to explaining more as to what is so special about Atsushi. This seems to go deeper into chapter 28/29 of the manga, or season 2 episode 8 of the anime, where Atsushi also has some weird things going on with the tiger. What this exactly is, or where this seems to be going is unclear for now, but the Dead Apple definitely emphasizes Atsushi’s importance as well as the concept that there can be something more than just abilities.

In-universe, there are also reasons for this conflict to happen.

Most likely both Dazai and Fyodor knew the end result long before the conflict ever started. It’s their reunion in a way, so I suppose they are both seeing how the other’s condition is at the moment. They may even have gathered some intel somehow? It’s almost like collecting metadata, they won’t have a direct conversation about important things, but they try to collect information just by seeing how the other acts, to see if the other lies within prediction.

Aside from that, on Dazai’s side, except for foiling Fyodor’s plan and keeping Yokohama safe, the Shin Soukoku dynamic also gets strengthened, something Dazai is actively working on. On Fyodor’s side, next to giving the whole “eliminating all ability users” a good honest shot, he also gets to collect a lot of intel on the opposing side. For example, Fyodor in Dead Apple gets to see Corruption up close, which may potentially be relevant.

Finally, from a storytelling perspective, it sets up a lot for the third season, especially in character interactions and relationships, e.g. Atsushi & Akutagawa, Dazai & Chuuya, Kyouka, Fukuzawa & Mori. It should be noted that some characters literally have been intentionally regressed to make the ending make more impact. Whether that was a good decision or not is not why I’m here. You should just know that it’s intentional. You could chalk it up to Atsushi losing his ability impacting him and his behavior a lot, if you wanted to justify it somehow. The Order of the Clock Tower also gets its first anime appearance, showing Agatha Christie on screen, who will most likely play a more important role later on. Likewise, Dead Apple is the introduction to Fyodor as a villain, where you get to see him for more than just a few flashes.

Trivia and Fun Details

I suppose this section is skippable. But who doesn’t love trivia? This is by no means an exhaustive list of everything included in this movie, but rather an overview of what I personally caught, understood and thought relevant to include.

The “Dragon Head” in the Dragon Head Conflict refers to a Qilin, which are said to have similar heads to dragons. Since the conflict centered around the White Qilin, this is where that name comes from.

At some point Akutagawa and Kyouka use a mafia code to refer to a passageway. The code “0505” refers back to Atsushi’s birthday.

The symbol ᛟ found on the outfits of the Mukurotoride squad refers to inheritage, since Shibusawa inherited his own ability. More information about that here.

Dazai at some point meows at Fyodor. This is a very sassy way of telling Fyodor that he will personally eradicate all of Fyodor’s rats in Yokohama, including Fyodor himself. (The light novel calls it a “tedious” meow. Lmao.)

The music from Dead Apple seems to be recycled in season three of the anime. I’m guessing to save on budget?

Atsushi’s door that he eventually opens to unlock his hidden memories has its own music motif that shows up every time he thinks about Shibusawa, the fog or his memories associated with killing him. Try to pay attention to this, it’s really cool.

The motif of the door is also a tune that sounds a lot like the track named Dead Apple, further showing Atsushi’s relevance in his movie.

The lyrics of the soundtrack tell their own story. When the Dead Apple plot first takes off and Dazai is at bar Lupin, a song called My Prince plays telling of Snow White who is sleeping and waiting for her prince. However, it seems to be a spin on the classic, where indeed Snow White chose to knowingly bite the apple knowing it was poisoned, in much the same way as Dazai knew he was going to be poisoned in Dead Apple. Le Cheval Noir tells of how bored the singer is, and how nothing is special to them anymore. This plays during the scene where Dazai talks to Shibusawa, showing Shibusawa’s apathy towards everything. Mein Prinz, the song that plays as Dazai gets backstabbed, is nearly exactly the same song as My Prince, but now more dramatic and in German. This is a clue that Dazai saw this coming from before the Dead Apple conflict even started, and it’s now up to Chuuya again to save him. Overall, Dazai is leaning into the Snow White aesthetic hard in Dead Apple.

And finally, a list of everything the light novel insists refers to the theme of poisonous red apples: the red apples with the knives in them, apple suicide, the merged abilities producing a red sphere, the singularity that results from that in all its forms and the planet covered in red fog. If it’s red and spherical, you can just assume it should represent a deathly apple.

