𝑦𝑜𝑢 ℎ𝑎𝑣𝑒 𝑒𝑥𝑐ℎ𝑎𝑛𝑔𝑒𝑑 𝑣𝑒𝑟𝑏𝑎𝑙 𝑗𝑎𝑏𝑠

So my biggest problem with Solas x Mythal isn’t that I’m “jealous” of their relationship or anything like that. In fact, I really like the concept of her being a toxic and abusive relationship he has to let go of to be able to move forward and find true happiness with the inquisitor.

My problem is that it cheapens Solas’s motivations and seems to make his only reasoning for tearing down the veil be loyalty to Mythal. It also, to me, downplays the significance of the inquisitor’s influence on him. This was disappointing because in Inquisition, we were introduced to Solas as this very wise, idealistic, and thoughtful person who cared deeply for his causes. Justice for Mythal was one of his motivations, but I never interpreted it as his main motivation. I thought his main motivation was always to make a better world and fix his mistakes.

I truly believe that he’s not wrong about some things. The veil IS a wound inflicted on this world. It was made by him; it’s not the world’s natural state. It’s falling apart and broken. It creates a class divide between mages and non-mages, and by separating spirits from the physical realm, it makes them more susceptible to corruption into demons and makes people scared of them. There are tons of instances through DAO - DAI where weak spots in the veil lead to mass demon possessions and death. It made a world where elves die instead of live forever, and where they either live in slums or as shadows of their former glory in the woods. But DATV didn’t address ANY of this. It painted Solas to be this lovesick pup whose motivation was purely emotion-based, and it didn’t help that this game didn’t go into Thedas’s socio-political climate so a new player wouldn’t understand that the world of Thedas is seriously messed up, and that Solas’s plan would resolve a lot of the issues in need of fixing.

The problem is, and always has been, the cost. Solas restoring the natural order of the world would cost thousands of lives, and destroy the current world and all the good it has to offer. In order to abandon this plan, Solas needed to not only be released from Mythal’s service, but to let go of the world of the past. He needed to acknowledge that the world he loved is gone, that a new world that he also loves has taken its place, and that it deserves a chance to live. It’s sort of implied that he goes through this shift in belief in Trespasser, but it’s not enough at the time, and that’s okay.

Anyway, with all this in mind, this is how I’m choosing to interpret Solas’s entire redemption arc. Solas did have his reasons to tear down the veil that he passionately believed in, but through his interactions with the inquisitor and rook, the only reason that truly remained was that he didn't want to fail Mythal. They changed his perspective on the world, and showed him that it’s a world worth preserving, even if it’s different. He didn’t want to do what he had to do, and by the end of DAI and/or Veilguard, the only thing keeping him tied to his course was duty to Mythal. So she has to free him to allow him to move on.

However. If Mythal had released him from his service at the beginning of inquisition, because Solas hadn’t gained any affection for the new world, it wouldn’t have mattered. He would’ve been like "cool i'm doing this anyway because I want to.” Changing his course required two things: having his heart changed by the inquisitor, and Mythal allowing him to move on. Unfortunately I feel like the game is a little sloppy with this and makes it feel like freedom from Mythal is all that matters, but my dear friends, she is not. It was a team effort all around, and Solas’s redemption would not have been possible without our beloved inquisitor. 💜

I see a lot of posts on here talking about the Solas/Elgar'nan segment in Blood of Arlathan and how it's one of the best scenes in the game, and they'd be right, but I don't see enough people talking about how comically the whole thing is undercut by quite possibly the most poorly-conceived, terribly-implemented looney-tunes-ass sequence in gaming history that surrounds it.

