Longing In Love Starters

Let's get released from our growth tank with mama

"You don't know me. I'm not the same person anymore."

"That's okay. I'll get to know you again."

we’re all sinners

god i really fucking love the fated mates trope, i can't lie. there's something so beautiful about fate or the deity of the world crafting you and another person to be the perfect complement to one another. your souls knew one another before you even met. the universe saw everything you could ever be and then found someone to be the counterpart to all of those. it makes me imagine the creation of the characters from the "deity" or from "fate" as being so involved and caring. aligning characters like matching pieces of broken glass together, or sewing together two pieces of fabric. every jagged piece or hole or pattern or stitch is made for you to be with someone who can love you for all of those flaws and faults. that will always, always be beautiful to me.

— Clementine Von Radics, from In A Dream You Saw A Way To Survive; "The Fear" (via lunamonchtuna)

Part 2: shape, style, and length with femme styles!

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Post by @donutsbagels · 10 images

💬 7  🔁 779  ❤️ 1177 · Part 3: Combining shapes, braids, and textures! And utilizing parts and fros!

dead man walking

[ -> prints 💙 ]

unless they specifically asked, you don’t get to tell a fanfic writer you think they mischaracterized the character by the way. because the second someone writes a fanfic about a character, that character becomes the writer’s own version of the character. canon is only a suggestion, but whether or not an author will follow it / how much of canon an author will take is entirely up to them. you don’t get to stick your nose in their world and tell them “hey this is not to my liking therefore I think you’re doing it wrong” when you can simply leave quietly and move on to something else you may enjoy

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

if you have any questions or feedback on writing materials, please send me an email at Luna-azzurra@outlook.com ✍🏻