You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie

You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie
You Call It Madness (But I Call It Love) / Malevolent By Harlan Guthrie

You Call It Madness (But I Call It Love) / Malevolent by Harlan Guthrie

More Posts from Maskofjohndoe and Others

5 months ago

[ID: Several black and white digital drawings depicting Arthur, John, and Noel. Arthur is drawn as a skinny man with light hair, Noel is drawn as a more muscular man with darker skin and hair, and John is depicted as a grey cloaked figure with long dark hair, a large light eye, and light eyelashes.

1. Arthur sits at a table, his forehead braced on his steepled hands in embarassment as John leans over his shoulder, wide eyed and says: "Arthur!!! Tell Noel I like it when he calls us doll." When Arthur does not respond: "Arthur? Oarthur listen to me-!!!"

2. A different scene where Arthur leans in to grab Noel's face and kisses him. Noel appears surprised. John narrates: "yes Arthur YES you did it Orthur‐ hehe his face is kinda funny this close." We see a doodle of John's POV, which is Noel at a 0.5 angle from right above, emphasizing his eyes and nose and minimizing his chin.

3. Arthur by himself. He brings John's hand to his face and kisses it sweetly. John's wooden pinky rests on his cheek.

4. Noel brings John's hand to his mouth, bows his head, and kisses it gentlemanly.

5. Arthur and Noel naked in bed, their waists covered by a bedsheet. Arthur lays still, expression furrowed as he says: "I can't believe this is my life now." Noel responds: "idk doll, not the weirdest thing to happen to me this week." Noel is comfortably reclining and smoking. John has his left leg thrown over Noel's and his left hand curled up under his arm and over his shoulder. Little black hearts hover over where he clings. End ID.]

They Are So Normal I Love Them
They Are So Normal I Love Them
They Are So Normal I Love Them
They Are So Normal I Love Them
They Are So Normal I Love Them

They are so normal I love them


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10 months ago
An art page with many drawings of various Malevolent characters, done mostly in monochrome except yellow (for the King and his fragments) and red (for blood).

Character designs: Arthur is a stout white man with short brown hair in a fringe falling over his face. John is a humanoid figure in a yellow cloak. His face is oddly proportioned with his mouth running diagonally along his face, and one eye above and the other below it. Yellow is likewise a humanoid figure in a yellow cloak, although the cloak is tattered and stained. Yellow's mouth is wide and fanged, but still located in the normal part of the face. The King in Yellow is a figure in a yellow cloak that ends in many tendrils, some of which are stained in blood. His face is entirely a featureless mask, and above his head, fabric twists to resemble a crown. Kayne shares Arthur's face, although his hair is slicked back neater, he has smile lines, no scars, and wears a three-piece black suit. He is stained in blood splatters on all visible parts of himself.

The drawings, in order, show a small comic of Arthur with a bandage on his throat, looking ragged, sleeping on his elbow and holding his own hand. It is labeled: "casually holding his left hand while asleep, seeking comfort subconsciously." He awakes to realize John is no longer there, and moves his hand back. In the final comic section, John is back, as signified by the left hand glowing yellow. Arthur has interlaced their fingers as he goes to sleep and smiles, saying "It's good to have you back, John." John replies "And you, Arthur."

There is a small drawing of Yellow facing away from the camera, hunched forward by text reading "oh yellow" with a sad face. Then there is a drawing of Arthur in the prison pits. He is thinner, with his skin hanging loosely, and he has grown a beard and lost a bottom tooth. He says "85 days", and John agrees.

There is then a drawing of Kayne, titled: "Speaking my Kayne truth: Why didn't John describe him? Does he have a face? Is it one we already know?" As noted, Kayne shares Arthur's face and body. He is sitting on a piano bench and turns with a huge grin as he clasps his bloody hands. There is an alternate design next to it showing Kayne as a man with a black hole instead of a face, leaning forward to prop his chin on his hand.

Other drawings show John seeing through Arthur's eyes, depicted as Arthur standing in profile, while John bends forward to pass through him until their eyes match up. There is a doodle of Yellow as a small creature with a blank expression and a short yellow coat, looking like a plush animal, labeled "undomesticated fucking thing". There is a drawing of The King In Yellow, titled "NOT Pookie" and noting that he is faceless. The King hovers with his arms and tendrils outstretched, his cloak billowing menacingly and bloodily around him.

There are then a series of expression meme drawings. One shows John with comically wide, tearful eyes as Arthur scowls with teeth bared. The next shows Yellow sticking their tongue out with squinted, blazing eyes. There is a drawing of Yellow hissing with teeth bared and shoulders defensively raised. There's a drawing of Kayne beaming with sparkles around him. There is blood on his teeth. There are two drawings of The King, side by side. In one, he wears sunglasses nonchalantly. In the next, the bottom of his face opens to reveal a maw with sharp teeth beneath where the chin of his mask would be.

The final doodle is a small comic showing how John's mouth opens. It begins with him appearing neutral, his diagonal mouth shut. He then yells "LISTEN, ORTHUR" and bares his full teeth, opening up the entirety of his face until his eyes aren't visible. Opening his mouth knocks the hood off of his head. The final part shows him replacing the hood atop his head and looking askance sheepishly and saying "Sorry, I'm normal again."
A close up on the Kayne design, and Arthur in the prison pits.
A close up on Arthur holding his own hand while asleep.
A closeup on The King in Yellow design.
A close up on the expression memes for John, Arthur, Yellow, and Kayne.
A closeup on the comic showing off John's mouth design.

