Illustration made by Frank Godwin in 1927 for a book titled, "King Arthur and his Knights: Based on Morte d’Arthur of Sir Thomas Malory" compiled and arranged by Elizabeth Lodor Merchant. Published by The John C. Winston Company. [x]
for the @merlinmicrofic prompts Home, Desperate measures and "You wouldn't."
Merlin & Arthur, Gen, 3 x 100 words, Major character death, AO3 link
for @mightybog
A heavy soul, a hopeful man
Their world is in crisis. It aches for its saviour.
“Emrys,” the Disir call.
He despises them. He comes anyway. There's kinship in being the last of the old ones.
“It's time." One steps forward, in her hand a coin.
“What,” he scoffs, “is it my turn to suffer your judgment?”
“We offer a chance. The time of the Once and Future King is nigh. You know it, you yourself have assembled his court.”
It's true. He's found them, souls reborn. The knights. Guinevere.
She flicks the coin into the air. “His rest in Avalon is over. Bring him home.”
The coin spins and spins, reaches its zenith, plummets down.
“Heads or tails?” He remains silent. “That's right, there is no answer. It is both and neither, a mere matter of perspective.”
“Save your riddles.”
“Two sides of a coin, inseparable. One up, one down. It will take all your magic to bring him back, every last bit of you.”
A pause.
“I will die?”
A look of pity, unwanted. “We'll lend you strength. You have three months.”
Its days numbered, his heart beats faster, rebellious. Desperate times. There's no choice. He bends his knee and picks up the coin.
Arthur returned is his every joy. He teaches him about the new world, laughs at him trying to operate a microwave, watches him discover ice cream - looming catastrophe momentarily dismissed.
Blissful ignorance can't last; his magic's gone, he's fading. Confession - now or never.
“No, you wouldn't, please don't-”
“You will have the others. You know the way. You don't need me anymore.”
“I will always-”
“Don't. Please.”
The day dwindles. Miniscule waves disturb the third full moon's reflection on the inky black lake waters. Merlin sits by its shore, Arthur's arm around his shoulders, and, for the last time, waits.
OVER THE GARDEN WALL (2014)
The Lost
I wish there were medieval fantasy written by people who actually found the medieval period interesting
hey if you died right now whats your ghost outfit you cant change it be honest
Do you think one can just jump into the vulgate cycle? I have a vague understanding of arthuriana; I’ve read the Mabinogion, Monmouth, and Malory, but two-three years ago. Is there a text I should read before hand or reread these previous ones? Thank you so much!
Hi anon!
Absolutely you can jump right into the Vulgate cycle. Mabinogion and Monmouth predate Vulgate, and elements of those are repeated in the Vulgate, which is a complete story in itself. The Post Vulgate is then a condensed version of that, which Malory then condensed down again into Le Morte d’Arthur. So you’ll be familiar with some elements, but require no prior reading to appreciate the Vulgate.
Here is a tutorial that may help you navigate the Vulgate and here is a reader version by Norris J Lacy which compiles chapters from throughout the Vulgate.
But really you can pop open the Vulgate from the start and get right into it! History of the Grail is the first book which covers a lot of exposition stuff that will be repeated later during the Grail Quest, but is nonetheless interesting. After that is Story of Merlin which will cover stuff you read in Monmouth, like Merlin’s origin, but then continues to Arthur’s origin and gets into the Orkney bros as teenagers/young men! (And Mordred as a baby!) Lancelot Part I picks up with Lancelot’s story and continues on from there through the rest of the Vulgate. You can start with any of those books, but Story of Merlin is just so good I definitely recommend it.
I hope that helps explain things for you a bit! Here’s where you can read the Vulgate in full! Please let me know what you think as you get into it. It’s my favorite favorite favorite!!! Enjoy! :^)
For most witches, it is often appropriate to blend the spoken charm with certain physical rites of folk magic. These are usually understood within the two pillars of what we call simulacra and contagia. The first of these refers to an object that represents something else. . . . Contagion, however works differently, spreading its influence slowly and regularly by proximity to the target of the charm. . . . For the witch who desires to pair well-established folk magical methods alongside the work of incantation, any of the following methods would be more than appropriate . . .
from The Witch's Art of Incantation; Spoken Charms, Spells, & Curses in Folk Witchcraft by Roger J. Horne
Sleepy merthur sketch 💛
(References under the cut)
... eepy
She/Her | 31 | Herbal Tea EnthusiastInterested in: hurt/comfort, fairytale retellings and folkloreCurrently down an Arthurian rabbitholeLeMightyWorrier on Ao3
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