i legitimately cant go to sleep until i get this au out of my head, shoves this into the world so i can rest
extra notes: -gabriel pulled a swap because Emelie was getting increasingly unwell after her pregnancy/birth, so he traded his sickly kid out for a healthy changeling in an attempt to sway her mental health in a positive direction ("look honey your son isn't dying") in the hopes it would make her recovery physically -it didn't work and Felix grew up among weird magical people who made him acutely aware that he wasn't like them -Marinette is not immune to magical charms and magical persuasion but her clumsiness offsets the power they have on her, so as long as she's awkward she's virtually unaffected -once Adrien finds out about Felix he just instantly sees Felix as a brother even tho Felix is actively trying to do him a murder (he will not succeed. victorian ass sickly boy trying to kill a magical being lol lmao even)
‼️‼️GORE AND BLOOD BELOW CUT‼️
I pushed myself out of my comfort zone a bit with this one bc I'm not very good at backgrounds and full body drawings but I'm seriously quite proud of it.
Me drawing the ninja in some of their most traumatic moments: 😦😔🙁
Their colour coded nail polish: 😊🤭🥰
i'm not paralyzed, but i seem to be struck by you, i wanna make you move because you're standing still 🎸
MWHAAHA I FINISHED IT FINALLY!!!! Anyways now you now why ive been raving about s4 bruise.
Is this a ship post or not? I dont know. They certainly dont either. But the tension is immaculate.
Song: Gladiator by Jann
Edit: i am aware cole didnt have his lava arms at that point. However. They are cool. And Jay glows so why cant cole. I believe in equality.
If only one of my posts gets read by amateur authors let it be this:
SUBMIT YOUR WORK TO THE TOP PUBLICATIONS FIRST AND WORK YOUR WAY DOWN!
What do I mean by top? Standards of quality, audience, pay rate, legal contract; it can be anything. What matters is that you set the metric you prefer and aim for the top.
I say this because most new authors think that when submitting short stories, or flash fiction, or poetry, you need past credentials to publish with the highly-ranked publications. That's probably true but the logic is backwards. By the time you're good enough to publish in the highest ranking magazines, you've probably already published in a lot of others. Don't settle, you have nothing to lose.
Let's look at two scenarios. One in which you believe in your writing and one in which you don't.
The confident writer starts submitting to all the top publications. They submit, wait for a rejection, and submit again to a different one. They slowly work down the line until finally they hit the very top of the range of publications that are willing to accept their work. They now know what market they have a chance in and what markets to read from to improve.
The insecure writer starts submitting to all the unknown/unpaid/unvetted publications. They need to build credentials before they can submit to the preferred publications, right? If they don't get scammed out of rights they slowly move up the line of publications. They stop when they get accepted by the very bottom range of publications that will pay them the least amount, or give the least exposure, and think themselves lucky. And now they find themselves gaining much less confidence, and much less understanding of the markets, than if they started from the top. They'll have markets they believe they have to learn from when really they've surpassed them.
Even in the worst case publishing scenario: only one market accepts your publication at the very bottom, the only thing that is lost by being confident is your time. With any other publications willing to accept your work, you're guaranteed to get the better deal by being confident. Starting from the bottom is only self sabotage.
You may get more rejections (or even fewer than you think), but if you keep your head up and keep pushing, it'll be better for your writing and your confidence in the long run.
Besides, you'll probably be scammed less if you start with the ones that everyone trusts.
don't think about Alador not knowing where any of his kids are
don't think about Edric and Emira gripping onto each other as their world falls apart around them with no idea where the rest of their family is, if they're even safe
don't think about the fact they might not even be together
don't think about Darius feeling the pain of the draining spell but all he can think about is the sixteen-year-old kid he cares about despite himself feeling the same pain
don't think about all the other children with coven sigils, in so so much pain as the man everyone trusts betrays them
don't think of Gus' dad learning no one knows where his twelve-year-old son is
don't think of people running for cover as their world falls apart and rebuilds around them
don't think about the ones who couldn't get away in time
don't think of King, so young and so scared, alone with the collector
don't think about Willow's dads patiently waiting for their daughter to come home and their bone-deep grief when she doesn't
don't think about the twins screaming and wailing when Alador tells them he doesn't know where Amity is and the last time he saw her, she was going to fight Belos, the most dangerous man on the Isle
don't think about Eda realizing that despite her best efforts in the end she couldn't protect either of her kids
don't think about Eda reuniting with Lilith and both of their faces falling realizing the other doesn't have the kids
don't think about Camila opening the doors and being so relieved to see her daughter but so worried when she sees how tired and sad all the kids huddled together at her front door are
don't think about the kids quietly but surely patching each other up, older and much more exhausted than they should be
don't think about the fact none of them are going to be to get a good night's sleep for a while
don't think about the kids huddled together mourning people that may be alive because they just don't know
like the first rule of cooking is to have fun and be yourself and the first rule of baking is to stay calm because the dough can sense fear