TD;DR

Recapped extremely briefly:

The Dragon Head Conflict introduces Shibusawa as a villain who was kept by the government but went off the rails. Shibusawa’s ability is a fog that splits ability users from their abilities. If ability users die, Shibusawa obtains their ability. Shibusawa died and inherited his own ability, also causing him to lose his memory. Therefore he wants to obtain Dazai's ability in order to gain what he feels he lacks. Dazai betrays Shibusawa together with Fyodor by combining abilities. However, Shibusawa kills Dazai first, adding Dazai's ability to the merged abilities creating a singularity. Fyodor kills Shibusawa, causing him to regain his memory of being previously killed by Atsushi. A dragon is created and defeated, and Fyodor's plan is revealed to be the covering of the entire planet in Shibusawa's fog, killing all ability users. This plan is foiled, but Atsushi is shown to have potentially another power next to his ability (the tiger). This power is possibly the ability to completely unravel abilities, and may be what makes Atsushi the guide to the Book. Mukurotoride is completely left unexplained in the movie, but there are clues given about Fyodor's ability that point away from an insta-kill ability, and more towards a clone type ability.

Can we have more Letty Shaw please? 😁 Also, question: does Letty end up with Dom in this AU? 'cuz I'd love some overprotective siblings, only to give up when they realize that their wild sister was bound to fall for another loco eventually

Absolutely friend! I'm loving this idea! And yeah, I think I will have Letty ending up with Dom. Mostly because I don't really ship her with anyone else and I love the idea of Dom now having to get through three other Shaws to get to Letty 😂

First part is here

~~~

Deckard was nearly sprinting down the street as he rushed towards his little siblings' school

It was Letty's first day at school with Owen and Hattie, and now Deckard was going to be late picking them up

He honestly hadn't meant to take a nap after his shift at his part time job, but he had just been so tired

And had woken up to only having ten minutes to get to the school that was several blocks away

Jumping around a gaggle of teenage girls, Deckard could see the school in the distance, with kids still pouring out

Maybe his siblings wouldn't notice that he was running late

He didn't need Letty think he didn't care

The little girl was the same age as Owen, but didn't have his level of cockiness. She'd need a bit more time with the other Shaw brother for that to happen

Instead, she had been quiet and reserved as she watched Deckard and his siblings go about their normal lives. Letty was still getting used to London and everything else in their country

But, she had kept Deckard up late, asking all sorts of questions about European cars. That probably explained why he needed a nap so badly

Finally slowing his pace, Deckard stopped a short distance from the entrance of the school and tried to look over all the kids' heads to spot his siblings

And found them standing at the entrance with one of their teachers

"Shit!" Deckard muttered under his breath and waded through the throng of kids towards them

As he got closer, he could see Hattie holding Owen's hand tightly and shuffling her feet nervously. No doubt because of the way both Owen and Letty were glaring up at the teacher

Owen was holding Hattie close to him as he tried to puff his chest out. He looked the furthest thing from intimidating

Meanwhile, Letty had her arms tightly crossed and her face was dark with anger

Just what I bloody needed, Deckard thought to himself as he approached the small group. The teacher didn't look particularly happy to see him

"Deckard." Ms. Applebottom said in a clipped voice. "I supposed your mother isn't in town."

"No, she isn't. Left this morning." Deckard lied easily. Their mother never wanted to be bothered with their schooling, especially if it was about any antics or shenanigans they got into. "But I can talk if you'd like."

"I shouldn't have to talk to a child about another child's behavior!" She snapped

Deckard bristled. He was hardly a child! He was already fourteen!

"Then let my siblings go and I'll have my mum call you." Deckard said firmly, sending his own glare up at the woman

"And never receive a response?" She hissed. "No, I'll talk to you, at least you can handle these two, now three."

Out of the corner of his eye, Deckard could see all three of his siblings puffing up like angry cats and ready to claw the woman to pieces

"Fine. Lead the way." Deckard gestured to the teacher and grabbed Owen's hand, who squeezed his hand tightly. Glancing over, he held out his other hand for Letty, who was too upset to take it

Making a small train, Deckard led Owen by the hand, who had Hattie's hand, with Letty walking next to Owen. The teacher barely looked back at them as she led them to her classroom

"You three sit there while I talk to your brother. And don't you dare try anything!" Applebottom snarled at the younger Shaws

Deckard instinctively put himself between her and them

Keeping his back straight, Deckard met her gaze evenly. If she wanted at them, she'd have to go through him. She only sneered at him

Following her into the classroom, Deckard sat across from her as she fixed a glare at him

"Where the bloody hell did your mother find that little American?"

"Letty's always been our sister."

"Please," the woman snorted. "She's far to savage to be part of your family! Just listen to the way she speaks! The kind of language and slang she uses! Completely uncivilized."

"She speaks just fine." Deckard said through gritted teeth

"If she continues to speak that way to me, I will have her removed from my class entirely and away from your brother."

Deckard clenched his fist

The only way they had even gotten Letty to agree to go to the school was promising she could be with Owen

"She's still getting used to the city, she needs to be with Owen." Deckard tried to explain

"Then she better learn quickly." Applebottom snapped. "I am not taking her attitude anymore!"

Deckard swore he could feel one of his veins in his forehead pop from how tightly his jaw was clenched

"I'll talk to her." He said roughly

"See that you do." The teacher sniffed. "What was your mother thinking taking in a street urchin like her?"

That was the last straw

Standing too quickly, Deckard knocked over his chair as he seethed at the woman, who stared at him with shocked eyes

"That's my little sister you're talking about!" Deckard hissed and leaned closer. "I don't care if she badmouthed you, but it seems like she needed to so you could get that stick out of your arse!"

The woman gapped at him, speechless

Not giving her time to recover, Deckard stormed out of the room

To almost trip over three small bodies that were crowded around the door eavesdropping

"Come on." Deckard grunted

He held his hand out for Owen's and received it quickly. Glancing over at Letty, he held his hand out for hers again. This time, she didn't hesitate to put hers in his

This time, Hattie was holding onto Letty's hand as Deckard led them out of the school

They were all quiet for the first block when Letty gently tugged on Deckard's hand

"I'm sorry for causing trouble." She mumbled

Deckard sighed and shook his head. Looking down at her apologetic eyes, he smiled

"Dont worry, Oh gets into a lot more trouble than you ever will. We're used to it."

"Yeah!" Owen chirped. "Applebum already hates me!"

Letty giggled at the nickname and Deckard was glad to see the severe look that had been on her face disappear and be replaced with a smile

"Deck?" Hattie spoke up

"Yeah?"

"Can we get ice cream?"

"We have food at home, Hatts." Deckard sighed

"Please? Can we?" Letty begged

"Yeah, Deck! Let's do it!" Owen exclaimed and tugged on Deckard's arm

Rolling his eyes, Deckard steered them down a side street

"Fine." He huffed

But smiled as he heard three cheers of excitement