Like you show up with your friends to this Venatori party, and you're like great, we're sneaking in! Time for disguises. How convenient that these Venatori guys all wear hoods, right? Should be a piece of cake if we're all, you know, wearing hoods that would helpfully hide our identities. But no. We all go waltzing in with our whole-ass faces exposed, you know, the group of guys that have been murdering Venatori left and right and who Elgar'nan and Ghilan'nain have definitely all seen in person before. Oh, and don't worry about walking into this notoriously racist elf-sacrificing cult if you happen to be an elf! You're only here in disguise so that you can rescue a GROUP OF ELVES THEY'RE GOING TO SACRIFICE but it's ok because you're dressed as a mercenary and not a dalish so it's all good don't worry about it :) :)

Then you get into this fucking party and oh my fucking god it's like they decided to take all of the most comically over-the-top stereotypes of villainy and put them on display. Because why not! The Venatori are all sickos anyway so of course they'd be out here doing sicko things! There's some guys pulling a halla apart with blood magic! There's other guys using slaves as benches! They're all laughing and joking about how EVIL they are, hahaha, how cool is that? The fucking guy from D'Meta's Crossing is here if you don't let him die, because he's a fucked up evil sicko too! You're supposed to be shocked at this hideous display; recoil in horror, even!

And who do you bring with you to help get through this crowd of absolute lunatics? NEVE FUCKING GALLUS. You know, the person so well-known in Minrathous that a Dalish elf living in Arlathan KNEW HER BY REPUTATION. Yup, Neve Gallus with her INTENSELY RECOGNIZABLE PROSTHETIC just waltzes up to some guy and he just lets her in. Because being EVIL also makes you incapable of coherent thought, apparently.

And then. AND THEN. You walk across the bridge where Elgar'nan makes his thought-sounds at you, and YOUR ENTIRE FUCKING PARTY is already there, just hanging out nbd. Also not wearing hoods or any kind of disguises that couldn't instantly be seen through by a five-year-old with amnesia but ok, cool. Why did we bother walking through all those sickos then when we could've just taken the secret back entrance like the rest of them, idk.

But just when you think you've reached peak stupidity, it keeps going. You're now standing there, at the front of a crowd of about twelve people, approximately five feet away from Elgar'nan himself, inexplicably blending in, when the big guy puts the mind control whammy on everyone. Oh no, you think. We've been found out! Here's the part in the plan where things begin to go wrong! NO. Your mage friends SECRETLY PERFORM MAGICAL GESTURES to block the mind control, and then you LITERALLY FUCKING SIDLE OFF STAGE LEFT without ANYONE NOTICING. I should reiterate that at this point, you are still about FIVE FEET AWAY FROM ELGAR'NAN and his fucking ARCHDEMON.

And to conclude this absolute comedy of idiocy, as soon as you enter back into combat mode, you immediately ditch all of your disguises. And of course then, ONLY THEN, Elgar'nan notices you've been there. Cut to the end of the actual good sequence, this dramatic conversation performed by excellent voice actors and written miles better than most other things in this game, and you reach your final prize: about six guys trapped in a little cube. Cool, you tell yourself. This was definitely worth it. You take your fade-to-black teleporter back to the Lighthouse and they're never heard from again.

This was the quest that broke me. This was the moment that all hope for Veilguard finally snapped. I consider myself to be a very resilient person in the face of camp and goofy writing, but this was too much disbelief for my brain to suspend. The mental gymnastics necessary to make this whole sequence make any kind of sense were simply beyond me. Even Solas's dulcet tones could not salvage it for me after that.

It’s weird to grow up in a family where you know you’re loved but you don’t feel loved. And then later in adulthood you understand how almost impossible it seems to cross that distance and let yourself experience closeness, how otherworldly love feels now and how love feels unbearable at times. You flinch when someone tries to wholeheartedly love you. And over and over you see so clearly how you cannot be loved unless it's from afar and love is mixed with that familiar sensation of distance and coldness.

“The failure was mine. I should pay the price…”

Early Minrathous

I liked the idea of being able to see the colossal bones of the previous magical elven empire. By Matt Rhodes

Vhenan

if he had a tail he'd be wagging it

elves fleeing the ruined city of arlathan and being welcomed with open arms into cad'halash thaig. the very spirits that stole the lyrium from their gods and used their newfound bodies to tranquilize them, and yet the dwarves said "come to us, we will shelter you". dwarves and elves alike being destroyed by kal-sharok so as to not jeopardize their alliance with the tevinter imperium. somewhere in cad'halash thaig a dwarf and an elf were holding one another when they died. ir sa tel'nal. isatunoll.

In the shadow of a god