"why doesn't this thing in a movie/book/tv show happen exactly like it would in real life" is the most brain dead criticism the internet has to offer, and yet I see it EVERYWHERE.
Fair enough!
Happy storyteller saturday! What are you most looking forward to writing in your current WIP?
Honestly? No idea. I don't think like that. I don't (usually) have a scene, a specific character, or even a theme when I start a story. I have the seed of an idea and just write. Thanks for the ask.
I am continuing to work on Every Hero Needs a Villain and I am super happy to announce that I'm actually making great progress when it comes to both hero and villain descriptions. Each category has six, with each hero having a villain and vice versa. I hope I've gotten a good spattering of personalities for people to enjoy this way.
Here's a snippet from Straight Shooter's, a cowboy object head:
He can inspire a state of restfulness depending on the color of his scarf. Red is for physical restfulness, purple is mental restfulness, blue is emotional restfulness, green is spiritual restfulness, yellow is instinct restfulness, and sometimes he has a rare rainbow of all these colors. Yet, to do so, he too must also achieve this restfulness for himself.
Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere
AHHHH SHE'S SO CUTE! When she's off duty, can I huggle her?
I'm late, but happy worldbuilding wednesday! Any favorite animals who've created or modified for your story?
Happy World Building Friday it's a thing now it's fine!
YES
Thistle from Summoning Trouble! She's a moth dragon!
Shes so cute and I adore her! She's a medical alert/service dragon for David (he has a magical deficiency so she lets him know when he's low on magic). She's tiny but has a big personality (steals every scene she's in)
Thanks for the ask!
Hey, whatever you find the most fun. I can sort of relate. For some of my stories it's more about the idea or world than the characters.
Happy storyteller saturday! What are you most looking forward to writing in your current WIP?
Honestly? No idea. I don't think like that. I don't (usually) have a scene, a specific character, or even a theme when I start a story. I have the seed of an idea and just write. Thanks for the ask.
hello !! take this as a free token to ramble about your wips. what are you LOVING writing rn? who are your favourite characters? favourite pairings?
My current project is kind of difficult to describe. It was inspired by dating games often not having options that my friends and I like. It's set in the dream world where there's entities made out of the world's hopes and dreams, but also entities made out of the world's nightmares and fears. It's basically gonna be an OC x reader type blog with heroes and villains for readers to swoon over. I do plan to write a story that connects with it though, which lets readers see the complex relationships between some of the heroes and villains up close and personal. My favorite is Nurse Sanguine and Mrs Robust. Think the crazed doctor trope meets the overly fake/polite business person trope. It's fun because writing hero culture and their world lets me connect to my favorite parts of fantasy stories. Writing villain culture and their world lets me connect to my favorite parts of horror stories.
The other project I am trying to get back into is Sleep Laughing. I want to develop the main character more, who is considered a villain within his sci-fi universe, and has a sort of forbidden romance with one of the hero's friends. I really need to get their dynamic down, because I think it could be super interesting and complex if I focused the vibes I have for them.
Thank you so much for asking! I love talking about my writing. /gen
There's queer romance in most of my stories, either that or queerplatonic relationships, and some kinky stuff, some with demons.
can y'all reblog this if you are/know writeblrs that write queer romance (with any other genre, not super fussy). double bonus for kinky shit and interesting romantic dynamics. i'm looking for more ppl to follow !!
reblog to remind prev they're not a bother and their presence is wanted <3
As a college writing major, I am imploring some of you to understand seeing a work in a different way than the author intended is not "media illiteracy". This is not a church and the writer is not the pope.
I am gently encouraging y'all, if you think this, to look into literary theories, because then you will realize there are multiple valid ways to study and interpret a work. And guess what? Some of these theories do not explore the author's original intent at all, but rather let the work speak for itself. That is a valid way of reading a work just as much as researching the writer's intent or background. I am especially concerned about this attitude I am seeing in the younger generation that there is only one way to interpret a piece of art. That is not the beauty of art.
I am especially tired of seeing posts like this about the classics, usually by individuals who make jokes about how people who don't view a work the way the author intended "need to go back to high school". I do not blame them for this ignorance, but I am begging them to learn about media analysis outside of the high school classroom, because high school only teaches you one way to approach stories.
Also, nothing makes me roll my eyes more than when people yell "media illiteracy" towards someone interpreting a work differently due to their unique experiences. The amount of singlets who yell "media illiteracy" when I, a plural person, try to explain my discomfort towards most possession stories, is so annoying. Like, it isn't an attack, it's sharing a different view point based on my unique perspectives as a plural person. This is a great opportunity to learn about experiences other than your own, not to trounce people.
Choice A: Chel's story [unnamed atm]. She's a Hunter that fights demons with holy water guns and salt filled hula-hoops while skating on inline skates and playing AC/DC on one side of the tape in her walkman, and exorcisms on the other side of the tape. Chel's lover is possessing her pet marmoset that she named after him after they saved it together, but it turns out that her lover was a nephilim who lost his physical form temporarily and he can't reform until she figures out that she needs to erase the sigils blocking him from doing so that's carved into her walls to protect her from various mythological creatures from entering her home. She later becomes an Archivist and a central hub of information for Hunters all over the country.
Choice B: [unnamed atm] The story of the school with animal familiars (basically when you hit puberty, you get the ability to speak to a specific type of animal - crows, house cats, horses, etc.) and there's this guy that can talk to house cats and his dad can talk to horses, a girl that talks to ravens, and the school is divided into prey and predators. The girl with the ravens ends up with a network of spies through the city because the ravens see everything and report back to her.
Choice C: The Blind Piano Player Girl [aka Tea and Treason] who is shipped off to her uncle's house (he's a general in the American army during the war for independence) and her father was a composer that was secretly making codes in his music and teaching them to his daughter. Everyone thought he was just a failed musician because his music sucked ass, but when you decipher it, it's plans he smuggled from the British side of the lines and only she has the key. But she's blind and everyone think's she's useless. She ends up being able to smell when people are smuggling things they aren't supposed to (like drugs in the tea to poison people in charge) and can trace it back to who touched it because they have it on their hands. Her uncle uses her to turn the tide of the war.
writing the book was the easy part.
nobody told me how gutting it would be to actually ask people to read it.
to say “this means something to me, will you look?” and sit in the silence after. and then do it again. and again. and again.
i didn’t expect how much of this would feel like screaming into a void in a party dress — trying to be charming, clever, vulnerable, marketable, when all i really want is to tell stories and have someone care.
it’s exhausting. it’s lonely. it’s weirdly intimate.
but i still want it. gods help me, i want it so bad.
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