😇😇

what might have happened in 1941....

I just realised that when Beelzebub fires lightning in this scene (to wake up Shax) the bolt ends up separating Aziraphale and Crowley

Thank god this isn't foreshadowing or anything and they'll be off to the South Downs by the end of the episode, haha. Wait why aren't you laughing

I refuse to reblog this shit. Anyhow.

What the fuck is wrong with this guy.

AROMANTIC CISHET MEN ARE QUEER

AROMANTIC CISHET MEN CAN GO TO LGBTQIA SPACES

Being aromantic means your are queer, whether you are aroace, aroallo, aromantic trans and especially aro cishet. Overall we should be glad we don't get kicked out of homes, abused, isolated. We are fighting to stop discrimination against our community.

Next point, most aro cishet men just want to be themselves, they are HUMAN like you and me. Sure some might enjoy sex, but that isn't a bad thing.

Plus they are doing what they say don't happen, the are discriminating against our own community. So all I can say is

Get YOUR head out of your ass, especially if you agree with this mf.

Crowley scares a dude with his demonic form and dude faints

Aziraphale: My coat though, can you 😏fix it😏

Crowley talks about demons being outside the bookshop and everyone being in danger

Aziraphale: ☺️Want to dance?😏

Guillotine, people dying

Aziraphale: ☺️Crowley!😙 😏Good Lord😏

Bombed church, holy ground

Aziraphale: ☺️I☺️love☺️him☺️

Driving through fire

Aziraphale: ☺️So😏Anyyything I can do for you?😉😚

writers when they’re proofreading their works for the 34th time *find zero mistakes, there’s no typo, no grammatical error. everything looks good. hit the post button*

writers when they’re reading said works after they’ve been published like proud parents *find 52 mistakes at first glance, 38 typos and 14 grammatical errors with a bunch of inconsistencies and plot holes*

GOOD OMENS "Every Day"

♡ Your daily dose of cat memes ᓚᘏᗢ ♡

I headcanon that Crowley knows how to play piano because he loves music and HAVE YOU SEEN HIS HANDS and also Aziraphale would have hots for it.

And then Nina and Maggie are getting married and the man who was meant to play the piano for their first dance doesn’t show up so Crowley does it instead and he’s amazing.

And that’s how Aziraphale finds out that he can play.

And he needs to sit down.

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feeling for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.