Please I Love You I'm Begging You Bring Back Suspension Of Disbelief Bring Back Trusting The Audience

Writing Update 5/15/2025

Hi hi! For the most part, I've finished the hero side of the worldbuilding. I mostly just have to think of more holidays. Anyways, here are the categories of heroes for anyone interested (keep in mind this is a draft that needs more polish):

Commons - Heroes that represent common hopes and dreams.

Pinnacles - Heroes that represent hopes that are achievable, but need a lot of work to become reality, and depend highly on the direction of the future. This can include heroes that represent concepts like world peace or futuristic technology.

Ambitions - Heroes that represent hopes and dreams that are more personal, such as hopes for one's family, personal goals, and so on.

Unattainables - Heroes that represent human desires or dreams which can not be attained. Some are obvious like those based on things like flying or shape shifting dreams, while others are more abstract and connect to humans attempting to disregard their humanity.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

You know, while I'm on the subject, I think a really fascinating thing about Infernal Serenade is knowledge of the soul, accuracy wise, is basically in reverse to what you'd respect. An old scholar has more accurate information on souls than any modern spiritual or religious beliefs about the soul, because there was no societal pressure to come to one conclusion, nor would it be quickly dismissed like that type of thought often is in modern times.

OC Crossover [1/?] -> Spirit Guide Foxes

Flat colored doodle of: Spring Form Autumn ( @pluttskutt 's OC) and Zenjirou (mine) from my older story The Court Of Rooks !

(Listened to this one on repeat while I drew)

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Me writing Every Hero Needs a Villain like "maybe this is too self indulgent" and encouraging myself to sprinkle in even more self indulgence everytime I think that.

Reblog to bonk your mutuals on the head every time they start thinking negatively about themselves

Hi peeps! As I work on Every Hero Needs a Villain, do y'all want me to make the community for it so you can see some funny behind the scenes stuff and potentially certain bios as I make them? You can also make suggestions for stuff there if you want. Trying to encourage myself to complete them.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

writing the book was the easy part.

nobody told me how gutting it would be to actually ask people to read it.

to say “this means something to me, will you look?” and sit in the silence after. and then do it again. and again. and again.

i didn’t expect how much of this would feel like screaming into a void in a party dress — trying to be charming, clever, vulnerable, marketable, when all i really want is to tell stories and have someone care.

it’s exhausting. it’s lonely. it’s weirdly intimate.

but i still want it. gods help me, i want it so bad.