She/Her | 31 | Herbal Tea EnthusiastInterested in: hurt/comfort, fairytale retellings and folkloreCurrently down an Arthurian rabbitholeLeMightyWorrier on Ao3
296 posts
Published in 1945 by Little Brown & Company, Adventures with the Gods by Catharine Sellew and illustrated by George and Doris Hauman is a charming primer created for young children. It contains sixteen stories featuring the heroes of Greek mythology as well as the gods and goddesses of Mount Olympus. The book even includes a handy index of all the characters' names and how to pronounce them. This delightful collection of stories provides an accessible introduction to the fascinating world of Greek mythology, making it an enchanting read for both children and adults.
Catharine Sellew, an American author, has a talent for turning ancient myths and legends into children's stories. Written using simple language and ideas, her stories create an almost fairytale-like experience for readers. It's no surprise that her works are captivating and beloved by many.
George and Doris Hauman were a married couple and American children’s book illustrators. They are perhaps most well-known for illustrating the popular 1954 edition of The Little Engine That Could. The couple decided to collaborate on projects because they had so many customers in common. They also used a joint signature for all of their illustrations.
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-Melissa, Special Collections Classics Intern
Im unwell about Morgan again.
Im reminded that some modern stories make Morgan evil for no reason AFTER Camlann. And I hate that.
Like, Vita Merlini, Didot Percival, Vulgate Cycle, Post Vulgate and Le Morte D'Arthur all agree Morgan saves Arthur and brings him to her island.
And other stories like Tirant lo Blanc, Bataille Loquifer and Huon de Bourdeux have Morgan and Arthur hang out together.
But it feels like most Modern stories, like, straight up ignore this to have their "supervillainess", who exists only to be beaten up by the heroes in their works.
sir gawain would do numbers on tumblr
the great thing about medieval literature is that it returns us to a time when men were men and women were women, *insert gritty realism gif here*, featuring such important and eternal gendered characteristics such as
(M) Why Would I Learn To Think Critically When I Could Find a Random Damsel In The Woods To Tell Me What To Do
(F) Demands To Be Brought The Heads Of Her Enemies
(M, to F) Be Mean To Me, No, Meaner Than That
(F) Meticulous Maintenance Of Social Connections And Alliances Via Writing Letters
(M) Crying
(M) More Crying
(M) Even More Crying, While Being Held Tenderly By Brother In Arms
(F) Necromancy
(M) Meticulous Maintenance Of Social Connections And Alliances Via Mistaking Friend’s Identity, Attacking Him, Then Kissing And Making Up
(F) Expert Medical Practitioner
(M) Self-Care By Episodes Of Madness In The Woods
(F) Owner Of Haunted Castle
I am in awe at the perfection of this, just captures the scene so well. Thank you so much @ollyrewind 😭❤️!! https://archiveofourown.org/works/49812313/chapters/125741818
The stars tell us of a great king. They rise, the pole star will ascend the heavens with the constellations of the king's namesake upon the higher cycles of the Earth, foretelling his rise and the golden age that he will bring. His age will go on and on and reach its peak in the far future when the pole star comes to occupy the truest central position in the heavens.
Like Every Tree Stands on Its Own by wonderful @mightybog
I redrew some Merlin characters to be more historically and culturally accurate! The text is their original names in a later Latin script, yoinked from a display in the Corinium Museum, Cirencester. (Sneaky edit to add: Y'all are incredibly welcome to use this in any way you want, I would love to see more of my home's culture being represented more accurately in media!!)
Unlabelled version under the cut!!