There Is Something That Really Intrigues Me About Damian Wayne's Year By Year Development. Because Every

There is something that really intrigues me about Damian Wayne's year by year development. Because every year, he's different from the last. Personality wise, his behaviour and his perspective of life changes irratically.

First there is his 10 year old self. Damian is very proud and arrogant. He doesn't care for any of his siblings or family one bit. Not even Bruce. What he cares about is Batman's mantle. He prides himself on being the son of The Dark Knight and Talia al Ghul. And that's why he wants his father to see his potential, and deem him worthy. He is cold and dismissive. He also doesn't understand emotions really well. Nor does he care for others'. He is unlikable and people tend to steer away from him. Damian Wayne doesn't get bothered by it. He hates stupid people anyways. It doesn't bother him. It doesn't. He is ignorant.

Then there is his 11 year old self. A few months after coming back from the dead. Yet he's still scarred, physically and emotionally. His mother's betrayal simmers inside his heart, throbbing. It's a new feeling for him, hurt. But he tries his best to ignore this feeling. He isn't very succesful. He has spent almost a year with Dick Grayson as his Batman, and took acting classes. He's better at showing his emotions, now. He has pets and he finds himself caring very deeply for them. Although he's still trying to adapt to his father's Batman. Damian feels... dissapointed. Bruce is very different from Dick and it shows clearly. He is anxious.

Damian is 12 years old now, and he has managed to create deep bonds with his family (some of them). He also has new friends now; Colin, Maya and Suren. He learned to have fun and find hobbies for himself. He is still distant with his mother. But he finds that best for himself and others around him. The hurt slowly dissolving, yet still there. He still fights with people and tend to keep away from them. At his last months of 12 years old, Damian gains a best friend. Jonathan Kent. He finds Jon to be a bit much but still enjoys his company deeply. It's weirdly endearing to be his friend. Life is going better than he ever expected. He is, for the first time in his life, happy.

On Damian's 13th birthday, only Alfred remembers. He bakes him a silly colorful cake and makes him wear a stupid party hat. He loves it. He thought he'd be sad or angry when his father, inevitably, forgots about it. He isn't. With each passing year he finds himself getting closer and closer to the old man. Damian finds him comforting. Alfred is always there no matter what. A constant in his life and although he'd never say it out loud, he thinks of Alfred Pennyworth a father figure. Jon and him now go by Supersons. A silly name that makes him smile just a little whenever he thinks about it. He now knows what love is. He loves Alfred Pennyworth, he loves Jonathan Kent, he loves Dick Grayson, he loves Stephanie Brown and he loves Maya Ducard. He sees them as not a family, but a part of himself. People actually start treating him well and seek out for him. It doesn't last long though. Alfred dies, and his family breaks apart. His father blames him, and so he leaves the manor. He now lives in a safehouse, and goes after criminals. He doesn't know what to do from now on, so he waits for the right moment. He is devastated.

A few weeks before his 14th birthday, Damian Wayne leaves Gotham. He no longer wishes to live in this hellhole that harbors the best years of his life. He seeks out his mother in an attempt to reconnect with her and finds more than what he asked for. He doesn't tell anyone of the hallucinations. No one. He is dead. It isn't real. Not anymore. His mother sends him to an island full of people like him. Murderers, psychopaths and assassins. He meets an unexpected old face. And surprisingly, he makes friends. After dying yet again, he finds himself drawn to it. The moment when Flatline ripped his heart out of his chest, he felt terrified. Not of death, but of Hell. That doesn't happen though. He doesn't go to Hell. He doesn't go to anywhere really. The death itself didn't even hurt. He feels... lighter. It might sound sick, but Damian feels better after coming back. Almost like a punishment of his past sins. It cleanses him inside out and he seeks for another. A few days later Hawke breaks his neck and kills him. Again. And Damian finds it hilarious, since it was the same way that Alfred had died. He doesn't care for the death. He finds himself not hurting anymore. Not scared. He makes even more friends. They have so much in common with him... Damian Wayne feels death, and finds it freeing.

fast and furious | prologue/teaser

a/n: it has been long-awaited, i know! i’ve been posting the characters and their backstories, but this has been anticipated! i’ve always been a big fan of action movies, and the “fast and furious” series is a favorite (close second to mission impossible, not gonna lie). anyway, i really hope you guys enjoy this teaser, i made it extra long so it would hopefully hype up some anticipation for the first chapter!! please reblog and spread it so more people can read the series! enjoy lovelies! (:

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marvelwonderwitch

5 years ago

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marvelwonderwitch

5 years ago

The spy chasing me throws a tracking device at my car. The throw is perfectly timed and the small, round device hits the bumper perfectly flush. However, since the tracker is magnetic and my shitty car is plastic, it bounces off

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marvelwonderwitch

5 years ago

“At Some Point, We All Have To Choose Between What The World Wants You To Be And Who You Are. I Made

“At some point, we all have to choose between what the world wants you to be and who you are. I made my choice. I’m done running.”

