I feel like something that’s obvious but nobody’s actually pointed out is that the Blight (which we now know to be corrupted Titan spirits/Titan nightmares) perpetually creates darkspawn to replace the dwarves. The dwarves used to be some kind of vast, populous hivemind before they were severed from their dreams/the Titans, and the Titan’s spirits were separated from the Stone, yeah? Dwarves practically WERE an extension of the Titans until that point. Point to Inquisition dialogue where Solas describes them as a “severed arm”. But once those two separations happened, the Blight had to create new bodies to maintain the structural integrity of isunatoll/the song, now that the two were separated. The darkspawn are a lesser hivemind because the Blight/the Titans no longer have access to the dwarves. And the darkspawn are typically mindless + hostile because the severed spirits/dreams that are attempting to pilot them have gone mad with rage from the sheer violence and isolation of the mutilation they’ve experienced. It’s astounding writing and worldbuilding. But in Veilguard all we got was “oh the darkspawn aren’t people” :) :) :)
it's all so tiresome
So basically one of Solas' murals
is the Crestwood scene, but with reversed roles. Solas is the rejected one, Mythal is the one who walks away, leaving him alone in what I presume was a glade at night, judging from the environmental sounds and hushed tones we can hear.
And, to be honest, I don't know how I feel about it - it feels like it cheapens the Crestwood scene, repeating an abusive pattern, stripping away the romance and softness of that scene. It's, once again, something Solas already went through with Mythal, not something he shares with Lavellan only. It's Weekes saying yet again that Solas saw Mythal in Lavellan, and that's why he fell in love with her. Not because she was Lavellan, but because she reminded him of Mythal and gave him hope that all elves could return to that "level" of wisdom.
What we learn in this game also ruins the kiss scene on the balcony, where Solas say "You have showed wisdom I have not seen since... since my deepest journeys into the ancient memories of the Fade."
Most of us believed he meant "Wisdom I have not seen since my ancient days in Elvhenan", but it's basically confirmed at this point that he meant "Wisdom I have not seen since Mythal".
A month ago, someone here mentioned how Weekes had said there was a specific reason why Solas had falled for Lavellan. I never found the interview where they said so, but I saw many believed it had something to do with reincarnation, lost soulmates finding each other again etc., but once again, it's clear what Weekes meant, and it's bad, cheap writing.
They could have written a god finally learning the error of his ways thanks to his love for a mortal - a love completely different from that of who was basically an abuser, a parent-like figure forcing him to take form and serve -, but instead they went for the easy route: a god still loving another god, feeling love for a mortal who reminds him of her, and changing his mind only because his god finally gives him permission to be free.
The mortal who supposedly "changes everything" serves no purpose - she actually tells him "There is no fate but the love we share" after he's been "freed" from his service, which in this context, in this situation, sounds more like a punishment, another yoke, some sort of "I finally got you, you can't run from me anymore".
I don't know what happened to Weekes' writing - either they were forced to make these decisions due to various constraints, or they completely changed their style/ideas during development, because this is not the Solas, this is not the Solavellan romance, we got in DA:I.
requested a cameo from gdl and asked him to make solas say 'fuck'. enjoy.
Rook: Gee, I wonder what Solas felt about these things we see in his regrets, such mystery, big mystery, lets put all of our minds together and see what we can come up with! Solas in every painting:
Rook: I've got nothing.
(I know it's about POV, I know it's A Choice, I still find it funny.)
Far more people saved Solas than pet Assan, by the way. LMFAO everyone playing knew who the REAL magical mythical puppy was
Friends Are Never Truly Gone
until the world fades away
Solas/Elvhen murals 🥰🥰🥰
Senior Character Artist Lauren Kelly: "I created the face for Solas in Dragon Age: The Veilguard. Responsible for the highres sculpt, bakes, textures, and wrinkle/tension maps. Blendshapes created by the talented Jill Harrington and EA Create team." [source]