~~~

I hope you enjoyed friend!

Mori and Abuse

I’m making this because the BSD fandom has 2 modes for interpreting Mori and it’s either evil evil child abuser or spineless bastard and I HATE both of them.

Mori is an abuser, yes, but the way he abuses characters is very atypical, and not at all what most people expect. His abuse is almost all psychological, the only character we can say for sure has been physically abused by him is Yosano, and we’re only shown one instance of that.

For simplicity, I’ll be referring to his abuse of Dazai, Chuuya, Koyo and Yosano, but I believe it could be said that Kyuusaku and potentially the Akutagawa’s have suffered because of him.

To understand why Mori has abused certain characters, we must understand a bit about him as a person. This is potentially why Mori’s actions are so wildly skewed by the fandom, because no one wants to observe him too closely (but that’s a whole other post). Simply put, Mori is a military man. He does anything and everything to achieve the “optimal solution”, he has a plan and if he has to get his hands dirty to reach his goal, he will. Emotions and attachments go out the window for him, most of the time at least, because he would sacrifice anything, and anyone, to achieve his goal. Most of the time at least. That’s why he used Yosano, because what’s the life of one girl to the safety of his nation? That’s why he manufactured Oda’s and his orphans deaths, because the prize outweighed the cost.

Mori is logical and reserved, so we must observe all his actions with the lens that he has a reason for what he does, because he (almost) always has a reason.

I’ll start by referring to Mori’s abuse of Dazai, because he’s a bit of a special case and also the one that the fandom overall gets the most wrong. Mori’s abuse of Dazai is usually twisted to be sexual or physical, when there is absolutely no evidence of that. People like to bring up Dazai’s abuse of Akutagawa, or that one throwaway line from The Day I Picked Up Dazai as evidence, but neither of those hold up in my opinion.

