20 ✊🏿BLM✊🏿free 🇵🇸 and 🇨🇩FUCK OFF ZIONIST🗣️Yuri5Ever
82 posts
tlou au!
Featuring that fuck ass lunar moth I made and wear every other day
there are four wolves inside you (nicotine, aspartame, coffee, and your period) and they're all fighting (gonna make you shit)
So ya'll there's this really good fanfiction I have been reading for around a month now about Vi and Powder being found and later adopted by Mel after their mother's death. I have been absolutely obsessed with this story ever since I found it because of the concept, great writing and character accuracy. Thought that this photo low key matched well with the story especially if Mel's mom takes interest in the two children from Zaun her daughter adopted. My description of the story doesn't do it the justice it deserves so please ya'll go and read its great the story is called "House Medarda" on Ao3 by Evilyoyo
Fanart & fanart of my fanart for the fic too busy being yours by my dear friend <3 Meljayvik IN DA HOUSE and ON DA DANCEFLOOR!!!
I such at sewing, but, the crochet is on point😸☝🏿
ok so it doesn't look like much of a monarch butterfly, but I just did this off a whim so🤷🏿♀️
fanfiction truly being the savior for everyones sanity
Some people seem to think MelJay ended with that fight in the Council chamber, so I want to spell out why it is I say that Mel and Jayce never broke up.
So they fight. Then Viktor attacks them in his marionette, Mel and Jayce work together, they defeat Viktor by teaming up, thus they reconcile.
Jayce began the scene in the Council chamber by lashing out at Mel, *blaming* Mel. And he does that because he's dealing with an inner conflict. trying to understand *why* everything happened and his role in it. The whole fight with Viktor wasn't just a physical fight, it was Jayce struggling with what his role was in everything that had gone wrong. Like he blamed Mel, he also blames Viktor, telling him "This is your obsession, everything you did to these people you did alone." He renounces any part in it. But Viktor tells him that this whole chain of events started with him. I really think this scene is about Jayce coming to terms with both his responsibility and his agency. And in the end he does, and he no longer blames Mel.
Instead he is there for her, he literally supports her.
That's the whole point of this shot, to show the two of them reconciled. They didn't have to have a shot like this, Mel didn't *have* to be weakened to the point of fainting. And Jayce didn't have to catch her. If they wanted to emphasize the distance between them, Mel could have leaned on the table or a chair for support instead.
Furthermore, I would argue that the impact of these shots, of Viktor's isolation, hits much harder with Jayce and Mel reconciled. Throughout the show, Viktor and Mel have been counter posed, and now they are again, but Mel is with Jayce, and Viktor is abandoned, alone.
And then there's the "You'll never be a passenger scene," which I love, and it is literally insane to me that some people try to hand-wave it away. So let's spell out exactly why it's so good.
First of all, it starts off with Jayce's absolute unconditional apology. Perfect apology, no notes. And he acknowledged Mel's pain.
Mel responds by sharing a deep, personal fear. She's making herself vulnerable and putting a lot of trust in Jayce.
And look at the way he looks at her! The sympathy and the affection <3
And how does Jayce respond to Mel? With heartfelt affirmation. "There's one thing I know in my bones," he says, emphasizing the depth of their relationship. Oh to have someone believe in you the way Jayce believes in Mel. I love them.
Haters and naysayers have pointed to the lack of physical contact in this scene, and the staid vibes. And yeah, Jayce and Mel have been on different journeys, on different paths, they are different people now, and their relationship *is* different too. They aren't in a place to bounce back to what they were before the Black Rose and before the anomaly, and the point of this post was never to argue otherwise.
The point is that they still have a relationship of deep respect and affection, they still rely on each other for support, and had there not been a war they would have found their way into each other's arms again.
Mel medarda
Sex so CRAZY good they had to be put on time out by the writers.
Caitlyn: My sister in law killed my mom and I'm in my lesbian dictator era
Vi: My girlfriend broke up with me right after we kissed
Jinx: I got reversed adopted by a random kid
Ambessa: *manipulating Caitlyn*
Sevika: *gambling with her new arm*
Viktor: *is Yaoi Jesus*
Jayce, Ekko and Heimerdinger: What the fuck is going on
Mel's subplot:
give them a week and they would fix literally every problem in Piltover and Zaun
15 Beautiful Butterfly Patterns For Knitters By Vivian Ickenroth: 👉 https://buff.ly/3HHhUSh 🦋
she... oh I love women :')
i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.
or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.
shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.
in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.
the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.
of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?
get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.
of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?
i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.
If you are thinking of taking apart an old project to reuse the yarn for something else, let this be your sign!!!
I took apart an old sweater (the second sweater i ever made), which was so ugly and uncomfortable that I think I only wore it once.
Now I have a sweater (which actually fits) and a wrap top from the resused yarn. I'm going to add the remaining scrappy peices to a blanket I've been working on :)
It feels nice to know that has my skills have improved, I'm able to use the same materials again for something better.
make what you love, do what you love :) filet crochet 50 x 37 cm (dyke edition coming soon)
made it outta cotton yarn
pattern i used:
love their channel sm
and some graphs
john h. white. chicago, illinois. august 1973
fuck the dc pride parade, they let israelies not only wave their flag of genocide and apartheid, but one of those devils was even marching with a sign that read "WHEN IS THE PRIDE PARADE IN GAZA AGAIN?"
I see a lot of criticism about the new Life is strange and I think that you should all calm down a bit.
"Where is Chloe?" If Chloe is alive, the developers will keep it a secret so that it will be a surprise when we play the game. Please do not be upset because a trailer does not reveal the entire game. If they chose the timeline where we sacrificed Chloe, we will probably find out later too, and that is not necessarily a bad thing. I would like to remind you that the game had two endings, and both were fine.
"She doesn’t look like Max." "Where’s her bangs?" You expect someone to keep the same head and hairstyle for 10 years? When you cross someone in the streen that you haven't seen in just 5 years, do you recognize them instantly ? No, because people change physically, especially in their twenties.
"Max looks straight now". She has literally the same style as before with a beanie. PLEASE. And you know very well that all LIS games have bi protagonists. I don’t even understand this criticism.
"I don’t care about Safi, I want Chloe". My brother in Christ, give that game a chance ! If you want to see Chloe, good news, there is a comic book about Max and Chloe and there are even several volumes. Safi might be an amazing character, like most LIS characters.
"The storyline is not convincing" ... When the first trailer for LIS 1 came out, the storyline was "A girl comes back to her hometown, sees her childhood friend dying, and finds out she can travel through time. She then tries to save her friend." LIS Double Exposure's storyline for now is "A girl sees her friend dying and finds out she can travel through dimensions. She then tries to save her friend." Stop. Judging. The. Whole. Game. From a 2-minute trailer ! Of course, the game will be more than just Max going around and talking to people. If you likes LIS 1, you will probably like this one too because they have the same character, storyline, vibe...