[ID: A doodle page for the Malevolent podcast, featuring several sketches of Arthur, John, Kayne, The King in Yellow, and Yellow. More detailed description in ALT Text.]

Bringing y'all my mid-season 3 Malevolent arts because this podcast has a grip on me. Featuring my Kayne design because I have SOOO many thoughts about that freak <3 his voice sounds a bit similar to Arthur to me and so I thought it might be fun if he was mocking the lads by wearing Arthur's face. As of s3 we have no idea wtf Kayne is supposed to be, anyways, but altering his form doesn't seem to be a power that's off the table. Also the concept of John not recognizing Arthur's face on a happier, less scarred form makes me want to throw up :) hope this helps!


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10 months ago

[ID copied from ALT: A digital illustration of Kayne and Arthur from Malevolent. They are dancing together, with Kayne’s back pressed into Arthur’s chest as he leans into him as if during a turn. Kayne smiles and Arthur frowns as their eyes meet. Kayne’s bloody hands are staining Arthur’s. Arthur is wearing a red cloak atop his usual 1930s attire, and kayne is dressed in a black suit with a red tie. End ID.]

A digital illustration of Kayne and Arthur from Malevolent. They are dancing together, with Kayne’s back pressed into Arthur’s chest as he leans into him as if during a turn. Kayne smiles and Arthur frowns as their eyes meet. Kayne’s bloody hands are staining Arthur’s. Arthur is wearing a red cloak atop his usual 1930s attire, and kayne is dressed in a black suit with a red tie.

Careful there, Artie. Getting awfully close.


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10 months ago

Not to “babyfi” a literal demon but I thought him being nervous to be called John was sweet

Not To “babyfi” A Literal Demon But I Thought Him Being Nervous To Be Called John Was Sweet

Malevolent warm up doodle

Pervious - Next


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10 months ago
Acrylic On Canvas, Possibly The Best I’ve Ever Done.

Acrylic on canvas, possibly the best I’ve ever done.


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11 months ago

“John is not yellow, he’s gold, Arthur”

“John Is Not Yellow, He’s Gold, Arthur”

IM SO NORMAL I PROMISE


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6 months ago
Arthur And John In Dreamlands, A First Piece About The New Obsession, The Malevolent Podcast. My Life's
Arthur And John In Dreamlands, A First Piece About The New Obsession, The Malevolent Podcast. My Life's

Arthur and John in Dreamlands, a first piece about the new obsession, the Malevolent podcast. My life's still at the "horror is my comfort genre because the reality is worse anyway" level, and these two are keeping me sane, as wild as it sounds. And the beautiful picasso jasper with desert-like pattern


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2 months ago
A digital drawing of Arthur Lester and John Doe in hues of yellow, green and brown. Arthur is a thin white man wearing a shirt and tie. John is a faceless creature with multiple black arms wearing a yellow cloak. John says "Arthur maybe you just didn't get the film," to which Arthur replies "what."

guy that has seen one movie and is so annoying about it


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10 months ago

[ID copied from ALT: Arthur Lester, a man with short, curly, brown hair, a thin mustache, the top part of his right ear missing, and visible scars next to his right eye and on his neck, stands on a dark corridor, holding up a lighter with his left hand, facing towards the viewer. He is wearing a dark blue pinstripe three-piece suit, a muted red tie, and a long brown coat. The corridor he is standing in is dark and tilted strangely to the right. At the end of the corridor behind Arthur there's a door hanging slightly open, with bright red light spilling out through the crack. On the wall to Arthur's left there are two framed silhouette portraits of two young women facing each other. A swirling dark mass filled with eyes and grinning teeth that seems to be coming out of the crack in the door is clinging on the ceiling and spilling down the wall towards the two portraits. On the wall to Arthur's right there is a dark shadow that seems to be cast by him, looming tall with two shiny yellow pinpricks of light positioned as its eyes. Right against the shadow's elbow there is a dusty mirror, and reflected on it is an arm clothed in tattered yellow robes, ending on a dark inhuman hand holding a lighter, mirroring Arthur's left arm. End ID.]

Arthur Lester, a man with short, curly, brown hair, a thin mustache, the top part of his right ear missing, and visible scars next to his right eye and on his neck, stands on a dark corridor, holding up a lighter with his left hand, facing towards the viewer. 
He is wearing a dark blue pinstripe three-piece suit, a muted red tie, and a long brown coat. The corridor he is standing in is dark and tilted strangely to the right. At the end of the corridor behind Arthur there's a door hanging slightly open, with bright red light spilling out through the crack.
On the wall to Arthur's left there are two framed silhouette portraits of two young women facing each other. A swirling dark mass filled with eyes and grinning teeth that seems to be coming out of the crack in the door is clinging on the ceiling and spilling down the wall towards the two portraits.
On the wall to Arthur's right there is a dark shadow that seems to be cast by him, looming tall with two shiny yellow pinpricks of light positioned as its eyes. Right against the shadow's elbow there is a dusty mirror, and reflected on it is an arm clothed in tattered yellow robes, ending on a dark inhuman hand holding a lighter, mirroring Arthur's left arm.

Neglected to post this earlier because of life stuff going on, but belatedly here's my piece for the @malevolent-fanzine, inspired by the early episodes of season 4 and the boarding house.


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maskofjohndoe - Malevolent Described
Malevolent Described

Malevolent blog dedicated to accessibility in fanworks 💛! || read my pinned || free Palestine || [Icon ID: A digital drawing of John Doe as a figure in a yellow hooded robe with a cracked mask for a face. Teeth protrude diagonally from his mask. End ID.]

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