Firstly, just because Dazai’s abuse of Akutagawa was partly physical, doesn’t mean he himself underwent physical abuse. Just like Mori, Dazai always has reasons for what he does, and his reason for what he did to Akutagawa was tailored to Akutagawa and his ability, therefore not something that Mori would have done to Dazai. Not to excuse Dazai’s abuse of Akutagawa, of course, but the fact of the matter is that Dazai’s abuse was a test of Akutagawa, and a punishment because Akutagawa didn’t adhere to Dazai’s standards. This abuse is the result of Mori’s own abuse, yes, but it’s not as straightforward as “Mori hit Dazai, ergo Dazai hit Akutagawa”.

The line from TDIPUD is also poor evidence, as all it is is Oda telling Dazai that what he’s doing won’t hurt and Dazai responding that Mori says the same about the needles he gives him. The fact that this is taken as abuse is really weird to me, why is that the assumption here? Mori is a doctor, there are multiple reasons for him to be giving Dazai needles. And the fact that Mori says it’s not going to hurt just sounds like the typical “doctor giving a kid a shot” exchange.

Dazai hates pain, so obviously Mori would lie and say that it isn’t going to hurt. Mori cares for Dazai’s well-being, which is what makes Dazai a bit of an outlier, as Mori shows care for him before he’s found a reason to justify that care. This is evidenced by their exchange in the beginning of Dazai, Chuuya: Fifteen, which is very important as it gives us an insight into Mori’s perspective during that time, where he panics because he hasn’t achieved the “optimal solution” by keeping Dazai alive, but then justifies that action by deciding Dazai is too good an asset to throw away.

And here-in lies the actual abuse that Dazai went through, not being hit or shamed or any of that, but emotional coercion, a slow cultivation of the parts of Dazai that Mori saw as useful, and a creation of the mindset we see Dazai use. This is most prominent with how Mori plants ideas into Dazai’s head. This is referenced in Chapter one of Fifteen as well, establishing that Mori has taken somewhat of an instructor role to Dazai, but that’s something Dazai rebels against.

This exchange is a perfect example of that conditioning, instead of giving Dazai information directly, Mori gets Dazai to deduce his answers using information he already has, something we see Dazai does very often in the current plot. But the main example of this conditioning comes in the form of Dazai’s plan to use the Sheep against Chuuya, a plan that comes DIRECTLY from Mori.

Mori makes sure that Dazai is in the room as he baits Chuuya, uses the weakness of the Sheep against him, and then breaks down EXACTLY what has happened for Dazai. “Just some food for thought” my ass.

Then when discussing his plan with Rimbaud, Dazai brings up a theory taught to him by Mori. 15!Dazai is such a little parrot, it’s all “Mori says, Mori says, Mori says”, just word-vomiting all the thoughts Mori puts in his head, there is a CLEAR influence here.

Just like Mori, Dazai uses the Sheep against Chuuya. Mori shows Dazai how to control people, how to make them listen and how to make them obey. The reason Dazai treats people like pawns, the reason he KNOWS how to manipulate people is because Mori taught him.

Just like so many of the characters, the fandom forgets that when Mori met Dazai, he was a child. He was a broken child who needed a guiding hand and the hand he got was Mori’s. Morí crafted the Dazai that we see, shaped the way that he thinks, THAT was his abuse.

Chuuya as well is a special case. Like Mori, he is a leader, and that is a quality Mori admires in him. In turn, Chuuya looks up to Mori, sees him as an inspiration for what it means to be a leader. This is another example of Mori’s manipulative abuse. To Chuuya, Mori makes himself out to be a saviour, someone who will teach him how to be better, how to protect the people he thinks he has failed. Mori takes Chuuya at his weakest point and gives him a new chance.

And with that, Chuuya is loyal to the mafia and Mori has Soukoku. Never mind that Mori was the brains behind Dazai’s plan that got Chuuya into the mafia in the first place, by getting Dazai to do his dirty work, Mori gets to appear to Chuuya with a halo and wings (I could also talk about Mori’s involvement with Stormbringer and how that locked Chuuya into the mafia, but that’s another tangent).

Mori has done the same with Koyo. She’s loyal to him, but clearly does not LIKE him, so where does that loyalty come from? It is because he has freed her. Koyo suffered under the rule of the Old Boss, she had no freedom, the man who cared for her was executed, she was restrained within the mafia. And then Mori takes over and she ends up an executive. Suddenly she’s got POWER, she can change things, under Mori she’s given the ability to change things and take charge. He sees a girl in chains and loosens them, not enough for her to escape, but enough that she can move. And having been chained up for so long, that feels like freedom. Koyo is loyal to Mori because he’s better than the alternative, because if she can’t be free, at least she can move.

