It's the way there's a Taylor Swift song for literally every ship out there.
“Disgraceful,” said Mrs Bridgestock. “I know your face. You are that Persian boy. Are you not ashamed to be running around corrupting nice young people? I suppose you are only following your father’s example, but considering what happened to him, you should really know better.”
Cordelia wished to rush to her brother’s defense, but she did not dare move.
Alastair bared his teeth at Mrs Bridgestock. “I should, shouldn’t I?” Cassandra Clare, The Last Hours snippet.
Nothing tastes sweeter than seeing someone down from the pedestal you put them on
WE WERE ON THE NEWS FOR THE POP UP I CANT “SWIFTIES GRAB BACK” THE IDSB CHOREOGRAPHY
living here would fix me
people who keep saying acowar was trash compared to acomaf…. let me tell ya something… acowar and acomaf are two different books with two different purposes. acowar was a character driven book. the whole purpose of it was for character arcs and development. it was supposed to be a bridge for something to come. rhysand and feyre’s relationship drove the book, which made it so enjoyable. acowar was a plot driven book. its whole focus was on the war with hybern. the entire point of the book was to find a solution. the WAR drives the book. and for a book focused on war, it was pretty darn good. of course acomaf was better than acowar in the character sense, but the characters were already developed in acowar. acowar needed to be plot driven if anything was gonna get done in this world.
*sees a tall, pale guy with black hair and headphones around his neck*
me:
It's kind of fucked up how religious men view women as temptation. As something to be avoided in the same way that partaking too much in alcohol is to be avoided. Women aren't people, they're something put here to test the morality of men and bait them into evil. Men fully believe that the apple Eve ate was passed down in each woman's stomach, and their job, as men, is to correct Adam's mistake by not taking a bite of the apple that's being "offered" to them.
When I was a kid I thought there were so many more swear words than there are. But in actuality we get like. ten before it just turns into slurs. Deep down, I’m still disappointed.
For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.
Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.
When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever.
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.
Sad and grossed out,
💔
Taylor