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marvelwonderwitch

3 weeks ago

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marvelwonderwitch

5 years ago

“At some point, we all have to choose between what the world wants you to be and who you are.”

Watch the new trailer for Marvel Studios’ “Black Widow,” in theaters May 1.

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marvelwonderwitch

1 year ago

Actually im not done thinking about codotverse Riddler's Super 50. Do you know how interesting I think it is that he has and drives around a 1949 Super 50? I think it's so fascinating and intriguing and I'm going to try to put it into words

1949 Buick Super 50s are collectors items right? Buick and other car enthusiasts jump at the bit to get their hands on one, because it was the first time in years that buick had produced a brand new design for their cars, and they only sold it for a year. I consider this design to be very classy, sleek, and very dramatic. All things I would also consider mr riddler.

Now what I find most interesting is that he actually drives it around. I dont know how common it is for collectors to drive their cars about town, I assume common enough because you cant really just let it sit there otherwise it can become damaged, but also you cant really drive them around too much bc theres a higher risk of external damage as well. So probably they just drive it around the block once a month. But I dont think collectors will drive their 1949 super 50 across country. That's FAR too much of a risk to damage. But Riddler did! He drove it all the way to georgia and Minesota! He actually uses it like a car and not like a glass figure. (I assume. granted i dont think there was any reference to him driving the 50 specifically but that is the only car that has ever been mentioned and when he's scolding Query and Echo he refers to them taking care of his car in the singular so I'm assuming thats his only car)

It's like he wants to be seen as classy, and I would say even gentlemanly as shown by him having said car and his 1866 Derringer (things I personally think are classy and gentlemanly), but then breaks and distorts that image by using these items with their original intended use instead of preserving them. It feels like hes intentionally breaking the 'rules'. Probably mostly to show off, but also it makes a statement about his whole mindset of refusing to be controlled and not wanting to be forced into place. So he acts out even in the smallest and most insignificant ways. idk. I lost my train of thought.

Anyway i just think its interesting that he went through all the trouble to get this cool car then kind of break the 'rules' with it.

dazai/yosano character parallels analysis ★

includes: connection/past with Mori, themes of humanity, dehumanization, life/death, change, and Elise(?)

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Dazai/yosano Character Parallels Analysis ★

Beginning with the most glaring similarity, they have a mutual connection with Mori as a mentor figure in their past. (I'm not sure if I would assign the “mentor” role to him for Yosano, but for the lack of a better word, that's what he will be called here </3). He represents an important part of their traumatic pasts but in different ways. I want to stress the importance of understanding that the two of them were abused in different ways because of how Mori himself regarded each of the two, and that this is not to say one was worse than the other. I would also like to negate any argument that Dazai was not abused by Mori, this is false. While that is another topic I want to discuss in the future, I just want to get that out there.

Both are victims of Mori's tactics of controlling abuse and were utilized as tools for his plans. Yosano was used for her ability, as she was useful under Mori's immortal soldier regiment, while Dazai was picked up with the intentions to mentor him as a future successor to Mori because of their shared traits (refer to the 15 quote provided, their “common destiny” is being the Port Mafia boss). The reason I say they are abused in different ways is because of the methods Mori enacts on the both of them. While I don't want to say he respects Dazai more as an individual because of that inherent fear he carries of Dazai, however, I'm not really sure what else to word it as. Dazai is able to carry out a lot of his own volition while under Mori in the Port Mafia, and while he was still in a horrible place under this treatment, he did have some level of freedom on his own because of the way Mori viewed him. Mori recognizes that: one, Dazai lacks morals at this point in his life, two, that he is not loyal to Mori and could take him out at any moment (I would argue that he expects it if anything), and three, that Dazai is an extremely intelligent child beyond his years. Since he recognizes all of these aspects, he still controls Dazai to the degree he acts to everyone else, but he also does not push Dazai too extremely. Of course this is not to say his abuse to Dazai was not harsh, I am trying to compare the way Mori treated Yosano vs Dazai, and how this has affected them individually, not by the severity of either. He noticeably treats Yosano harsher, and he does go as far as to lay a hand on her, in the form of grabbing her hair. While he is not a physically abusive person, instead using psychological methods more often, this is an example of the disregard he has for Yosano as an individual herself. She is diminished to her ability in his eyes, and Dazai is almost akin to a mirror in at least Mori's eyes. Both of these lead into my next point, the way both of them experience dehumanization.