I left Yosano for last, because again, she’s a wild card. Unlike all the other people Mori has coerced, Yosano’s abuse took place during a time where every second was precious. There was no time to do it delicately, the way Mori handled everything else, it was war, win or lose. Mori’s tactics were a lot more brutal, Yosano wants the soldiers to live, so Mori shoots the one she cares about so either she WATCHES her friend die, or she can save him. Unlike with Dazai, with Chuuya, with Koyo, Mori isn’t Yosano’s saviour, he’s her captor, he gives her a choice, but its one where neither option is made to look kind. He makes it clear, she heals them, or they die, whether it’s at his hands, or the hands of the enemy, and he knows she would never let them die.

Mori works through coercion and manipulation, he shapes the way people think of him carefully, moulding his appearance in the eyes of others. To Dazai he’s just an old man that Dazai has under his thumb, who tries and fails to manipulate him. But that’s not the truth. To Chuuya he’s a benevolent leader, someone so gracious as to grant him a place in the mafia. But that’s not the truth. To Koyo he’s the safest option, not someone she wants to follow, but someone she will follow, because at least she’s free. But that’s not the truth. To Yosano he’s evil, cruel and harsh and he takes lives as easily as he breathes with no remorse, he’s the God to her Angel of Death. But thats not the truth. To the audience, he’s a monster, a filthy pervert who is nothing more than a pedophile. Is that the truth?

Mori is like a spider, ensnaring people in his web with carefully constructed lies and appearances, his abuse is not physical or sexual, it’s a psychological coercion, careful at times and brutal at others, his abuse is a targeted attack of an individual’s weaknesses, and a cultivation of the parts he sees as useful.

Every person is his tool, and he likes his blades sharp.

@1seaweedbrain1 for you <3

Okay let me add my five cents to the Zaunite au, where Viktor didn’t make it to the academy and remained in Zaun.

He was trying to invent on his own, but he desperately needed money for his research. And that’s when Silco appeared…

Disney just launched a teaser trailer for Encanto, and I am in love! The story takes place in Colombia 🇨🇴 (where my family's from!) and follows a young woman named Mirabel who doesn't have any powers, despite the rest of her family having them.

The trailer looks absolutely beautiful with bright colours and music. The characters look so cool. And MIRABEL LOOKS JUST LIKE ME! 😭 It feels so good to be able to see my culture being represented so stunningly, without gangs or cartels being involved. It's amazing that I know have a Disney character that LOOKS LIKE ME. Her big nose and short curly hair with tanned skin, AND CULTURAL CLOTHES! And the diversity in this movie is on point too! 'Cuz I noticed a cute little black kid and I think there was a white character as well, alongside a couple tanned (probably indigenous descendant) kids as well. Which is nice because it acknowledges Colombia's native and black populations, who are at the center of Colombia's culture! Overall, I can't wait for this movie!

Songs I associate with Hobbs and Shaw + others

1. Shobbs– West Coast by Imagine Dragons

2. Shobbs– All of Me by John Legend

3. Shobbs– Born to be yours by Kygo and Imagine Dragons

4. Shobbs– Someone to You by Banners

5. Shaw siblings– You’re Gonna Go Far Kid by The Offspring

6. Shaw siblings– Play Dirty by Kevin McAllister

7. Shaw Siblings– Hey Brother by Avicii

8. Deckard Shaw– Anti Hero by Sekai no Owari

9. Deckard Shaw– I’m a Wanted Man by Royal Deluxe

10. Owen Shaw– Hey Look Ma, I made it by Panic! at the disco

11. Owen Shaw– Cuckoo by Adam Lambert

12. Hattie Shaw– Alpha by Little Destroyer

13. Hattie Shaw– Natural by Imagine Dragons

14. Luke Hobbs– Dog Days are Over by Florence + The Machine

15. Luke Hobbs– Angel with a Shotgun by The Cab

16. Brixton Lore– My Evil Plan to Save the World by Five Iron Frenzy 

17. The whole FF Series– Can’t Hold Us by Macklemore

18. The whole FF Series– Go!! by Flow

19. The whole FF Series– New Kings by Sleeping Wolf

20. The whole FF Series– Home by Machine Gun Kelly

If anyone has any songs they associate with these characters/ships from the FF series/HaS, then feel free to add on! I’d love to see what everyone else thinks