Both Dazai and Yosano are, to some degree, seen as inhuman for their abilities and past sins. This can be seen in something as simple as the names they are given by others in their lives. They are the "Angel of Death" and the "Demon Prodigy." Both of these names assigned to them from those around them serve as stark reminders of their past wrongdoings, to which I will expand upon later. Yosano was essentially forced to play God with countless lives until she created her own undead hell, and this burdens her for the rest of her life. As a result of these events, even though it was not something under her control as an eleven year old child, she is viewed in a vicious light for her ability and involvement. Similarly, Dazai's humanity is disregarded by those around him because of his actions and behaviors, but most importantly, his nature. To follow a commonly stated metaphor in BSD, his blood is mafia black. During his time in the Port Mafia, Dazai racked up a laundry list of crimes, and the methods he used were seen as cruel even by Port Mafia standards. Of course, his actions are not justified by the fact that he is a child during this time. Dazai is very much a person guilty of crimes enacted upon others, so he is not absolved from all agency in this, but it is still important to understand that his actions were heavily for survival and his own self destructive pursuit to find something to live for.

Coming back to these two and their pasts as these inhumane figures, both also go through a series of changes as a person to go on a better path. Dazai himself could care less about good vs bad during his Port Mafia days because there was no person who guided him properly on that course, but once Oda's death sets Dazai's path in stone on the good side. Oda's final request to him is to be on the good side, despite the indifference Dazai harbors. Dazai lives out this path up to the current events of the timeline, and he clearly benefits from being in the Agency. He goes to deliberate lengths to hide from his past as well, he avoids any possible association with that and denies similarities between him and those he has harmed during his Port Mafia days, namely those he hurt, like Akutagawa. At the same time, as I pointed out, Dazai is making the conscious choice to change. Yosano follows this similar path of trying with the Agency because of Fukuzawa and Ranpo picking her up from Mori after the isolation facility. The Agency does not require her for her ability, unlike Mori did, she is more than it. She chooses to continue to save lives with her ability because she so heavily values human life.

And this brings me to my next point, their shared connection with life and death, and their attitudes surrounding it. Both Dazai and Yosano greatly value life, as ridiculous as that sounds for a character like Dazai. Yosano is intrinsically connected to the cycle between life and death because of the nature of her ability. She holds life as having more value than death itself, and she expresses this with her drive to save lives. Dazai does not have the ability to control the cycle itself, but he does have a connection to it through his suicidal nature. He stumbles between the line of living and dying due to his inability to find a purpose to live, but he does appreciate life. Dazai appreciates the way other characters such as Oda live their lives, and the humanity Dazai sees in them. He does not believe there is an inherent value to his own life, but he voices his opinions on the human experience and he admires how others do find a reason to live. Dazai and Yosano's frame of mind surrounding life and death is not the same, however, they do share a mutual value for humanity and life in some fashion, even if Dazai seeks out death more than Yosano ever does.

Now, to address Elise. Her as a topic is separate from the rest only because the connection between her, Dazai, and Yosano is speculation on my part. It is not something observable as fact to canon, unlike something as the two's relationships with Mori or their shared themes. It is clear that Elise is at least partially inspired by an eleven year old Yosano. Before the events of the Great War, Elise is shown to follow orders blindly. She is a subservient ability, and her usual liveliness is not present at this time. This changes after Mori loses Yosano, and Elise behaves like an average child at this point, but the specific traits he takes from Yosano are her willpower and opinionated personality. Another notable detail in Elise's design is her hair bow, which does resembles Yosano's hair pin. This can be attributed to Mori's obsession with Yosano at this age, but I don't believe her likeness to Yosano is only because of that. She also shares traits with Dazai. What I'm referring to his her hair and attitude towards Mori himself. Outside of the time when Elise is based upon someone else, she wears her hair up in a bun. Though she is absent from timeliness between the Great War, we do see her after that, and she now has more open, wavy hair. While you can attribute to this design just for the sake of it, I do think it is interesting to point out this similarity between her and Dazai because Yosano has perfectly straight hair. Elise also chastises Mori, something that Yosano does not do, but Dazai does voice his disapproval of Mori and straight points out his faults, which Elise does too. She also exhibits similar behavior to Dazai in negotiating for what they want, neither lies, and I say this is a trait she got from Dazai only because Yosano does not do this. I think that Mori projects traits of these two onto Elise, a manifestation of his desires, both because of the obsession and because Yosano+Dazai symbolize regret from the past.